℗ 2019 Mute Artists
| Released | October 25, 2019 |
| Duration | 4h 24m 35s |
| Record Label | Mute |
| Genre | Alternative |
|
1.1
|
4'33"
The Normal |
4:33 | |||
|
1.2
|
4'33"
Fad Gadget |
4:33 | |||
|
1.3
|
4'33"
Silicon Teens |
4:33 | |||
|
1.4
|
4'33"
Non; Boyd Rice |
4:33 | |||
|
1.5
|
4'33"
Depeche Mode |
4:33 | |||
|
1.6
|
4'33"
Duet Emmo |
4:33 | |||
|
1.7
|
4'33"
Einstürzende Neubauten |
4:33 | |||
|
1.8
|
4'33"
Bruce Gilbert |
4:33 | |||
|
1.9
|
4'33"
Mark Stewart; Sonskrif; The New Banalist Orchestra |
4:33 | |||
|
1.10
|
4'33"
Erasure |
4:33 | |||
|
1.11
|
4'33"
He Said |
4:33 | |||
|
1.12
|
4'33"
A.C. Marias |
4:33 | |||
|
2.1
|
4'33"
Wire |
4:33 | |||
|
2.2
|
4'33"
Laibach |
4:33 | |||
|
2.3
|
4'33"
Nitzer Ebb |
4:33 | |||
|
2.4
|
4'33"
Michael Gira |
4:33 | |||
|
2.5
|
4'33"
Simon Fisher Turner; Edmund de Waal |
4:33 | |||
|
2.6
|
4'33"
Danny Briottet |
4:33 | |||
|
2.7
|
4'33"
Barry Adamson |
4:33 | |||
|
2.8
|
4'33"
Miranda Sex Garden |
4:33 | |||
|
2.9
|
4'33"
Alexander Balanescu |
4:33 | |||
|
2.10
|
4'33"
Phew |
4:40 | |||
|
2.11
|
4'33"
Moby |
4:33 | |||
|
2.12
|
4'33"
The Afghan Whigs |
4:33 | |||
|
3.1
|
4'33"
Mick Harvey |
4:33 | |||
|
3.2
|
4'33"
Komputer |
4:33 | |||
|
3.3
|
4'33"
Echoboy |
4:32 | |||
|
3.4
|
4'33"
Irmin Schmidt |
4:33 | |||
|
3.5
|
4'33"
Goldfrapp |
4:33 | |||
|
3.6
|
4'33"
Cabaret Voltaire |
4:33 | |||
|
3.7
|
4'33"
Liars |
4:33 | |||
|
3.8
|
4'33"
Mountaineers |
4:33 | |||
|
3.9
|
4'33"
Pole |
4:33 | |||
|
3.10
|
4'33"
Looper |
4:33 | |||
|
3.11
|
4'33"
The Warlocks |
4:33 | |||
|
4.1
|
4'33"
Pink Grease |
5:09 | |||
|
4.2
|
4'33"
Modey Lemon |
4:33 | |||
|
4.3
|
4'33"
Richard Hawley |
4:33 | |||
|
4.4
|
4'33"
Maps |
4:33 | |||
|
4.5
|
4'33"
Polly Scattergood |
4:33 | |||
|
4.6
|
4'33"
Yann Tiersen; Gareth Jones |
4:33 | |||
|
4.7
|
4'33"
Josh T. Pearson |
4:33 | |||
|
4.8
|
4'33"
Carter Tutti Void |
4:33 | |||
|
4.9
|
4'33"
Cold Specks |
4:33 | |||
|
4.10
|
4'33"
Land Observations |
4:33 | |||
|
4.11
|
4'33"
Ben Frost |
4:33 | |||
|
4.12
|
4'33"
New Order |
4:33 | |||
|
5.1
|
4'33"
onDeadWaves |
4:33 | |||
|
5.2
|
4'33"
Lost Under Heaven |
4:33 | |||
|
5.3
|
4'33"
ADULT. |
4:32 | |||
|
5.4
|
4'33"
Lee Ranaldo |
4:33 | |||
|
5.5
|
4'33"
Chris Carter |
4:33 | |||
|
5.6
|
4'33"
Nonpareils |
4:33 | |||
|
5.7
|
4'33"
Daniel Blumberg |
4:33 | |||
|
5.8
|
4'33"
ShadowParty |
4:33 | |||
|
5.9
|
4'33"
Chris Liebing |
4:33 | |||
|
5.10
|
4'33"
A Certain Ratio |
4:33 | |||
|
5.11
|
4'33"
KÁRYYN |
4:33 |
STUMM433 is the latest in the MUTE 4.0 (1978 > TOMORROW) series: a box set collating an unprecedented selection of Mute artists past, present and future.
