℗ 2008 Opera Rara
Released June 7, 2019
Duration 2h 01m 36s
Record Label Opera Rara
Genre Classical (Opera)
 

Donizetti: Imelda de' Lambertazzi

Nicole Cabell, James Westman, Massimo Giordano, Frank Lopardo, Brindley Sherratt, Orchestra of the Age of Enlightenment, Mark Elder

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Imelda de' Lambertazzi, Act 1  
1.1
"All'armi! Oh ferel tromba!" (Chorus)
Gaetano Donizetti; Mark Elder; Orchestra of the Age of Enlightenment
6:10
1.2
"Amici! e qual risuona" (Orlando, Chorus, Lamberto)
Gaetano Donizetti; Mark Elder; Orchestra of the Age of Enlightenment
3:22
1.3
"Voi, che, fulmini di guerra" (Lamberto, Orlando, Chorus, Ubaldo)
Gaetano Donizetti; Mark Elder; Orchestra of the Age of Enlightenment
2:18
1.4
"Ah! si soda lo squillo di bellice tromba!" (Lamberto, Orlando, Ubaldo, Chorus)
Gaetano Donizetti; Mark Elder; Orchestra of the Age of Enlightenment
3:16
1.5
"Itale schiere, a sostenerlo accinte" (Lamberto, Orlando, Ubaldo)
Gaetano Donizetti; Mark Elder; Orchestra of the Age of Enlightenment
2:02
1.6
"Vincesti alfin! la tua ferocia e paga!" (Imelda)
Gaetano Donizetti; Mark Elder; Orchestra of the Age of Enlightenment
3:27
1.7
"Amarti, e nel martoro" (Imelda)
Gaetano Donizetti; Mark Elder; Orchestra of the Age of Enlightenment
2:12
1.8
"Ma il Ciel non ode I miei lamenti" (Imelda)
Gaetano Donizetti; Mark Elder; Orchestra of the Age of Enlightenment
4:32
1.9
"E' il genitor nelle sue stanze, Imelda?" (Ubaldo, Imelda, Bonifacio)
Gaetano Donizetti; Mark Elder; Orchestra of the Age of Enlightenment
1:58
1.10
"Ah! m'odi ..." (Bonifacio, Imelda)
Gaetano Donizetti; Mark Elder; Orchestra of the Age of Enlightenment
2:08
1.11
"Spiro la tregua ... il sai! ..." (Imelda, Bonifacio)
Gaetano Donizetti; Mark Elder; Orchestra of the Age of Enlightenment
1:59
1.12
"Non ti giurasti mia?" (Bonifacio, Imelda)
Gaetano Donizetti; Mark Elder; Orchestra of the Age of Enlightenment
4:52
1.13
"E' Oralando che si avanza!" (Bonifacio, Orlando, Ubaldo)
Gaetano Donizetti; Mark Elder; Orchestra of the Age of Enlightenment
4:17
1.14
"Del cittadino al dritto" (Chorus of Ghibellines)
Gaetano Donizetti; Mark Elder; Orchestra of the Age of Enlightenment
3:18
1.15
"D'invitti Eroi degni nepoti! ai sensi" (Lamberto, Chorus, Orlando, Ubaldo)
Gaetano Donizetti; Mark Elder; Orchestra of the Age of Enlightenment
1:49
1.16
"Vengo a voi, non d'armi cinto" (Bonifacio, Orlando, Lamberto, Ubaldo, Chorus)
Gaetano Donizetti; Mark Elder; Orchestra of the Age of Enlightenment
2:42
1.17
"L'incarco esponi" (Orlando, Bonifacio, Lamberto, Ubaldo, Chorus)
Gaetano Donizetti; Mark Elder; Orchestra of the Age of Enlightenment
1:45
1.18
"E quale pegno di stabil pace" (Orlando, Bonifacio, Lamberto, Ubaldo, Chorus)
Gaetano Donizetti; Mark Elder; Orchestra of the Age of Enlightenment
2:49
1.19
"Imelda!" (Bonifacio, Lamberto, Orlando, Imelda, Ubaldo, Chorus)
Gaetano Donizetti; Mark Elder; Orchestra of the Age of Enlightenment
6:55
Imelda de' Lambertazzi, Act 2  
2.1
"Segui i miei passi" (Lamberto, Imelda)
Gaetano Donizetti; Mark Elder; Orchestra of the Age of Enlightenment
2:46
2.2
"Di Bonifacio il padre ..." (Lamberto, Imelda)
Gaetano Donizetti; Mark Elder; Orchestra of the Age of Enlightenment
5:01
2.3
"Tu l'hai spenta nel mio petto" (Lamberto, Imelda)
Gaetano Donizetti; Mark Elder; Orchestra of the Age of Enlightenment
3:22
2.4
"Mi narri il ver?" (Orlando, Ubaldo, Lamberto)
Gaetano Donizetti; Mark Elder; Orchestra of the Age of Enlightenment
