℗ 2019 CapriccioNR
| Released | November 1, 2019 |
| Duration | 1h 16m 33s |
| Record Label | CapriccioNR |
| Catalogue No. | C5379 |
| Genre | Classical (Orchestral) |
Krenek: Orchestral Works
Deutsche Staatsphilharmonie Rheinland-Pfalz, Karl-Heinz Steffens
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
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1.1
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Potpourri, Op. 54
Ernst Krenek; Deutsche Staatsphilharmonie Rheinland-Pfalz; Karl-Heinz Steffens |
17:52 | |||
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7 Orchestra Pieces, Op. 31
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1.2
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No. 1, Moderato
Ernst Krenek; Deutsche Staatsphilharmonie Rheinland-Pfalz; Karl-Heinz Steffens |
2:43 | |||
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1.3
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No. 2, Andante
Ernst Krenek; Deutsche Staatsphilharmonie Rheinland-Pfalz; Karl-Heinz Steffens |
5:54 | |||
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1.4
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No. 3, Allegretto agitato
Ernst Krenek; Deutsche Staatsphilharmonie Rheinland-Pfalz; Karl-Heinz Steffens |
2:46 | |||
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1.5
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No. 4, Allegro moderato e grave
Ernst Krenek; Deutsche Staatsphilharmonie Rheinland-Pfalz; Karl-Heinz Steffens |
1:52 | |||
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1.6
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No. 5, Tranquillo e dolce
Ernst Krenek; Deutsche Staatsphilharmonie Rheinland-Pfalz; Karl-Heinz Steffens |
2:08 | |||
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1.7
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No. 6, Vivace
Ernst Krenek; Deutsche Staatsphilharmonie Rheinland-Pfalz; Karl-Heinz Steffens |
1:29 | |||
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1.8
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No. 7, Allegro giocoso
Ernst Krenek; Deutsche Staatsphilharmonie Rheinland-Pfalz; Karl-Heinz Steffens |
1:38 | |||
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Symphonie, Op. 137 "Pallas Athene"
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1.9
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I. Adagio
Ernst Krenek; Deutsche Staatsphilharmonie Rheinland-Pfalz; Karl-Heinz Steffens |
8:56 | |||
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1.10
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II. Allegretto moderato
Ernst Krenek; Deutsche Staatsphilharmonie Rheinland-Pfalz; Karl-Heinz Steffens |
6:40 | |||
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1.11
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III. Finale. Andante sostenuto
Ernst Krenek; Deutsche Staatsphilharmonie Rheinland-Pfalz; Karl-Heinz Steffens |
7:19 | |||
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1.12
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Tricks and Trifles, Op. 101
Ernst Krenek; Deutsche Staatsphilharmonie Rheinland-Pfalz; Karl-Heinz Steffens |
17:16 | |||
Ernst Krenek stood between the opposing musical worlds of his mentors: on the one hand, Franz Schreker (an exponent of late Romanticism); on the other, Arnold Schoenberg (who pioneered new territory). His own development as a unique, modern musical voice was correspondingly slow. During his subsequent years of travel, his quest for new means of expression eventually led to two contrasting works: the jazz opera Jonny spielt auf and the twelve-tone opera Karl V.
From time to time he resorted to earlier stylistic idioms, as evidenced on this recording by Potpourri (1927) and Tricks and Trifles (1945).
48 kHz / 24-bit PCM – CapriccioNR Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.40 -13.32 to -0.14 | -28.75 -37.22 to -24.22 | -24.41 -34.40 to -19.60 | 14 11 to 18 | |
| 1 | Potpourri, Op. 54 | -0.14 | -27.80 | -23.3 | 18 |
| 2 | No. 1, Moderato | -6.44 | -27.93 | -22.8 | 12 |
| 3 | No. 2, Andante | -13.32 | -37.17 | -34.4 | 13 |
| 4 | No. 3, Allegretto agitato | -4.88 | -25.55 | -20.4 | 12 |
| 5 | No. 4, Allegro moderato e grave | -3.79 | -24.22 | -20.2 | 11 |
| 6 | No. 5, Tranquillo e dolce | -12.77 | -37.22 | -33.6 | 14 |
| 7 | No. 6, Vivace | -4.08 | -26.79 | -22.2 | 12 |
| 8 | No. 7, Allegro giocoso | -0.41 | -24.99 | -19.6 | 14 |
| 9 | I. Adagio | -2.72 | -27.12 | -22.7 | 14 |
| 10 | II. Allegretto moderato | -3.41 | -28.85 | -25.1 | 16 |
| 11 | III. Finale. Andante sostenuto | -0.16 | -27.65 | -22.8 | 15 |
| 12 | Tricks and Trifles, Op. 101 | -0.66 | -29.69 | -25.8 | 18 |