℗ 2019 Naxos
Released | November 8, 2019 |
Duration | 1h 12m 31s |
Record Label | Naxos |
Catalogue No. | 8.573882 |
Genre | Classical (Classical Era) |
Beethoven: Vocal Works
Gerhard Anton von Halem, Reetta Haavisto, Turku Philharmonic Orchestra, Leif Segerstam, Pietro Metastasio, Johann Gottlieb Stephanie, Klamer Eberhard Karl Schmidt, Kevin Greenlaw, Johann Wolfgang von Goethe, Dan Karlström, Giovanni de Gamerra
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Primo amore piacer del ciel, WoO 92
Gerhard Anton von Halem; Ludwig van Beethoven; Gerhard Anton von Halem; Reetta Haavisto; Turku Philharmonic Orchestra; Leif Segerstam |
15:57 | |||
1.2
|
No, non turbarti, WoO 92a
Pietro Metastasio; Ludwig van Beethoven; Pietro Metastasio; Reetta Haavisto; Turku Philharmonic Orchestra; Leif Segerstam |
6:54 | |||
1.3
|
Ah! Perfido, Op. 65
Pietro Metastasio; Ludwig van Beethoven; Pietro Metastasio; Reetta Haavisto; Turku Philharmonic Orchestra; Leif Segerstam |
13:40 | |||
2 Arias for "Die schöne Schusterin", WoO 91
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1.4
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No. 2, Soll ein Schuh nicht drücken
Johann Gottlieb Stephanie; Ludwig van Beethoven; Johann Gottlieb Stephanie; Reetta Haavisto; Turku Philharmonic Orchestra; Leif Segerstam |
5:58 | |||
1.5
|
Prüfung des Küssens, WoO 89 "Meine weise Mutter spricht"
Klamer Eberhard Karl Schmidt; Ludwig van Beethoven; Klamer Eberhard Karl Schmidt; Kevin Greenlaw; Turku Philharmonic Orchestra; Leif Segerstam |
5:38 | |||
1.6
|
Mit Mädeln sich vertragen, WoO 90
Johann Wolfgang von Goethe; Ludwig van Beethoven; Johann Wolfgang von Goethe; Kevin Greenlaw; Turku Philharmonic Orchestra; Leif Segerstam |
4:13 | |||
1.7
|
No. 1, O welch ein Leben, ein ganzes Meer
Johann Gottlieb Stephanie; Ludwig van Beethoven; Johann Gottlieb Stephanie; Dan Karlström; Turku Philharmonic Orchestra; Leif Segerstam |
3:12 | |||
1.8
|
Ne' giorni tuoi felici, WoO 93, Hess 120
Pietro Metastasio; Ludwig van Beethoven; Pietro Metastasio; Reetta Haavisto; Dan Karlström; Turku Philharmonic Orchestra; Leif Segerstam |
7:55 | |||
1.9
|
Tremate, empi, tremate, Op. 116
Giovanni de Gamerra; Ludwig van Beethoven; Giovanni de Gamerra; Reetta Haavisto; Dan Karlström; Kevin Greenlaw; Turku Philharmonic Orchestra; Leif Segerstam |
9:04 | |||
Digital Booklet
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Beethoven’s permanent move to Vienna in 1782 allowed him direct contact with the operatic and Italianate culture of the city. He took lessons in Italian word setting from Salieri and almost immediately began the composition of a series of arias in that language, including "Primo amore", "piacer del ciel" and later the dramatic recitative and aria "Ah! perfido". Beethoven also set strophic songs in German that form part of the popular Singspiel tradition which are genial and rare examples of his art.
96 kHz / 24-bit PCM – Naxos Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.20 -5.96 to -0.20 | -26.72 -29.10 to -22.62 | -22.88 -25.90 to -19.20 | 15 13 to 16 | |
1 | Primo amore piacer del ciel, WoO 92 | -3.76 | -27.56 | -23.5 | 15 |
2 | No, non turbarti, WoO 92a | -3.80 | -26.71 | -22.7 | 14 |
3 | Ah! Perfido, Op. 65 | -3.26 | -26.82 | -22.6 | 15 |
4 | No. 2, Soll ein Schuh nicht drücken | -5.59 | -27.70 | -24.0 | 14 |
5 | Prüfung des Küssens, WoO 89 "Meine weise Mutter spricht" | -3.59 | -29.00 | -24.4 | 16 |
6 | Mit Mädeln sich vertragen, WoO 90 | -0.99 | -27.06 | -23.4 | 16 |
7 | No. 1, O welch ein Leben, ein ganzes Meer | -5.96 | -29.10 | -25.9 | 13 |
8 | Ne' giorni tuoi felici, WoO 93, Hess 120 | -0.20 | -23.95 | -20.2 | 15 |
9 | Tremate, empi, tremate, Op. 116 | -1.68 | -22.62 | -19.2 | 13 |