℗ 2019 Rhino Entertainment Company, a Warner Music Group Company
Released | November 4, 2019 |
Duration | 44m 52s |
Record Label | Rhino/Warner Records |
Genre | Pop |
In the Pocket (2019 Remaster)
James Taylor
Available in MQA and 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Shower the People (2019 Remaster)
James Taylor |
4:33 | |||
1.2
|
A Junkie's Lament (2019 Remaster)
James Taylor |
3:30 | |||
1.3
|
Money Machine (2019 Remaster)
James Taylor |
4:35 | |||
1.4
|
Slow Burning Love (2019 Remaster)
James Taylor |
3:43 | |||
1.5
|
Everybody Has the Blues (2019 Remaster)
James Taylor |
2:03 | |||
1.6
|
Daddy's All Gone (2019 Remaster)
James Taylor |
3:39 | |||
1.7
|
Woman's Gotta Have It (2019 Remaster)
James Taylor |
4:20 | |||
1.8
|
Captain Jim's Drunken Dream (2019 Remaster)
James Taylor |
4:03 | |||
1.9
|
Don't Be Sad 'Cause Your Sun Is Down (2019 Remaster)
James Taylor |
3:29 | |||
1.10
|
Nothing like a Hundred Miles (2019 Remaster)
James Taylor |
3:43 | |||
1.11
|
Family Man (2019 Remaster)
James Taylor |
3:38 | |||
1.12
|
Golden Moments (2019 Remaster)
James Taylor |
3:36 |
In the Pocket is the seventh studio album by American singer-songwriter James Taylor, and his last to be released under Warner Bros. Records before signing with Columbia. Released in June 1976, the album found Taylor recording in the studio with many colleagues and friends, mainly Art Garfunkel (who duetted with him on "A Junkie's Lament" and also contributed vocals on "Captain Jim's Drunken Dream"), Carly Simon (Taylor's wife, who harmonised with him on "Shower the People"), Stevie Wonder (who wrote with Taylor the song "Don't Be Sad 'Cause Your Sun Is Down", a song on which he also played the harmonica) and also David Crosby, Linda Ronstadt and Bonnie Raitt, among others.
The result of the sessions, which took place between late 1975 and early '76, was a very melodic album and one of his most diverse and polished, highlighted with the single "Shower the People", which through the years became a Taylor standard and concert favourite.
This 2019 remaster from Rhino Entertainment was overseen by Peter Asher, who signed Taylor to the Beatles’ Apple Records label in 1968, worked as his manager for 25 years, and originally produced several of these albums.
In the collection’s liner notes Asher writes: “Revisiting these albums several decades later has been revelatory, nostalgic, and exciting. I have heard bits and pieces frequently over the years, of course, but listening with concentration and in detail to each of the original tapes without interruption has been a thrilling luxury.”
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Rhino/Warner Records Studio Masters
Tracks 1-12 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-12 – contains high-resolution digital transfers of material originating from an analogue master source
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.49 -4.66 to 0.00 | -20.45 -24.44 to -18.88 | -17.47 -21.70 to -15.90 | 13 12 to 14 | |
1 | Shower the People (2019 Remaster) | 0.00 | -19.37 | -16.4 | 14 |
2 | A Junkie's Lament (2019 Remaster) | 0.00 | -19.81 | -16.9 | 13 |
3 | Money Machine (2019 Remaster) | -1.67 | -20.32 | -16.6 | 13 |
4 | Slow Burning Love (2019 Remaster) | -0.32 | -20.02 | -17.4 | 13 |
5 | Everybody Has the Blues (2019 Remaster) | 0.00 | -18.88 | -15.9 | 14 |
6 | Daddy's All Gone (2019 Remaster) | -0.77 | -21.59 | -18.9 | 14 |
7 | Woman's Gotta Have It (2019 Remaster) | -0.62 | -19.20 | -16.2 | 12 |
8 | Captain Jim's Drunken Dream (2019 Remaster) | -1.97 | -19.85 | -17.0 | 12 |
9 | Don't Be Sad 'Cause Your Sun Is Down (2019 Remaster) | -2.45 | -20.95 | -18.0 | 13 |
10 | Nothing like a Hundred Miles (2019 Remaster) | -0.43 | -21.04 | -17.9 | 14 |
11 | Family Man (2019 Remaster) | -2.00 | -19.93 | -16.7 | 12 |
12 | Golden Moments (2019 Remaster) | -4.66 | -24.44 | -21.7 | 13 |