℗ 2019 Naxos
Released | October 11, 2019 |
Duration | 1h 08m 18s |
Record Label | Naxos |
Catalogue No. | 8.574027 |
Genre | Classical (Piano) |
Magna Sequentia II
Sonia Rubinsky
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Overture in the French Style, BWV 831 (Excerpts)
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1.1
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I. Overture
Johann Sebastian Bach; Sonia Rubinsky |
14:37 | |||
1.2
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II. Courante
Johann Sebastian Bach; Sonia Rubinsky |
2:19 | |||
French Suite No. 1 in D Minor, BWV 812
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1.3
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I. Allemande
Johann Sebastian Bach; Sonia Rubinsky |
4:52 | |||
Keyboard Partita No. 5 in G Major, BWV 829
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1.4
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III. Corrente
Johann Sebastian Bach; Sonia Rubinsky |
1:49 | |||
English Suite No. 3 in G Minor, BWV 808
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1.5
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II. Allemande
Johann Sebastian Bach; Sonia Rubinsky |
5:19 | |||
Keyboard Partita No. 4 in D Major, BWV 828
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1.6
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III. Courante
Johann Sebastian Bach; Sonia Rubinsky |
4:03 | |||
Suite in F Minor, BWV 823
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1.7
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II. Sarabande en rondeau
Johann Sebastian Bach; Sonia Rubinsky |
4:37 | |||
French Suite No. 1 in D Minor, BWV 812
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1.8
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III. Sarabande
Johann Sebastian Bach; Sonia Rubinsky |
4:42 | |||
Keyboard Partita No. 5 in G Major, BWV 829
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1.9
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V. Tempo di minuetto
Johann Sebastian Bach; Sonia Rubinsky |
2:03 | |||
Overture in the French Style, BWV 831 (Excerpts)
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1.10
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IV. Passepied I & II
Johann Sebastian Bach; Sonia Rubinsky |
3:11 | |||
1.11
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VI. Bourrée I & II
Johann Sebastian Bach; Sonia Rubinsky |
3:03 | |||
French Suite No. 6 in E Major, BWV 817
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1.12
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V. Polonaise
Johann Sebastian Bach; Sonia Rubinsky |
1:39 | |||
Keyboard Partita No. 3 in A Minor, BWV 827
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1.13
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VI. Scherzo
Johann Sebastian Bach; Sonia Rubinsky |
1:18 | |||
English Suite No. 6 in D Minor, BWV 811
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1.14
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VI. Gavottes I & II
Johann Sebastian Bach; Sonia Rubinsky |
4:54 | |||
Keyboard Partita No. 4 in D Major, BWV 828
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1.15
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VII. Gigue
Johann Sebastian Bach; Sonia Rubinsky |
3:42 | |||
Overture in the French Style, BWV 831 (Excerpts)
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1.16
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VII. Gigue
Johann Sebastian Bach; Sonia Rubinsky |
2:54 | |||
1.17
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VIII. Echo
Johann Sebastian Bach; Sonia Rubinsky |
3:16 | |||
Digital Booklet
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Sonia Rubinsky’s Magna Sequentia I was constructed around a Partita from Bach’s "Clavier-Übung I" but this second volume focuses on the "French Overture" from "Clavier-Übung II". Each of the 17 movements has been selected to illustrate the different styles and expressive moods of Bach’s dance writing.
This unique sequence showcases three specific national styles: the ornate and sophisticated French school, virtuosic Italian writing, and the stricter fugal writing of the German style. Contemporary insights abound in Rubinsky’s historically informed playing.
96 kHz / 24-bit PCM – Naxos Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.31 -5.74 to -0.46 | -20.66 -26.36 to -18.37 | -17.91 -23.30 to -15.80 | 12 11 to 15 | |
1 | I. Overture | -0.46 | -19.28 | -16.6 | 12 |
2 | II. Courante | -1.94 | -19.04 | -16.2 | 11 |
3 | I. Allemande | -1.67 | -18.54 | -15.8 | 11 |
4 | III. Corrente | -1.55 | -19.46 | -16.8 | 12 |
5 | II. Allemande | -0.60 | -22.00 | -19.1 | 15 |
6 | III. Courante | -1.62 | -19.89 | -17.3 | 12 |
7 | II. Sarabande en rondeau | -5.74 | -25.91 | -22.9 | 12 |
8 | III. Sarabande | -4.98 | -26.36 | -23.3 | 14 |
9 | V. Tempo di minuetto | -4.82 | -22.51 | -19.8 | 11 |
10 | IV. Passepied I & II | -1.87 | -19.26 | -16.4 | 11 |
11 | VI. Bourrée I & II | -1.10 | -18.93 | -16.2 | 11 |
12 | V. Polonaise | -4.18 | -21.83 | -19.1 | 11 |
13 | VI. Scherzo | -1.74 | -19.96 | -17.4 | 12 |
14 | VI. Gavottes I & II | -2.71 | -20.63 | -17.9 | 12 |
15 | VII. Gigue | -1.52 | -18.37 | -15.9 | 11 |
16 | VII. Gigue | -1.81 | -20.10 | -17.4 | 11 |
17 | VIII. Echo | -0.98 | -19.16 | -16.4 | 13 |