3:55
2.5
"Chi viene?" (Chorus)
Gaetano Donizetti; Mark Elder; Orchestra of the Age of Enlightenment
3:54
2.6
"Dolente a voi ritorno. E spenta, o amici" (Bonifacio, Chorus)
Gaetano Donizetti; Mark Elder; Orchestra of the Age of Enlightenment
1:25
2.7
"Imelda a me volgea" (Bonifacio, Chorus)
Gaetano Donizetti; Mark Elder; Orchestra of the Age of Enlightenment
3:35
2.8
"Si! nel cimento" (Chorus, Bonifacio)
Gaetano Donizetti; Mark Elder; Orchestra of the Age of Enlightenment
2:44
2.9
"Imelda! m'attendi! Seguirimi dovrai ..." (Bonifacio, Chorus)
Gaetano Donizetti; Mark Elder; Orchestra of the Age of Enlightenment
3:46
2.10
"Asconda il denso vel di notte orrenda" (Imelda, Lamberto, Bonifacio)
Gaetano Donizetti; Mark Elder; Orchestra of the Age of Enlightenment
5:25
2.11
"Imelda ... Lasciarti?" (Bonifacio, Imelda)
Gaetano Donizetti; Mark Elder; Orchestra of the Age of Enlightenment
3:01
2.12
"Ma volano rapidi, oh cara! i momenti ..." (Bonifacio, Imelda, Distanr Voice)
Gaetano Donizetti; Mark Elder; Orchestra of the Age of Enlightenment
2:34
2.13
"Addio per sempre!" (Bonifacio, Imelda)
Gaetano Donizetti; Mark Elder; Orchestra of the Age of Enlightenment
2:23
2.14
"Ove ten fuggi? Ove ti celi, indega?" (Orlando, Imelda, Lamberto, Distant Voice)
Gaetano Donizetti; Mark Elder; Orchestra of the Age of Enlightenment
1:43
2.15
"Morte al Guelfo!" (Part of the Armed Chorus, Women, Citizens, First Part of Chorus, Second Part of Chorus, Orlando, Imelda, Lamberto)
Gaetano Donizetti; Mark Elder; Orchestra of the Age of Enlightenment
1:48
2.16
"Padre ... son rea ... lo vedo!" (Imelda, Orlando, Lamberto)
Gaetano Donizetti; Mark Elder; Orchestra of the Age of Enlightenment
4:29
Imelda de' Lambertazzi, Appendix  
2.17
"M'odi almen, te ne scongiuro" (Imelda)
Gaetano Donizetti; Mark Elder; Orchestra of the Age of Enlightenment
7:54
Digital Booklet
"[This recording's] strengths lie in powerhouse performances from James Westman as Bonifacio and Massimo Giordano as Imelda's appalling brother Lamberto. Nicole Cabell's Imelda, though exquisite, seems disengaged in comparison. Mark Elder's conducting is wonderfully insistent, while the dark, period sound of the Orchestra of the Age of Enlightenment adds immeasurably to the oppressive atmosphere of it all." - The Guardian Imelda de’ Lambertazzi immediately precedes Donizetti’s first masterpiece, Anna Bolena, and was written for the Teatro San Carlo in Naples in the same year (1830). However, its fate was very different and scholars now take the view that the composer’s very concision in his setting of the Romeo and Juliet–like plot, in which Imelda loves Bonifacio, the son of the faction hated by her father Orlando and brother Lamberto, wrong-footed the Neapolitan public. The casting politics of Naples also played a role in the Imelda San Carlo reception and, after a brief stage history; the work unfortunately disappeared for well over a century. Now, with Opera Rara’s world premiere studio recording of this innovative work, a wider audience can experience one of Donizetti’s most thrilling and dynamic scores. The wonderful young soprano, Nicole Cabell (Cardiff Singer of the World, 2005), takes the title role, surrounded by an impressive cast with Mark Elder conducting the Orchestra of the Age of Enlightenment. The 2-disc set, which includes as an Appendix to the recording the aria finale written specifically for Luigia Boccabadati in 1831.
