℗ 2006 Sub Pop Records
 

Everything All the Time

Band Of Horses

Available in MQA and 44.1 kHz / 24-bit AIFF, FLAC audio formats

  • Select Format
    • AIFF 44.1 kHz | 24-bit
    • FLAC 44.1 kHz | 24-bit
    • MQA 44.1 kHz | 24-bit
Add to cart
discounted price
 
1.1
The First Song
Band Of Horses
3:43
1.2
Wicked Gil
Band Of Horses
2:57
1.3
Our Swords
Band Of Horses
2:26
1.4
The Funeral
Band Of Horses
5:22
1.5
Part One
Band Of Horses
2:35
1.6
The Great Salt Lake
Band Of Horses
4:45
1.7
Weed Party
Band Of Horses
3:09
1.8
I Go To The Barn Because I Like The
Band Of Horses
3:06
1.9
Monsters
Band Of Horses
5:21
1.10
St. Augustine
Band Of Horses
2:41
Total Playing Time    36:05
Achieving musical transcendence is a tricky feat, almost definitively. If it happens at all, it happens naturally — and perhaps nobody knows that better than Seattle, Washington’s Band of Horses. Guitarist/vocalist Ben Bridwell and bassist Mat Brooke formed Band of Horses in 2004, after the dissolution of their nearly ten-year run in northwest melancholic darlings Carissa’s Wierd. Carissa’s Wierd trafficked in sadly beautiful orchestral pop, whose songs told unflinching stories of heartbreak and loss, leavened with defeatist humor. And, Band of Horses rises from the ashes of that well-loved and short-lived band. After playing music with each other for over a decade, Bridwell and Brooke picked up together again when Bridwell began fleshing out his compositions post-Carissa’s.

“It was really just a natural thing we started doing,” explains Bridwell. Buoyed by Bridwell’s warm, reverb-heavy vocals (which strangely channel a dichotomous blend of Wayne Coyne, Brian Wilson and Doug Martsch,) Band of Horses’ woodsy, dreamy songs ooze with amorphous tension, longing and hope. At times raggedly epic (“The Great Salt Lake”) and delicately pensive (“St. Augustine,” “Monsters”), Everything All the Time is an album painted gorgeously in fragile highs and lows.
44.1 kHz / 24-bit PCM – Sub Pop Records Studio Masters

For Your Consideration | More ▸

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions