℗ 2019 Naxos
| Released | November 22, 2019 |
| Duration | 1h 14m 47s |
| Record Label | Naxos |
| Catalogue No. | 8.574039 |
| Genre | Classical (Chamber) |
Beethoven: Symphonies Nos. 1 & 3 (Arr. J. N. Hummel for Flute & Piano Trio)
Uwe Grodd, Gould Piano Trio
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" (Arr. J. N. Hummel for Flute & Piano Trio)
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1.1
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I. Allegro con brio
Johann Nepomuk Hummel; Ludwig van Beethoven; Johann Nepomuk Hummel; Uwe Grodd; Gould Piano Trio |
17:30 | |||
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1.2
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II. Marcia funebre. Adagio assai
Johann Nepomuk Hummel; Ludwig van Beethoven; Johann Nepomuk Hummel; Uwe Grodd; Gould Piano Trio |
13:25 | |||
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1.3
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III. Scherzo. Allegro vivace
Johann Nepomuk Hummel; Ludwig van Beethoven; Johann Nepomuk Hummel; Uwe Grodd; Gould Piano Trio |
6:02 | |||
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1.4
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IV. Finale. Allegro molto
Johann Nepomuk Hummel; Ludwig van Beethoven; Johann Nepomuk Hummel; Uwe Grodd; Gould Piano Trio |
11:14 | |||
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Symphony No. 1 in C Major, Op. 21 (Arr. J. N. Hummel for Flute & Piano Trio)
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1.5
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I. Adagio molto - Allegro con brio
Johann Nepomuk Hummel; Ludwig van Beethoven; Johann Nepomuk Hummel; Uwe Grodd; Gould Piano Trio |
9:46 | |||
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1.6
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II. Andante cantabile con moto
Johann Nepomuk Hummel; Ludwig van Beethoven; Johann Nepomuk Hummel; Uwe Grodd; Gould Piano Trio |
7:37 | |||
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1.7
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III. Menuetto. Allegro molto e vivace
Johann Nepomuk Hummel; Ludwig van Beethoven; Johann Nepomuk Hummel; Uwe Grodd; Gould Piano Trio |
3:39 | |||
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1.8
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IV. Finale. Adagio - Allegro molto e vivace
Johann Nepomuk Hummel; Ludwig van Beethoven; Johann Nepomuk Hummel; Uwe Grodd; Gould Piano Trio |
5:34 | |||
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Digital Booklet
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Beethoven and Hummel’s relationship was one of fractious beginnings, but ultimately true friendship. Between 1825 and 1835 Hummel arranged his contemporary’s "Symphonies Nos. 1–7" and "Septet, Op. 20" for his favoured combination of pianoforte, flute, violin and violoncello. Beethoven would surely not have objected—arrangements were, after all, a perfectly normal part of the 19th-century musical landscape. To audiences today his symphonies need little introduction but, thanks to the musical sensitivity and sheer brilliance of Hummel’s arrangements, it is possible to experience the thrill of hearing these extraordinary pieces afresh.
96 kHz / 24-bit PCM – Naxos Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.22 -5.63 to -1.00 | -24.45 -27.44 to -22.80 | -20.81 -23.60 to -19.20 | 15 13 to 16 | |
| 1 | I. Allegro con brio | -1.00 | -23.90 | -20.3 | 16 |
| 2 | II. Marcia funebre. Adagio assai | -1.67 | -25.70 | -21.6 | 15 |
| 3 | III. Scherzo. Allegro vivace | -1.00 | -24.32 | -21.0 | 16 |
| 4 | IV. Finale. Allegro molto | -1.91 | -23.33 | -19.4 | 14 |
| 5 | I. Adagio molto - Allegro con brio | -1.56 | -23.92 | -20.6 | 14 |
| 6 | II. Andante cantabile con moto | -5.63 | -27.44 | -23.6 | 14 |
| 7 | III. Menuetto. Allegro molto e vivace | -3.69 | -24.19 | -20.8 | 13 |
| 8 | IV. Finale. Adagio - Allegro molto e vivace | -1.30 | -22.80 | -19.2 | 14 |