℗ 2019 Rhino Entertainment Company, a Warner Music Group Company
| Released | November 4, 2019 |
| Duration | 39m 04s |
| Record Label | Rhino/Warner Records |
| Genre | Pop |
One Man Dog (2019 Remaster)
James Taylor
Available in MQA and 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
One Man Parade (2019 Remaster)
James Taylor |
3:11 | |||
|
1.2
|
Nobody but You (2019 Remaster)
James Taylor |
2:57 | |||
|
1.3
|
Chili Dog (2019 Remaster)
James Taylor |
1:35 | |||
|
1.4
|
Fool for You (2019 Remaster)
James Taylor |
1:42 | |||
|
1.5
|
Instrumental I (2019 Remaster)
James Taylor |
2:21 | |||
|
1.6
|
New Tune (2019 Remaster)
James Taylor |
1:36 | |||
|
1.7
|
Back on the Street Again (2019 Remaster)
James Taylor |
3:01 | |||
|
1.8
|
Don't Let Me Be Lonely Tonight (2019 Remaster)
James Taylor |
2:35 | |||
|
1.9
|
Woh, Don't You Know (2019 Remaster)
James Taylor |
2:11 | |||
|
1.10
|
One Morning in May (2019 Remaster)
James Taylor |
2:54 | |||
|
1.11
|
Instrumental II (2019 Remaster)
James Taylor |
1:41 | |||
|
1.12
|
Someone (2019 Remaster)
James Taylor |
3:36 | |||
|
1.13
|
Hymn (2019 Remaster)
James Taylor |
2:24 | |||
|
1.14
|
Fanfare (2019 Remaster)
James Taylor |
2:35 | |||
|
1.15
|
Little David (2019 Remaster)
James Taylor |
0:57 | |||
|
1.16
|
Mescalito (2019 Remaster)
James Taylor |
0:28 | |||
|
1.17
|
Dance (2019 Remaster)
James Taylor |
2:06 | |||
|
1.18
|
Jig (2019 Remaster)
James Taylor |
1:14 |
- Billboard 200 - #4 (1973)
One Man Dog is the fourth studio album by singer-songwriter James Taylor. Released on November 1, 1972, it features the hit "Don't Let Me Be Lonely Tonight". The album is made up of 18 short pieces strung together, and the basic tracks were primarily recorded in Taylor's home studio.
This 2019 remaster from Rhino Entertainment was overseen by Peter Asher, who signed Taylor to the Beatles’ Apple Records label in 1968, worked as his manager for 25 years, and originally produced several of these albums.
In the collection’s liner notes Asher writes: “Revisiting these albums several decades later has been revelatory, nostalgic, and exciting. I have heard bits and pieces frequently over the years, of course, but listening with concentration and in detail to each of the original tapes without interruption has been a thrilling luxury.”
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Rhino/Warner Records Studio Masters
Tracks 1-18 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-18 – contains high-resolution digital transfers of material originating from an analogue master source
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.69 -4.37 to -0.03 | -21.01 -24.68 to -18.80 | -18.44 -22.10 to -15.90 | 13 11 to 14 | |
| 1 | One Man Parade (2019 Remaster) | -1.31 | -21.86 | -19.0 | 13 |
| 2 | Nobody but You (2019 Remaster) | -0.95 | -19.33 | -16.9 | 12 |
| 3 | Chili Dog (2019 Remaster) | -1.80 | -21.23 | -18.8 | 13 |
| 4 | Fool for You (2019 Remaster) | -0.03 | -19.95 | -16.8 | 13 |
| 5 | Instrumental I (2019 Remaster) | -3.26 | -22.01 | -20.1 | 13 |
| 6 | New Tune (2019 Remaster) | -4.37 | -23.87 | -21.2 | 14 |
| 7 | Back on the Street Again (2019 Remaster) | -1.91 | -22.80 | -20.2 | 14 |
| 8 | Don't Let Me Be Lonely Tonight (2019 Remaster) | -0.95 | -19.95 | -17.8 | 14 |
| 9 | Woh, Don't You Know (2019 Remaster) | -0.47 | -19.18 | -16.5 | 13 |
| 10 | One Morning in May (2019 Remaster) | -0.90 | -19.99 | -17.9 | 14 |
| 11 | Instrumental II (2019 Remaster) | -4.07 | -24.68 | -22.1 | 14 |
| 12 | Someone (2019 Remaster) | -1.97 | -22.14 | -20.2 | 14 |
| 13 | Hymn (2019 Remaster) | -1.47 | -22.17 | -19.6 | 13 |
| 14 | Fanfare (2019 Remaster) | -0.15 | -19.22 | -16.2 | 12 |
| 15 | Little David (2019 Remaster) | -1.68 | -19.97 | -16.9 | 13 |
| 16 | Mescalito (2019 Remaster) | -1.99 | -18.80 | -15.9 | 11 |
| 17 | Dance (2019 Remaster) | -1.41 | -20.32 | -18.4 | 13 |
| 18 | Jig (2019 Remaster) | -1.80 | -20.78 | -17.5 | 13 |