℗ 2019 Naxos
Released | November 22, 2019 |
Duration | 1h 08m 03s |
Record Label | Naxos |
Catalogue No. | 8.573929 |
Genre | Classical (Classical Era) |
Kozeluch: Joseph der Menschheit Segen, Op. 11, P. XIX:3 & Other Works
Various Artists
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Joseph der Menschheit Segen, Op. 11, P. XIX:3
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1.1
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No. 1, Introduzione. Adagio - Allegro
Leopold Kozeluch; Czech Chamber Philharmonic Orchestra Pardubice; Filip Dvořák; Marek Štilec |
5:40 | |||
1.2
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No. 2, Segen kam auf uns hernieder
Leopold Kozeluch; Boni Pueri Boys Choir; Czech Chamber Philharmonic Orchestra Pardubice; Filip Dvořák; Marek Štilec |
3:13 | |||
1.3
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No. 3, Einst goß sich Barbarei
Leopold Kozeluch; Siegfried Gohritz; Czech Chamber Philharmonic Orchestra Pardubice; Filip Dvořák; Marek Štilec |
4:44 | |||
1.4
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No. 4, Von ihm quoll Segen auf uns nieder
Leopold Kozeluch; Simona Eisinger; Czech Chamber Philharmonic Orchestra Pardubice; Filip Dvořák; Marek Štilec |
2:46 | |||
1.5
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No. 5, Er schenkte Freiheit unsern Hallen
Leopold Kozeluch; Boni Pueri Boys Choir; Czech Chamber Philharmonic Orchestra Pardubice; Filip Dvořák; Marek Štilec |
2:45 | |||
1.6
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No. 6, Heil Menschheit dir!
Leopold Kozeluch; Siegfried Gohritz; Czech Chamber Philharmonic Orchestra Pardubice; Filip Dvořák; Marek Štilec |
4:26 | |||
1.7
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No. 7, Trockne sanft die heissen Zähren
Leopold Kozeluch; Simona Eisinger; Czech Chamber Philharmonic Orchestra Pardubice; Filip Dvořák; Marek Štilec |
4:25 | |||
1.8
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No. 8, Wie herrlich schön
Leopold Kozeluch; Siegfried Gohritz; Czech Chamber Philharmonic Orchestra Pardubice; Filip Dvořák; Marek Štilec |
2:41 | |||
1.9
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No. 9, Dem Maurer Bunde true zu handeln
Leopold Kozeluch; Simona Eisinger; Boni Pueri Boys Choir; Czech Chamber Philharmonic Orchestra Pardubice; Filip Dvořák; Marek Štilec |
2:40 | |||
1.10
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Umbra noctis orbem tangit, P. XXV:5
Leopold Kozeluch; Simona Eisinger; Czech Chamber Philharmonic Orchestra Pardubice; Filip Dvořák; Marek Štilec |
6:12 | |||
1.11
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Quaeso ad me veni, sponse divine, P. XXV:4
Leopold Kozeluch; Simona Eisinger; Boni Pueri Boys Choir; Czech Chamber Philharmonic Orchestra Pardubice; Filip Dvořák; Marek Štilec |
6:11 | |||
Mass in C Major, P. XXV:1
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1.12
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I. Kyrie
Leopold Kozeluch; Boni Pueri Boys Choir; Czech Chamber Philharmonic Orchestra Pardubice; Marek Štilec |
2:02 | |||
1.13
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II. Gloria
Leopold Kozeluch; Boni Pueri Boys Choir; Czech Chamber Philharmonic Orchestra Pardubice; Marek Štilec |
1:40 | |||
1.14
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III. Credo
Leopold Kozeluch; Boni Pueri Boys Choir; Czech Chamber Philharmonic Orchestra Pardubice; Marek Štilec |
2:08 | |||
1.15
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IV. Sanctus
Leopold Kozeluch; Boni Pueri Boys Choir; Czech Chamber Philharmonic Orchestra Pardubice; Marek Štilec |
1:05 | |||
1.16
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V. Benedictus
Leopold Kozeluch; Boni Pueri Boys Choir; Czech Chamber Philharmonic Orchestra Pardubice; Marek Štilec |
2:15 | |||
1.17
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VI. Agnus Dei
Leopold Kozeluch; Boni Pueri Boys Choir; Czech Chamber Philharmonic Orchestra Pardubice; Marek Štilec |
1:41 | |||
1.18
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VII. Dona nobis pacem
Leopold Kozeluch; Boni Pueri Boys Choir; Czech Chamber Philharmonic Orchestra Pardubice; Marek Štilec |
1:38 | |||
Denis Klage auf den Todt Marien Theresien, P. XIX:1
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1.19
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No. 1, Von meinem ersten Knabenalter
Leopold Kozeluch; Simona Eisinger; Filip Dvořák |
3:14 | |||
1.20
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No. 2, Er leiht sie nimmer länger
Leopold Kozeluch; Simona Eisinger; Filip Dvořák |
4:05 | |||
1.21
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No. 3, Und nun herab, du falber Winterkranz!
