℗ 2019 Sono Luminus
Released | October 25, 2019 |
Duration | 1h 02m 22s |
Record Label | Sono Luminus |
Catalogue No. | DSL-92236 |
Genre | Classical (Piano) |
The Etudes Project, Vol. 1: Iceberg
Jenny Lin
Available in 352.8 kHz / 24-bit, 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC and 5.6448 MHz, 2.8224 MHz DSD high resolution audio formats
1.1
|
Accretion
Max Grafe; Jenny Lin |
2:19 | |||
1.2
|
Etude de rythme No. 1, I/32 "Ile de feu"
Olivier Messiaen; Jenny Lin |
2:22 | |||
1.3
|
Etude No. 1 "Corona"
Victor Baez; Jenny Lin |
2:43 | |||
1.4
|
Etude No. 6 "Grains"
Unsuk Chin; Jenny Lin |
4:16 | |||
1.5
|
To the Convergence
Yu-Chun Chie; Jenny Lin |
2:26 | |||
1.6
|
Etude for Piano No. 1 "2 Lines"
Toshio Hosokawa; Jenny Lin |
3:45 | |||
1.7
|
Etude for Melancholy Robots No. 3 "Trains"
Will Healy; Jenny Lin |
3:54 | |||
1.8
|
Etude No. 1 "Désordre"
György Ligeti; Jenny Lin |
2:31 | |||
1.9
|
Etude No. 1 "Unleashed"
Derek Cooper; Jenny Lin |
2:29 | |||
1.10
|
Study in Mixed Accents
Ruth Crawford Seeger; Jenny Lin |
1:14 | |||
1.11
|
Lilac (Flower Catalog)
Stephanie Ann Boyd; Jenny Lin |
3:22 | |||
12 Etudes, L. 136, Livre 2
|
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1.12
|
No. 11, Pour les arpèges composés
Claude Debussy; Jenny Lin |
4:56 | |||
1.13
|
Walk
Drake Andersen; Jenny Lin |
2:36 | |||
1.14
|
Etude in F-Sharp Minor, Op. 8 No. 2
Alexander Scriabin; Jenny Lin |
2:16 | |||
Piano Études, Book 1
|
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1.15
|
No. 1, Obstinata 1 (Barbed Wire)
Harry Stafylakis; Jenny Lin |
4:18 | |||
1.16
|
Etude-Tableaux in D Minor, Op. 33 No. 4
Sergei Rachmaninoff; Jenny Lin |
3:36 | |||
1.17
|
Knuckles
Jonathan Russ; Jenny Lin |
3:31 | |||
1.18
|
Etude No. 13
Philip Glass; Jenny Lin |
3:57 | |||
1.19
|
Should the Wide World Roll Away
Alex Burtzos; Jenny Lin |
3:36 | |||
1.20
|
Etude in C-Sharp Minor, Op. 10 No. 4 "Torrent"
Frédéric Chopin; Jenny Lin |
2:15 | |||
Digital Booklet
|
Countless composers have risen to the challenge of the étude. This album, the first documentation of a sweeping project conceived by Lin, includes some of the most famous examples—Debussy, Scriabin, Rachmaninoff, Messiaen, Ligeti, and Glass—alongside equally noteworthy contributions to the format by such mavericks as Ruth Crawford Seeger, Toshio Hosokawa, and Unsuk Chin. Lin further pairs each of her canonical selections with an entirely new work by a member of Iceberg New Music, a determinedly heterodox collaborative of 10 gifted young composers who represent a broad range of stylistic inclinations, but who are united by their enduring faith in substance and craft.
Bucking a current fad, the new études were not proposed as sequels or responses to existing works. Lin simply asked the Iceberg composers to challenge her, and then used her own 4 5 keen ear and sure instincts to find sympathetic pairings. Driving rhythms and rich harmonies link pieces by Alex Burtzos and Chopin. Rangy scatterings of notes present a frolicsome affinity between Victor Baez and Unsuk Chin. Stephanie Ann Boyd and Debussy both deploy dreamy arpeggios in rippling waves; and so on. In each case, hearing the new piece enhances your understanding of the older one—and vice versa.
Identifying affinities among old and new music, and among familiar and unknown pieces, is a knack Lin has demonstrated again and again throughout her career—and it’s part of what makes her not only a persuasive interpreter, but also an invaluable guide and companion. Stated simply: you are in extraordinarily sure hands, here.
352.8 kHz / 24-bit, 192 kHz / 24-bit, 96 kHz / 24-bit PCM and 5.6448 MHz, 2.8224 MHz DSD – Sono Luminus Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.47 -2.47 to -0.22 | -20.27 -26.08 to -16.17 | -16.65 -21.20 to -13.30 | 12 11 to 16 | |
1 | Accretion | -0.31 | -22.01 | -18.5 | 14 |
2 | Etude de rythme No. 1, I/32 "Ile de feu" | -0.31 | -17.69 | -14.6 | 12 |
3 | Etude No. 1 "Corona" | -0.75 | -21.91 | -18.4 | 13 |
4 | Etude No. 6 "Grains" | -0.31 | -24.52 | -19.6 | 16 |
5 | To the Convergence | -0.40 | -21.38 | -17.0 | 12 |
6 | Etude for Piano No. 1 "2 Lines" | -2.47 | -26.08 | -21.2 | 13 |
7 | Etude for Melancholy Robots No. 3 "Trains" | -0.31 | -19.01 | -15.7 | 11 |
8 | Etude No. 1 "Désordre" | -0.26 | -16.17 | -13.3 | 11 |
9 | Etude No. 1 "Unleashed" | -0.29 | -17.74 | -14.6 | 11 |
10 | Study in Mixed Accents | -0.60 | -18.79 | -15.4 | 12 |
11 | Lilac (Flower Catalog) | -0.76 | -23.57 | -20.0 | 13 |
12 | No. 11, Pour les arpèges composés | -0.31 | -22.38 | -19.0 | 13 |
13 | Walk | -0.31 | -20.63 | -16.1 | 13 |
14 | Etude in F-Sharp Minor, Op. 8 No. 2 | -0.31 | -18.78 | -15.0 | 11 |
15 | No. 1, Obstinata 1 (Barbed Wire) | -0.31 | -19.43 | -16.1 | 12 |
16 | Etude-Tableaux in D Minor, Op. 33 No. 4 | -0.25 | -19.56 | -15.8 | 12 |
17 | Knuckles | -0.22 | -18.07 | -14.9 | 12 |
18 | Etude No. 13 | -0.31 | -19.53 | -16.6 | 12 |
19 | Should the Wide World Roll Away | -0.28 | -20.47 | -16.4 | 12 |
20 | Etude in C-Sharp Minor, Op. 10 No. 4 "Torrent" | -0.27 | -17.62 | -14.8 | 11 |