44.1 kHz / 24-bit PCM – Opera Rara Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-0.60
-4.45 to -0.09
-22.21
-28.64 to -17.79
-17.58
-23.50 to -13.20
13
10 to 16
1.1
"All'armi! Oh ferel tromba!" (Chorus)
-0.09-20.24-14.812
1.2
"Amici! e qual risuona" (Orlando, Chorus, Lamberto)
-0.09-21.14-16.814
1.3
"Voi, che, fulmini di guerra" (Lamberto, Orlando, Chorus, Ubaldo)
-0.09-19.60-15.113
1.4
"Ah! si soda lo squillo di bellice tromba!" (Lamberto, Orlando, Ubaldo, Chorus)
-0.09-18.44-14.412
1.5
"Itale schiere, a sostenerlo accinte" (Lamberto, Orlando, Ubaldo)
-1.42-25.23-21.315
1.6
"Vincesti alfin! la tua ferocia e paga!" (Imelda)
-1.23-23.98-19.114
1.7
"Amarti, e nel martoro" (Imelda)
-2.45-24.16-19.614
1.8
"Ma il Ciel non ode I miei lamenti" (Imelda)
-0.09-22.07-18.114
1.9
"E' il genitor nelle sue stanze, Imelda?" (Ubaldo, Imelda, Bonifacio)
-3.14-28.64-22.915
1.10
"Ah! m'odi ..." (Bonifacio, Imelda)
-0.09-20.72-16.513
1.11
"Spiro la tregua ... il sai! ..." (Imelda, Bonifacio)
-2.92-26.13-22.414
1.12
"Non ti giurasti mia?" (Bonifacio, Imelda)
-0.09-20.33-16.013
1.13
"E' Oralando che si avanza!" (Bonifacio, Orlando, Ubaldo)
-4.45-27.93-23.516
1.14
"Del cittadino al dritto" (Chorus of Ghibellines)
-0.09-20.00-14.913
1.15
"D'invitti Eroi degni nepoti! ai sensi" (Lamberto, Chorus, Orlando, Ubaldo)
-0.25-22.08-17.614
1.16
"Vengo a voi, non d'armi cinto" (Bonifacio, Orlando, Lamberto, Ubaldo, Chorus)
-0.09-20.50-16.012
1.17
"L'incarco esponi" (Orlando, Bonifacio, Lamberto, Ubaldo, Chorus)
-0.09-22.06-17.513
1.18
"E quale pegno di stabil pace" (Orlando, Bonifacio, Lamberto, Ubaldo, Chorus)
-0.09-20.78-16.613
1.19
"Imelda!" (Bonifacio, Lamberto, Orlando, Imelda, Ubaldo, Chorus)
-0.09-17.79-13.210
2.1
"Segui i miei passi" (Lamberto, Imelda)
-0.09-23.11-18.715
2.2
"Di Bonifacio il padre ..." (Lamberto, Imelda)
-0.09-22.45-18.315
2.3
"Tu l'hai spenta nel mio petto" (Lamberto, Imelda)
-0.09-21.07-17.013
2.4
"Mi narri il ver?" (Orlando, Ubaldo, Lamberto)
-1.32-26.78-21.916
2.5
"Chi viene?" (Chorus)
-0.09-22.88-17.514
2.6
"Dolente a voi ritorno. E spenta, o amici" (Bonifacio, Chorus)
-2.02-25.93-21.113
2.7
"Imelda a me volgea" (Bonifacio, Chorus)
-0.09-23.51-18.613
2.8
"Si! nel cimento" (Chorus, Bonifacio)
-0.09-19.61-15.212
2.9
"Imelda! m'attendi! Seguirimi dovrai ..." (Bonifacio, Chorus)
-0.09-20.63-15.812
2.10
"Asconda il denso vel di notte orrenda" (Imelda, Lamberto, Bonifacio)
-0.09-25.34-19.916
2.11
"Imelda ... Lasciarti?" (Bonifacio, Imelda)
-0.09-23.97-19.715
2.12
"Ma volano rapidi, oh cara! i momenti ..." (Bonifacio, Imelda, Distanr Voice)
-0.09-20.99-16.513
2.13
"Addio per sempre!" (Bonifacio, Imelda)
-0.09-19.50-14.812
2.14
"Ove ten fuggi? Ove ti celi, indega?" (Orlando, Imelda, Lamberto, Distant Voice)
-0.09-20.30-15.512
2.15
"Morte al Guelfo!" (Part of the Armed Chorus, Women, Citizens, First Part of Chorus, Second Part of Chorus, Orlando, Imelda, Lamberto)
-0.09-18.91-14.812
2.16
"Padre ... son rea ... lo vedo!" (Imelda, Orlando, Lamberto)
-0.09-21.11-14.412
2.17
"M'odi almen, te ne scongiuro" (Imelda)
-0.09-21.78-16.813

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