℗ 2019 haenssler CLASSIC
| Released | November 8, 2019 |
| Duration | 53m 52s |
| Record Label | haenssler CLASSIC |
| Catalogue No. | HC19039 |
| Genre | Classical (Piano) |
Mikhail Ippolitov-Ivanov: Piano Transcriptions
Maria Ivanova, Alexander Zagarinskiy
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
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Caucasian Sketches, Suite No. 1, Op. 10 (Transcr. for 2 Pianos)
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1.1
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I. In a Mountain Pass
Mikhail Ippolitov-Ivanov; Maria Ivanova; Alexander Zagarinskiy |
7:28 | |||
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1.2
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II. In a Village
Mikhail Ippolitov-Ivanov; Maria Ivanova; Alexander Zagarinskiy |
4:11 | |||
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1.3
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III. In a Mosque
Mikhail Ippolitov-Ivanov; Maria Ivanova; Alexander Zagarinskiy |
3:23 | |||
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1.4
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IV. Procession of the Sardar
Mikhail Ippolitov-Ivanov; Maria Ivanova; Alexander Zagarinskiy |
3:44 | |||
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1.5
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Armenian Rhapsody on National Themes, Op. 48 (Transcr. for 2 Pianos)
Mikhail Ippolitov-Ivanov; Maria Ivanova; Alexander Zagarinskiy |
5:53 | |||
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Ruth, Op. 6
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1.6
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Prologue (Transcr. for 2 Pianos)
Mikhail Ippolitov-Ivanov; Maria Ivanova; Alexander Zagarinskiy |
3:50 | |||
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1.7
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Turkic March, Op. 55 (Transcr. for 2 Pianos)
Mikhail Ippolitov-Ivanov; Maria Ivanova; Alexander Zagarinskiy |
4:08 | |||
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Caucasian Sketches, Suite No. 2, Op. 42 "Iveria" (Transcr. for 2 Pianos)
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1.8
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I. Introduction. Lamentation of Princess Ketevana
Mikhail Ippolitov-Ivanov; Maria Ivanova; Alexander Zagarinskiy |
8:00 | |||
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1.9
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II. Berceuse
Mikhail Ippolitov-Ivanov; Maria Ivanova; Alexander Zagarinskiy |
3:54 | |||
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1.10
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III. Lezghinka
Mikhail Ippolitov-Ivanov; Maria Ivanova; Alexander Zagarinskiy |
4:14 | |||
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1.11
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IV. Georgian March
Mikhail Ippolitov-Ivanov; Maria Ivanova; Alexander Zagarinskiy |
5:07 | |||
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Digital Booklet
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When Prof. Karl Laux, in his day one of the German Democratic Republic’s most celebrated musicologists, was working on his book on music in Russia and the Soviet Union, he consigned a dozen or so assorted personalities to near-oblivion on a mere eight-and-a-half pages. One of these is Mikhail Mikhaylovich Ippolitov-Ivanov, who in 1922 was one of the first in the United Soviet Republics to be awarded the title of “people’s artist” and who had surely deserved better if only on account of his diversified oeuvre than an extended footnote – not to mention the achievements with which he had stamped his character upon Russian and Soviet culture as ethnographer and conductor, as teacher and organizer.
48 kHz / 24-bit PCM – haenssler CLASSIC Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.40 -8.81 to -0.30 | -26.85 -31.63 to -21.75 | -23.20 -28.20 to -18.90 | 14 12 to 18 | |
| 1 | I. In a Mountain Pass | -5.96 | -27.38 | -24.1 | 12 |
| 2 | II. In a Village | -3.76 | -29.62 | -24.8 | 14 |
| 3 | III. In a Mosque | -5.73 | -31.63 | -26.9 | 15 |
| 4 | IV. Procession of the Sardar | -0.44 | -23.14 | -19.8 | 13 |
| 5 | Armenian Rhapsody on National Themes, Op. 48 (Transcr. for 2 Pianos) | -2.91 | -27.19 | -23.0 | 15 |
| 6 | Prologue (Transcr. for 2 Pianos) | -2.65 | -29.59 | -25.9 | 18 |
| 7 | Turkic March, Op. 55 (Transcr. for 2 Pianos) | -2.72 | -22.39 | -19.6 | 14 |
| 8 | I. Introduction. Lamentation of Princess Ketevana | -2.36 | -26.67 | -23.3 | 15 |
| 9 | II. Berceuse | -8.81 | -31.45 | -28.2 | 13 |
| 10 | III. Lezghinka | -0.30 | -24.50 | -20.7 | 14 |
| 11 | IV. Georgian March | -1.74 | -21.75 | -18.9 | 13 |