℗ 2015 Reference Recordings
| Released | June 9, 2015 |
| Duration | 1h 06m 12s |
| Record Label | Reference Recordings |
| Catalogue No. | FR-714 |
| Genre | Classical (Instrumental) |
Tempo Do Brasil: solo & chamber works
Marc Regnier, Tacy Edwards, Natalia Khoma, Marco Sartor, Volodymyr Vynnytsky
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Recife dos Corais (for 2 Guitars)
Sérgio Assad; Marc Regnier; Marco Sartor |
2:09 | |||
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Second Sonatina for Piano and Guitar
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1.2
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I. Allegro moderato
Radamés Gnattali; Marc Regnier; Volodymyr Vynnytsky |
4:50 | |||
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1.3
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II. Saudoso
Radamés Gnattali; Marc Regnier; Volodymyr Vynnytsky |
4:39 | |||
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1.4
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III. Ritmado
Radamés Gnattali; Marc Regnier; Volodymyr Vynnytsky |
4:53 | |||
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1.5
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Valsa sem Nome (for solo Guitar)
Baden Powell; Marc Regnier |
2:53 | |||
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1.6
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Samba classico (for Cello and Piano)
Heitor Villa-Lobos; Natalia Khoma; Volodymyr Vynnytsky |
4:14 | |||
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1.7
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Distribuição de Flores (for Flute and Guitar)
Heitor Villa-Lobos; Tacy Edwards; Marc Regnier |
3:47 | |||
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1.8
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Pinote (for 2 Guitars)
Sérgio Assad; Marc Regnier; Marco Sartor |
2:11 | |||
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1.9
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Valsa da Dor (for solo Piano)
Heitor Villa-Lobos; Volodymyr Vynnytsky |
5:57 | |||
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1.10
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Vitoria regia (for 2 Guitars)
Sérgio Assad; Marc Regnier; Marco Sartor |
2:12 | |||
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1.11
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Bachianas brasileiras No. 5 (for 2 Guitars)
Anonymous; Heitor Villa-Lobos; Marc Regnier; Marco Sartor |
4:42 | |||
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1.12
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Rosto Colado (for solo Guitar)
Paulo Bellinati; Marc Regnier |
3:14 | |||
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1.13
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Choro e batuque (for Flute and Guitar)
Laurindo Almeida; Tacy Edwards; Marc Regnier |
5:06 | |||
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1.14
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Farewell (for solo Guitar)
Sérgio Assad; Marc Regnier |
3:02 | |||
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1.15
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Variations on a Waltz by Villa-Lobos (for Cello and Guitar)
Yiorgos Vassilandonakis; Marc Regnier; Natalia Khoma |
6:04 | |||
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Aquarelle
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1.16
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I. Valseana
Sérgio Assad; Marc Regnier |
3:04 | |||
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1.17
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II. Preludio e Toccatina
Sérgio Assad; Marc Regnier |
3:15 | |||
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Digital Booklet
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Grammy-nominated American classical guitarist Marc Regnier showcases the versatility and the beauty of the guitar on this diverse programme of Brazilian music. Regnier, described as a master of his instrument, is joined by an ensemble of world-class musicians and close friends on several of the pieces. Tempo do Brasil was produced by six-time Grammy nominees Marina and Victor Ledin and engineered by multiple Grammy-winning Leslie Ann Jones, director of music recording and scoring at Skywalker Sound.
"My goal was to include repertoire that demonstrated the various styles and moods of Brazilian music. The challenge here was to present music that is not over recorded, which is impossible when speaking of Bachianas Brasileiras No. 5, Villa-Lobos' most famous piece and a must to include ..."
- Marc Regnier
88.2 kHz / 24-bit PCM – Reference Recordings Studio Masters
Recorded at Skywalker Sound, a Lucasfilm Ltd. company, Marin County, California Recording dates: November 1, 2012, March 7 through March 11, 2013 (*), May 1 and May 4, 2013 (**) Producers: Marina A. Ledin and Victor Ledin, Encore Consultants LLC Recording engineer: Leslie Ann Jones Assistant engineers: Judy Kirschner (**), Dann M. Thompson (*) Editing engineer: Sean Royce Martin Mastering engineers: Keith O. Johnson, Leslie Ann Jones Piano: Bluthner Concert Grand (*) Piano technician: Mark Schecter Design: Bill Roarty Cover photo and page 2: Michael Regnier
Recorded at Skywalker Sound, a Lucasfilm Ltd. company, Marin County, California Recording dates: November 1, 2012, March 7 through March 11, 2013 (*), May 1 and May 4, 2013 (**) Producers: Marina A. Ledin and Victor Ledin, Encore Consultants LLC Recording engineer: Leslie Ann Jones Assistant engineers: Judy Kirschner (**), Dann M. Thompson (*) Editing engineer: Sean Royce Martin Mastering engineers: Keith O. Johnson, Leslie Ann Jones Piano: Bluthner Concert Grand (*) Piano technician: Mark Schecter Design: Bill Roarty Cover photo and page 2: Michael Regnier
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.39 -9.18 to -0.61 | -26.34 -30.12 to -22.53 | -23.29 -26.90 to -18.80 | 14 12 to 19 | |
| 1 | Recife dos Corais (for 2 Guitars) | -6.50 | -24.85 | -22.2 | 13 |
| 2 | I. Allegro moderato | -1.16 | -27.33 | -24.8 | 19 |
| 3 | II. Saudoso | -1.96 | -27.05 | -23.8 | 15 |
| 4 | III. Ritmado | -1.07 | -25.38 | -22.4 | 16 |
| 5 | Valsa sem Nome (for solo Guitar) | -6.88 | -28.02 | -25.4 | 14 |
| 6 | Samba classico (for Cello and Piano) | -1.70 | -22.53 | -19.9 | 14 |
| 7 | Distribuição de Flores (for Flute and Guitar) | -9.18 | -30.12 | -26.8 | 12 |
| 8 | Pinote (for 2 Guitars) | -3.99 | -24.36 | -21.8 | 15 |
| 9 | Valsa da Dor (for solo Piano) | -0.61 | -25.00 | -18.8 | 14 |
| 10 | Vitoria regia (for 2 Guitars) | -6.09 | -23.38 | -20.9 | 12 |
| 11 | Bachianas brasileiras No. 5 (for 2 Guitars) | -6.92 | -27.07 | -23.8 | 12 |
| 12 | Rosto Colado (for solo Guitar) | -1.78 | -27.22 | -24.7 | 17 |
| 13 | Choro e batuque (for Flute and Guitar) | -6.01 | -27.87 | -24.3 | 13 |
| 14 | Farewell (for solo Guitar) | -7.29 | -29.98 | -26.9 | 14 |
| 15 | Variations on a Waltz by Villa-Lobos (for Cello and Guitar) | -4.93 | -25.57 | -22.8 | 13 |
| 16 | I. Valseana | -7.16 | -27.81 | -24.9 | 13 |
| 17 | II. Preludio e Toccatina | -1.46 | -24.26 | -21.8 | 16 |