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Daniel Müller-Schott

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Cello Sonata, Op. 8  
1.1
I. Allegro maestoso ma appassionato
Zoltàn Kodaly; Daniel Müller-Schott
9:32
1.2
II. Adagio con grand espressione
Zoltàn Kodaly; Daniel Müller-Schott
10:45
1.3
III. Allegro molto vivace
Zoltàn Kodaly; Daniel Müller-Schott
12:08
1.4
Cello Sonata in C-Sharp Minor, Op. 134
Sergei Prokofiev; Daniel Müller-Schott
7:20
Cello Sonata, Op. 25 No. 3  
1.5
I. Lebhaft, sehr markiert
Paul Hindemith; Daniel Müller-Schott
1:47
1.6
II. Mäßig schnell, gemächlich
Paul Hindemith; Daniel Müller-Schott
1:28
1.7
III. Langsam
Paul Hindemith; Daniel Müller-Schott
3:54
1.8
IV. Lebhafte Viertel
Paul Hindemith; Daniel Müller-Schott
0:37
Cello Sonata, Op. 25, No. 3  
1.9
Mäßig schnell
Paul Hindemith; Daniel Müller-Schott
2:26
Serenade for Cello  
1.10
I. Adagio rubato
Hans Werner Henze; Daniel Müller-Schott
0:38
1.11
II. Poco allegretto
Hans Werner Henze; Daniel Müller-Schott
0:57
1.12
III. Pastorale
Hans Werner Henze; Daniel Müller-Schott
0:37
1.13
IV. Andante con moto, rubato
Hans Werner Henze; Daniel Müller-Schott
0:30
1.14
V. Vivace
Hans Werner Henze; Daniel Müller-Schott
0:34
1.15
VI. Tango
Hans Werner Henze; Daniel Müller-Schott
0:51
1.16
VII. Allegro marciale
Hans Werner Henze; Daniel Müller-Schott
0:43
1.17
VIII. Allegretto
Hans Werner Henze; Daniel Müller-Schott
0:48
1.18
IX. Menuett
Hans Werner Henze; Daniel Müller-Schott
1:08
1.19
Cadenza
Daniel Müller-Schott; Daniel Müller-Schott
3:16
Cello Sonata  
1.20
I. Fantasia
George Crumb; Daniel Müller-Schott
3:12
1.21
II. Tema pastorale con variazioni
George Crumb; Daniel Müller-Schott
4:40
1.22
III. Toccata
George Crumb; Daniel Müller-Schott
2:37
1.23
Song of the Birds
Pablo Casals; Daniel Müller-Schott
2:57
Digital Booklet
Total Playing Time    73:25
After the suites by Johann Sebastian Bach in the early 18th century, nothing happened for a long time in the genre of works for solo cello. But the work that put an end to this period of no production was a weighty one: the almost monumental sonata by Zoltan Kodaly of 1915 set high standards for other composers. Indeed, subsequently not only many works were written, but also highly differing ones, among which the half-hour work by the Hungarian composer stands there like the “Mount Everest” (Daniel Muller-Schott). Together with works by Prokofiev, Hindemith, Henze, Crumb and Casals, Daniel Muller-Schott here introduces a work composed by himself for the first time: the “Cadenza” is to be understood in the tradition of those compositions that other cellists have always added to their recital programmes.

“Here, you can recognize influences of the solo works that have influenced me over the years. In the Cadenza, the contrasting elements of the world of my instrument appear in the closest space – the cello in pure lyricism, just as sequences catapulting themselves into the highest registers in rhythmical savagery and immediately concluding the movement after a final culmination.”
- Daniel Muller-Schott
48 kHz / 24-bit PCM – Orfeo Studio Masters

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