STUMM433 features a huge array – over 50 – of Mute artists including Yann Tiersen, Goldfrapp, Depeche Mode, Liars, Silicon Teens, Erasure, K Á R Y Y N, Irmin Schmidt and many more, all presenting their own interpretation of one piece of music: John Cage’s game changing composition, 4’33”.
4’33” is among the most important of all contemporary music compositions. Composed and premiered in 1952, 4’33” is a piece for any instrument or combination of instruments. The score instructs the performer or performers not to play their instrument for the duration of the piece (generally four minutes and 33 seconds). As challenging and thought-provoking now as it was when it was premiered, 4’33” completely changed popular thinking on silence, sound, composition and listening.
“John Cage’s 4’33” has been present in my musical life for as long as I can remember as an important and inspiring composition. When the idea of every Mute artist doing their own interpretation of the piece came up during a conversation with Simon Fisher Turner, I immediately thought this was the perfect way to mark the label’s MUTE 4.0 (1978 > TOMORROW) series.”
- Daniel Miller (Founder of Mute Artists)
44.1 kHz / 24-bit PCM – Mute Studio Masters
Disc 1, Track 12; Disc 2, Tracks 6, 8, 10, 12; Disc 3, Tracks 5, 7, 11; Disc 4, Tracks 3, 7, 9-11; Disc 5, Tracks 2, 11 – contains material which has been processed by a perceptual audio coding algorithm Disc 5, Track 9 – contains material which utilizes a limited amount of the available bandwidth
Disc 1, Track 12; Disc 2, Tracks 6, 8, 10, 12; Disc 3, Tracks 5, 7, 11; Disc 4, Tracks 3, 7, 9-11; Disc 5, Tracks 2, 11 – contains material which has been processed by a perceptual audio coding algorithm Disc 5, Track 9 – contains material which utilizes a limited amount of the available bandwidth
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.46 -33.43 to | -29.25 -49.86 to | -28.18 -70.00 to -13.20 | 16 5 to 31 | |
| 1.1 | 4'33" | -2.78 | -31.07 | -27.1 | 16 |
| 1.2 | 4'33" | -70.0 | |||
| 1.3 | 4'33" | -2.22 | -26.72 | -24.0 | 16 |
| 1.4 | 4'33" | -26.98 | -44.48 | -43.6 | 13 |
| 1.5 | 4'33" | -5.00 | -31.31 | -28.6 | 18 |
| 1.6 | 4'33" | -0.22 | -30.19 | -31.3 | 22 |
| 1.7 | 4'33" | -28.90 | -46.21 | -45.3 | 11 |
| 1.8 | 4'33" | -0.53 | -30.22 | -28.5 | 22 |
