℗ 2019 Little Tribeca
| Released | November 29, 2019 |
| Duration | 1h 04m 38s |
| Record Label | Aparté |
| Catalogue No. | AP215D |
| Genre | Classical (Symphonic repertoire) |
Mozart, Youth Symphonies
Freiburger Barockorchester, Gottfried von der Goltz
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Symphony in E-Flat Major, K. 16
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1.1
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I. Molto allegro
Wolfgang Amadeus Mozart; Freiburger Barockorchester; Gottfried von der Goltz |
5:37 | |||
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1.2
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II. Andante
Wolfgang Amadeus Mozart; Freiburger Barockorchester; Gottfried von der Goltz |
5:24 | |||
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1.3
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III. Presto
Wolfgang Amadeus Mozart; Freiburger Barockorchester; Gottfried von der Goltz |
2:19 | |||
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1.4
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Five Contredanses, K. 609, No. 2
Wolfgang Amadeus Mozart; Freiburger Barockorchester; Gottfried von der Goltz |
1:00 | |||
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Symphony in D Major, K. 19
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1.5
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I. Allegro
Wolfgang Amadeus Mozart; Freiburger Barockorchester; Gottfried von der Goltz |
2:19 | |||
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1.6
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II. Andante
Wolfgang Amadeus Mozart; Freiburger Barockorchester; Gottfried von der Goltz |
4:14 | |||
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1.7
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III. Presto
Wolfgang Amadeus Mozart; Freiburger Barockorchester; Gottfried von der Goltz |
2:42 | |||
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1.8
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Five Contredanses, K. 609, No. 3
Wolfgang Amadeus Mozart; Freiburger Barockorchester; Gottfried von der Goltz |
1:38 | |||
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Symphony in F Major, K. Anh. 223/19a
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1.9
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I. Allegro assai
Wolfgang Amadeus Mozart; Freiburger Barockorchester; Gottfried von der Goltz |
5:24 | |||
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1.10
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II. Andante
Wolfgang Amadeus Mozart; Freiburger Barockorchester; Gottfried von der Goltz |
4:47 | |||
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1.11
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III. Presto
Wolfgang Amadeus Mozart; Freiburger Barockorchester; Gottfried von der Goltz |
2:34 | |||
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1.12
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Five Contredanses, K. 609, No. 1
Wolfgang Amadeus Mozart; Freiburger Barockorchester; Gottfried von der Goltz |
1:40 | |||
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Symphony in B-Flat Major, K. 22
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1.13
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I. Allegro
Wolfgang Amadeus Mozart; Freiburger Barockorchester; Gottfried von der Goltz |
2:49 | |||
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1.14
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II. Andante
Wolfgang Amadeus Mozart; Freiburger Barockorchester; Gottfried von der Goltz |
2:33 | |||
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1.15
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III. Allegro molto
Wolfgang Amadeus Mozart; Freiburger Barockorchester; Gottfried von der Goltz |
1:30 | |||
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1.16
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Five Contredanses, K. 609, No. 4
Wolfgang Amadeus Mozart; Freiburger Barockorchester; Gottfried von der Goltz |
2:38 | |||
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Symphony in G Major, K. Anh. 221/45a
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1.17
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I. Allegro maestoso
Wolfgang Amadeus Mozart; Freiburger Barockorchester; Gottfried von der Goltz |
5:23 | |||
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1.18
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II. Andante
Wolfgang Amadeus Mozart; Freiburger Barockorchester; Gottfried von der Goltz |
5:45 | |||
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1.19
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III. Molto allegro
Wolfgang Amadeus Mozart; Freiburger Barockorchester; Gottfried von der Goltz |
2:21 | |||
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1.20
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Five Contredanses, K. 609, No. 5
Wolfgang Amadeus Mozart; Freiburger Barockorchester; Gottfried von der Goltz |
2:01 | |||
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Digital Booklet
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It is true that images have the power to keep a trace of the past. With this recording, Gottfried von der Goltz and the Freiburger Barockorchestra prove that music, too, conceals the secret of the memory deep within. Though rarely played, much less recorded, Mozart's youth symphonies bear the reminiscence of the child the composer used to be, as well they include the seeds of his future masterpieces.
The Freiburger Barockorchester fullfils the portrait of the brilliant composer, whose influences lie in these symphonies and contredanses, as well as his musical tastes: from the G minor tonality that we hear in the Symphony K. 22 to the aria "Non piu andrai" that can be heard in the first Contredanse, the music of the young Mozart echos to the elder. Conducted by Gottfried von der Goltz, expert of the repertoire, the orchestra offers a genuine performance and interpretation, delivering the last piece of the Mozart puzzle.
96 kHz / 24-bit PCM – Aparté Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.00 -7.05 to -1.00 | -20.67 -26.37 to -16.54 | -17.24 -23.70 to -13.20 | 12 10 to 14 | |
| 1 | I. Molto allegro | -1.01 | -19.54 | -16.4 | 12 |
| 2 | II. Andante | -2.38 | -21.85 | -18.7 | 12 |
| 3 | III. Presto | -1.00 | -19.66 | -16.2 | 13 |
| 4 | Five Contredanses, K. 609, No. 2 | -1.00 | -22.15 | -18.0 | 14 |
| 5 | I. Allegro | -1.01 | -19.01 | -15.7 | 12 |
| 6 | II. Andante | -6.69 | -26.37 | -23.7 | 12 |
| 7 | III. Presto | -1.00 | -19.00 | -15.8 | 13 |
| 8 | Five Contredanses, K. 609, No. 3 | -1.00 | -19.09 | -15.0 | 12 |
| 9 | I. Allegro assai | -1.00 | -19.43 | -16.3 | 12 |
| 10 | II. Andante | -7.05 | -24.62 | -21.9 | 11 |
| 11 | III. Presto | -1.00 | -20.06 | -16.5 | 13 |
| 12 | Five Contredanses, K. 609, No. 1 | -3.78 | -22.90 | -18.9 | 13 |
| 13 | I. Allegro | -1.00 | -16.54 | -13.2 | 10 |
| 14 | II. Andante | -1.96 | -19.85 | -16.6 | 11 |
| 15 | III. Allegro molto | -1.00 | -17.68 | -14.2 | 12 |
| 16 | Five Contredanses, K. 609, No. 4 | -1.00 | -20.24 | -16.1 | 13 |
| 17 | I. Allegro maestoso | -1.00 | -18.26 | -15.3 | 12 |
| 18 | II. Andante | -4.08 | -24.84 | -21.9 | 13 |
| 19 | III. Molto allegro | -1.02 | -19.64 | -16.2 | 13 |
| 20 | Five Contredanses, K. 609, No. 5 | -1.00 | -22.74 | -18.2 | 14 |