℗ 2003 Reprise Records
| Released | June 28, 2011 |
| Duration | 50m 36s |
| Record Label | Rhino/Warner Records |
| Genre | Pop |
Everything To Everyone [Edited / Clean]
Barenaked Ladies
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Celebrity
Barenaked Ladies |
3:28 | |||
|
1.2
|
Maybe Katie
Barenaked Ladies |
2:57 | |||
|
1.3
|
Another Postcard
Barenaked Ladies |
3:25 | |||
|
1.4
|
Next Time
Barenaked Ladies |
3:50 | |||
|
1.5
|
For You
Barenaked Ladies |
3:27 | |||
|
1.6
|
Shopping
Barenaked Ladies |
3:34 | |||
|
1.7
|
Testing 1, 2, 3
Barenaked Ladies |
3:32 | |||
|
1.8
|
Upside Down
Barenaked Ladies |
3:14 | |||
|
1.9
|
War on Drugs
Barenaked Ladies |
5:32 | |||
|
1.10
|
Aluminum
Barenaked Ladies |
4:34 | |||
|
1.11
|
Unfinished
Barenaked Ladies |
2:59 | |||
|
1.12
|
Second Best
Barenaked Ladies |
3:21 | |||
|
1.13
|
Take It Outside
Barenaked Ladies |
3:49 | |||
|
1.14
|
Have You Seen My Love
Barenaked Ladies |
2:54 |
Everything to Everyone is the sixth full-length studio album by Barenaked Ladies. It was released in 2003 and was produced by Ron Aniello. The content of the album is noted for its increased political commentary over previous albums.
After recording and touring incessantly from 1995 until 2001, Barenaked Ladies opted to take some time off for 2002 and most of 2003. It was the first long-term hiatus for the band since their inception. Upon returning to the recording studio to begin recording what would become Everything to Everyone, BNL adopted a new policy of keeping the writing exclusively within the band members. This resulted in increased contribution from Jim Creeggan and Kevin Hearn, and the band ended up recording more songs than usual (which in turn resulted in a 14-song album plus a bonus track).
The album was recorded in Los Angeles, and was the first album the band recorded following the inception of their online blog. This allowed the band to communicate with their fans on a continual basis during the recording, and gave additional insight into the creative process.
96 kHz / 24-bit PCM – Rhino/Warner Records Studio Masters
Tracks 1-14 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1-14 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.10 -0.10 to -0.10 | -12.01 -13.47 to -11.03 | -9.35 -11.20 to -8.20 | 7 6 to 9 | |
| 1 | Celebrity | -0.10 | -11.03 | -8.7 | 6 |
| 2 | Maybe Katie | -0.10 | -12.05 | -8.9 | 8 |
| 3 | Another Postcard | -0.10 | -11.87 | -9.1 | 7 |
| 4 | Next Time | -0.10 | -12.02 | -9.0 | 7 |
| 5 | For You | -0.10 | -13.47 | -11.2 | 8 |
| 6 | Shopping | -0.10 | -12.35 | -9.6 | 7 |
| 7 | Testing 1, 2, 3 | -0.10 | -12.99 | -10.5 | 9 |
| 8 | Upside Down | -0.10 | -11.58 | -8.4 | 7 |
| 9 | War on Drugs | -0.10 | -11.86 | -9.7 | 6 |
| 10 | Aluminum | -0.10 | -11.38 | -8.2 | 6 |
| 11 | Unfinished | -0.10 | -11.90 | -9.0 | 7 |
| 12 | Second Best | -0.10 | -11.78 | -9.0 | 7 |
| 13 | Take It Outside | -0.10 | -11.63 | -9.3 | 7 |
| 14 | Have You Seen My Love | -0.10 | -12.21 | -10.3 | 7 |