| 1.9 | 4'33" | -33.43 | -49.86 | -47.4 | 11 |
| 1.10 | 4'33" | -0.01 | -32.85 | -28.6 | 24 |
| 1.11 | 4'33" | -3.41 | -26.74 | -25.1 | 15 |
| 1.12 | 4'33" | -11.71 | -29.01 | -26.2 | 13 |
| 2.1 | 4'33" | -8.21 | -28.20 | -25.8 | 13 |
| 2.2 | 4'33" | -0.30 | -31.09 | -29.8 | 21 |
| 2.3 | 4'33" | -4.51 | -28.40 | -27.6 | 18 |
| 2.4 | 4'33" | -9.12 | -27.85 | -24.5 | 15 |
| 2.5 | 4'33" | -5.17 | -23.12 | -24.5 | 11 |
| 2.6 | 4'33" | -8.00 | -30.86 | -27.7 | 15 |
| 2.7 | 4'33" | -12.60 | -23.71 | -24.9 | 6 |
| 2.8 | 4'33" | -10.78 | -28.22 | -25.6 | 12 |
| 2.9 | 4'33" | -0.25 | -30.84 | -27.4 | 18 |
| 2.10 | 4'33" | -7.94 | -22.53 | -22.0 | 9 |
| 2.11 | 4'33" | -7.22 | -20.03 | -18.5 | 8 |
| 2.12 | 4'33" | -4.97 | -29.58 | -27.6 | 19 |
| 3.1 | 4'33" | -10.08 | -21.44 | -22.5 | 6 |
| 3.2 | 4'33" | -5.17 | -28.97 | -26.6 | 16 |
| 3.3 | 4'33" | -5.61 | -22.38 | -20.4 | 7 |
| 3.4 | 4'33" | -0.02 | -25.63 | -23.4 | 17 |
| 3.5 | 4'33" | -4.21 | -22.95 | -22.2 | 12 |
| 3.6 | 4'33" | -0.20 | -14.43 | -13.2 | 6 |
| 3.7 | 4'33" | -3.23 | -25.73 | -24.2 | 16 |
| 3.8 | 4'33" | -5.22 | -32.59 | -30.6 | 19 |
| 3.9 | 4'33" | -3.22 | -28.93 | -27.6 | 19 |
| 3.10 | 4'33" | -8.11 | -45.20 | -43.8 | 25 |
| 3.11 | 4'33" | -3.22 | -24.89 | -24.0 | 12 |
| 4.1 | 4'33" | -0.20 | -30.63 | -14.5 | 20 |
| 4.2 | 4'33" | -8.14 | -30.80 | -29.1 | 14 |
| 4.3 | 4'33" | -4.21 | -22.60 | -20.9 | 11 |
| 4.4 | 4'33" | -0.23 | -29.98 | -29.9 | 21 |
| 4.5 | 4'33" | -0.39 | -37.26 | -32.6 | 31 |
| 4.6 | 4'33" | -4.21 | -29.69 | -28.3 | 12 |
| 4.7 | 4'33" | -10.58 | -18.99 | -20.8 | 5 |
| 4.8 | 4'33" | -0.87 | -29.01 | -26.0 | 17 |
| 4.9 | 4'33" | -3.18 | -30.25 | -26.7 | 21 |
| 4.10 | 4'33" | -4.09 | -29.84 | -24.3 | 12 |
| 4.11 | 4'33" | -2.96 | -23.85 | -22.7 | 14 |
| 4.12 | 4'33" | -7.55 | -33.45 | -30.8 | 21 |
| 5.1 | 4'33" | -0.16 | -27.18 | -20.9 | 16 |
| 5.2 | 4'33" | -3.00 | -39.03 | -34.6 | 29 |
| 5.3 | 4'33" | -2.20 | -29.85 | -27.7 | 17 |
| 5.4 | 4'33" | -10.21 | -30.72 | -27.7 | 13 |
| 5.5 | 4'33" | -13.26 | -33.23 | -31.6 | 14 |
| 5.6 | 4'33" | -16.26 | -43.80 | -40.3 | 21 |
| 5.7 | 4'33" | -14.37 | -27.88 | -23.9 | 9 |
| 5.8 | 4'33" | -4.68 | -36.68 | -34.2 | 22 |
| 5.9 | 4'33" | -4.78 | -18.21 | -17.2 | 9 |
| 5.10 | 4'33" | -5.60 | -38.19 | -36.0 | 26 |
| 5.11 | 4'33" | -11.00 | -29.08 | -23.4 | 12 |