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Ascanio: Ballet – Overtures to Stage Works

Malmö Symphony Orchestra, Jun Märkl

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Ascanio, R. 293  
1.1
Entrée du maître des jeux
Camille Saint-Saëns; Malmö Symphony Orchestra; Jun Märkl
1:35
1.2
Vénus, Junon et Pallas
Camille Saint-Saëns; Malmö Symphony Orchestra; Jun Märkl
1:08
1.3
Diane, dryades et naïades
Camille Saint-Saëns; Malmö Symphony Orchestra; Jun Märkl
2:02
1.4
Bacchus et les bacchantes
Camille Saint-Saëns; Malmö Symphony Orchestra; Jun Märkl
1:39
1.5
Apparition Phœbus, d'Apollon et les neuf muses
Camille Saint-Saëns; Malmö Symphony Orchestra; Jun Märkl
2:40
1.6
Phœbus prenant sa lyre, évoque l'Amour
Camille Saint-Saëns; Malmö Symphony Orchestra; Jun Märkl
3:24
1.7
L'Amour fait apparaître Psyché (1)
Camille Saint-Saëns; Malmö Symphony Orchestra; Jun Märkl
2:29
1.8
Ensemble de Phœbus, Diane, Erigone, Nicœa et Bacchus avec les muses, les nymphes et les bacchantes
Camille Saint-Saëns; Malmö Symphony Orchestra; Jun Märkl
1:53
1.9
Variation de l'amour (1)
Camille Saint-Saëns; Malmö Symphony Orchestra; Jun Märkl
1:38
1.10
Le dragon des Hespérides apporte la pomme d'or
Camille Saint-Saëns; Malmö Symphony Orchestra; Jun Märkl
1:56
1.11
Final. Les déesses, bacchantes, naïades et dryades
Camille Saint-Saëns; Malmö Symphony Orchestra; Jun Märkl
4:03
Les barbares, R. 295  
1.12
Prologue
Camille Saint-Saëns; Malmö Symphony Orchestra; Jun Märkl
14:25
1.13
Jota aragonese, Op. 64, R. 174
Camille Saint-Saëns; Malmö Symphony Orchestra; Jun Märkl
4:09
Andromaque, R. 320  
1.14
Prélude to Act IV
Camille Saint-Saëns; Malmö Symphony Orchestra; Jun Märkl
4:54
1.15
Overture
Camille Saint-Saëns; Malmö Symphony Orchestra; Jun Märkl
8:35
La princesse jaune, Op. 30, R. 287  
1.16
Overture
Camille Saint-Saëns; Malmö Symphony Orchestra; Jun Märkl
6:26
1.17
Ouverture d'un opéra-comique inachevé, Op. 140, R. 162
Camille Saint-Saëns; Malmö Symphony Orchestra; Jun Märkl
5:39
Ascanio, R. 293  
1.18
L'Amour fait apparaître Psyché (2)
Camille Saint-Saëns; Malmö Symphony Orchestra; Jun Märkl
2:29
1.19
Variation de l'amour (2)
Camille Saint-Saëns; Malmö Symphony Orchestra; Jun Märkl
2:08
Digital Booklet
Total Playing Time    73:12
Saint-Saëns’ operatic works contain instrumental music of vivacity and charm but have been undeservedly overlooked. "Ascanio" contains a substantial and elaborate divertissement that fellow composer Reynaldo Hahn termed ‘the entire Renaissance in a few pages’. "Les Barbares", a tale of conquest and revenge, includes a vivid Prologue and joyful ballet, while "La Princesse jaune" with its pentatonic writing, and "La Jota aragonese" laced with Spanish vitality, show the composer at his most generously carefree.
96 kHz / 24-bit PCM – Naxos Studio Masters

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