℗ ℗ 2019 Maisie Music Publishing, Under exclusive license to Cutting Edge Music Services d/b/a Music.Film Recordings
 

The Dark Crystal: Age of Resistance, Vol. 1 (Music from the Netflix Original Series)

Daniel Pemberton

Available in 48 kHz / 24-bit AIFF, FLAC audio formats

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The Dark Crystal  
1.1
Age of Resistance
Daniel Pemberton
3:40
1.2
Another World, Another Time
Daniel Pemberton
3:24
1.3
Story Of The Dark Crystal
Daniel Pemberton
3:11
1.4
Rian + Mira Dreamfast
Daniel Pemberton
4:12
1.5
Aughra Awakes
Daniel Pemberton
2:01
1.6
The Crystal Chamber
Daniel Pemberton
3:13
1.7
Essence Draining
Daniel Pemberton
2:44
1.8
Into The Catacombs
Daniel Pemberton
2:09
1.9
Deet Enters Thra
Daniel Pemberton
2:05
1.10
Dzenpo!
Daniel Pemberton
2:53
1.11
Her Light Faded
Daniel Pemberton
2:34
1.12
What Lies At The Dream's End
Daniel Pemberton
3:16
1.13
Together We Fight
Daniel Pemberton
4:46
1.14
The Blue Flames Part I
Daniel Pemberton
3:49
1.15
Thra Is Calling
Daniel Pemberton
1:39
1.16
Outcast
Daniel Pemberton
1:46
1.17
The Journey
Daniel Pemberton
2:02
1.18
The Hunter + The Storm
Daniel Pemberton
2:32
1.19
Dreamspace
Daniel Pemberton
2:36
1.20
Speak For The Dead
Daniel Pemberton
2:42
1.21
Aughra Returns / Peeper Beetle Ceremony
Daniel Pemberton
2:45
1.22
The Age Of Hope
Daniel Pemberton
5:35
Total Playing Time    65:34
Daniel Pemberton original soundtrack to the Netflix prequel to the beloved Jim Henson fantasy classic, The Dark Crystal.

“I approached the music the same way I approached the filming and the puppetry. I wanted somebody to come on this journey that would be willing to take big risks. I wanted something that was almost tribal. I wanted to hear the strings being plucked and the skin wrapped over the drum. At the same time, I wanted somebody who could write beautiful melodies, understood music, and was a lover of beautiful music. I wanted someone who would approach it in a very organic way and who would tell the story through the score. My search led me to Daniel.”
- Louis Leterrier, Executive Producer and Director (Now You See Me, The Incredible Hulk).

“I wanted the music to be as magical as Thra itself – organic, imperfect, strange, mystical, otherworldly and wonderful. I wanted to create new sounds that felt like they came from the world itself, as well as using thematic large scale orchestral elements to bring an emotion to the journey of the characters. I wanted music and sounds that would fill you with wonder, but also terrify you. It was very important to me that all the sounds felt like they could only be from Thra itself – no grand pianos or overtly electronic elements. Every sound had to feel organic and visceral, from the dark detuned glissando cello sounds made for the Skeksis, to the upbeat flutes from the Podling’s bar. We created noises out of wine glasses, metal chains, wooden drums, metal sculptures on a snow covered mountain and old creaky medieval instruments to try and make a sonic world as unique as the visual one.”
- Daniel Pemberton
48 kHz / 24-bit PCM – Varèse Sarabande Studio Masters

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