℗ 2019 Big Machine Label Group
Released October 4, 2019
Duration 12m 41s
Record Label Big Machine Records
Catalogue No. BMRPS0050C
Genre Country
 

Payton Smith

Payton Smith

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
  • Select Format
    • AIFF 96 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
Add to cart
discounted price

 
1.1
'92
Payton Smith
3:21
1.2
Can’t Go Wrong With That
Payton Smith
3:18
1.3
Like I Knew You Would
Payton Smith
3:02
1.4
What It Meant To Lose You
Payton Smith
3:00
Payton Smith is proof that working hard, taking risks and finding just a little luck really does pay off. When the Houma, Louisiana, native landed a slot on one of the smaller stages at CMA Fest in 2018, he decided to play as if he were headlining an arena, tearing through original songs all while delivering supercharged guitar solos. Big Machine Label Group President/CEO Scott Borchetta happened to be walking by that afternoon and shortly thereafter offered him a record deal on the Big Machine Records imprint. Payton had every reason to celebrate: since he first saw Keith Urban perform on the CMA Awards 14 years ago, he has dreamt of playing his own brand of Country music, one influenced by 90’s Country and Guitar Rock. The 19-year-old is every bit as much a fan of Pearl Jam and John Mayer as he is Clint Black, George Strait – certain that his peers in the Spotify generation have equally varied musical tastes. Honoring the genre’s traditions while moving the sound forward, Payton co-wrote a new collection of four songs, released via his debut self-titled EP. Highlighting his gifts as a vocalist, songwriter and nimble self-taught guitarist — he plays every guitar part on each track – the release follows in the footsteps of his favorite slingers across the musical landscape. He worked with producer James Stroud and bonded with a fellow Louisiana native over their love of diving beats. His gift for melody, coupled with sharp but approachable lyricism and fluid guitar playing, sets up Payton to be the hottest young voice to change Nashville. As he made clear on that CMA Fest stage not long ago, he's not afraid to push the envelope or look at things from a different perspective.
96 kHz / 24-bit PCM – Big Machine Records Studio Masters

Tracks 1-4 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-0.32
-0.32 to -0.32
-10.65
-10.86 to -10.46
-7.93
-8.10 to -7.70
6
6 to 6
1
'92
-0.32-10.46-7.76
2
Can’t Go Wrong With That
-0.32-10.56-7.86
3
Like I Knew You Would
-0.32-10.73-8.16
4
What It Meant To Lose You
-0.32-10.86-8.16

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions