℗ 2013 Sub Pop Records
| Released | October 15, 2013 |
| Duration | 53m 16s |
| Record Label | Sub Pop Records |
| Genre | Alternative Rock |
Let's Be Still
The Head And The Heart
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Homecoming Heroes
The Head And The Heart |
3:46 | |||
|
1.2
|
Another Story
The Head And The Heart |
4:34 | |||
|
1.3
|
Springtime
The Head And The Heart |
0:53 | |||
|
1.4
|
Summertime
The Head And The Heart |
2:53 | |||
|
1.5
|
Josh McBride
The Head And The Heart |
5:13 | |||
|
1.6
|
Shake
The Head And The Heart |
4:01 | |||
|
1.7
|
Cruel
The Head And The Heart |
4:59 | |||
|
1.8
|
Let's Be Still
The Head And The Heart |
4:28 | |||
|
1.9
|
My Friends
The Head And The Heart |
3:22 | |||
|
1.10
|
10,000 Weight in Gold
The Head And The Heart |
4:12 | |||
|
1.11
|
Fire/Fear
The Head And The Heart |
4:15 | |||
|
1.12
|
These Days Are Numbered
The Head And The Heart |
4:14 | |||
|
1.13
|
Gone
The Head And The Heart |
6:26 |
In 2010, Virginia native Jonathan Russell and California transplant Josiah Johnson formed the core songwriting partnership of The Head and The Heart in their new hometown of Seattle. The band was quickly rounded out with the addition of drummer Tyler Williams, keyboardist Kenny Hensley, vocalist/violinist Charity Rose Thielen and bassist Chris Zasche. Their 2011 debut album on Sub Pop became one of the label’s best-selling debut releases to date. In a few short months The Head and The Heart went from playing open mic nights to selling out San Francisco’s Fillmore, Seattle’s Paramount Theatre, New York’s Terminal 5 and more, building a loyal fanbase across the country.
The new album, Let’s Be Still, is a snapshot of a band that didn’t exist just four short years ago. The album was recorded at Seattle’s Studio Litho with assistance from prior production collaborator Shawn Simmons. Later, the band traversed the country to mix the album in Bridgeport, CT, with Peter Katis, revered for his work with bands such as the National, Interpol, and the Swell Season.
96 kHz / 24-bit PCM – Sub Pop Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.61 -1.43 to -0.44 | -13.51 -17.57 to -11.94 | -10.97 -15.00 to -9.30 | 8 6 to 10 | |
| 1 | Homecoming Heroes | -0.47 | -12.20 | -9.9 | 7 |
| 2 | Another Story | -0.55 | -12.65 | -10.2 | 7 |
| 3 | Springtime | -1.43 | -17.57 | -15.0 | 10 |
| 4 | Summertime | -0.57 | -12.54 | -10.2 | 8 |
| 5 | Josh McBride | -0.59 | -13.68 | -11.5 | 7 |
| 6 | Shake | -0.55 | -12.09 | -9.6 | 7 |
| 7 | Cruel | -0.44 | -13.22 | -11.0 | 7 |
| 8 | Let's Be Still | -0.56 | -14.10 | -11.9 | 9 |
| 9 | My Friends | -0.44 | -11.94 | -9.3 | 7 |
| 10 | 10,000 Weight in Gold | -0.56 | -13.50 | -11.0 | 8 |
| 11 | Fire/Fear | -0.51 | -12.75 | -10.2 | 7 |
| 12 | These Days Are Numbered | -0.60 | -16.90 | -13.1 | 10 |
| 13 | Gone | 0.00 | -12.51 | -9.7 | 6 |