Leopold Kozeluch; Simona Eisinger; Filip Dvořák |
2:32 | |||
Digital Booklet
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Vienna was a magnet for musicians across Europe in the 18th century, and among the most successful and influential were composers from Bohemia. Credited with developing idiomatic piano performance in the city, leopold Koželuch also wrote choral music of considerable individuality.
"Joseph der Menschheit Segen" (‘Joseph, Mankind’s Blessing’) is a powerful Masonic cantata that unusually includes Melodrama, where spoken text is followed by instrumental passages. The two sacred arias are masterful compositions and the "Missa in C", though small in scale, is unusually lavish in its scoring. "Klage auf den Todt Marien Theresien" (‘On the Death of Maria Theresa’) possesses a grave and subtle beauty.
96 kHz / 24-bit PCM – Naxos Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.45 -7.13 to -0.15 | -22.38 -26.82 to -18.23 | -18.70 -23.50 to -14.80 | 13 12 to 17 | |
1 | No. 1, Introduzione. Adagio - Allegro | -1.05 | -21.74 | -17.8 | 13 |
2 | No. 2, Segen kam auf uns hernieder | -0.49 | -19.68 | -16.0 | 12 |
3 | No. 3, Einst goß sich Barbarei | -2.58 | -24.64 | -20.8 | 13 |
4 | No. 4, Von ihm quoll Segen auf uns nieder | -2.48 | -25.37 | -21.8 | 14 |
5 | No. 5, Er schenkte Freiheit unsern Hallen | -0.59 | -18.99 | -15.8 | 12 |
6 | No. 6, Heil Menschheit dir! | -2.61 | -26.36 | -23.2 | 15 |
7 | No. 7, Trockne sanft die heissen Zähren | -1.37 | -22.95 | -19.5 | 14 |
8 | No. 8, Wie herrlich schön | -0.88 | -24.57 | -21.3 | 15 |
9 | No. 9, Dem Maurer Bunde true zu handeln | -0.22 | -19.93 | -16.3 | 12 |
10 | Umbra noctis orbem tangit, P. XXV:5 | -0.28 | -19.20 | -15.7 | 12 |
11 | Quaeso ad me veni, sponse divine, P. XXV:4 | -0.55 | -21.21 | -17.5 | 13 |
12 | I. Kyrie | -1.92 | -21.82 | -18.3 | 13 |
13 | II. Gloria | -0.16 | -18.23 | -14.8 | 12 |
14 | III. Credo | -0.15 | -19.63 | -16.2 | 12 |
15 | IV. Sanctus | -0.33 | -19.23 | -15.0 | 12 |
16 | V. Benedictus | -3.07 | -23.21 | -19.3 | 13 |
17 | VI. Agnus Dei | -7.13 | -26.82 | -23.5 | 12 |
18 | VII. Dona nobis pacem | -0.20 | -20.90 | -17.1 | 14 |
19 | No. 1, Von meinem ersten Knabenalter | -0.77 | -25.44 | -20.7 | 17 |
20 | No. 2, Er leiht sie nimmer länger | -2.50 | -24.00 | -20.5 | 14 |
21 | No. 3, Und nun herab, du falber Winterkranz! | -1.19 | -26.16 | -21.5 | 15 |