℗ 1960 2013 Countdown Media, a division of BMG Rights Management (US)
Released January 26, 2019
Duration 33m 53s
Record Label Everest
Genre Classical
 

Gershwin: Rhapsody in Blue & An American in Paris (Transferred from the Original Everest Records Master Tapes)

Pittsburgh Symphony Orchestra & William Steinberg, Pittsburgh Symphony Orchestra

Available in MQA and 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
  • Select Format
    • AIFF 96 kHz | 24-bit
    • AIFF 192 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
    • FLAC 192 kHz | 24-bit
    • MQA 192 kHz | 24-bit (source)
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1.1
Rhapsody in Blue (Orch. by Ferde Grofé)
Ferde Grofé; George Gershwin; Pittsburgh Symphony Orchestra; Jesús Maria Sanromá; William Steinberg
16:46
1.2
An American in Paris
George Gershwin; Pittsburgh Symphony Orchestra & William Steinberg; Pittsburgh Symphony Orchestra; William Steinberg
17:07
Digital Booklet
Gershwin's legendary blending of jazz and classical music for orchestra is featured in the expert hands of the Pittsburgh Symphony Orchestra under the direction of William Steinberg in this stunning legacy recording. Mastered from the original Everest Master Tapes, this series of releases from Countdown Media have been given new light and clarity through high-resolution digital transfer. "The Everest catalog is one of the truly historic and ground-breaking music catalogs of the past half century. Everest created a number of historical sonic and music benchmarks during its early history in the 1950’s and 60’s. Everest was one of only two labels (arguably the first, with the historic Mercury Living Presence to follow) to record in 3-channel stereo, mostly with the London Symphony, London Philharmonic, and New York Philharmonic (in the guise of the 'Stadium Symphony Orchestra' due to contractual obligations). Some of the famed conductors active during the middle of the century, including Leopold Stokowski, Sir Malcom Sargent and Sir Adrian Boult, were responsible for these ground-breaking recordings on 35mm video tape (also a landmark accomplishment which would hearken the arrival a decade later of the usage of 2” master tape for studio recording)." - Lutz Rippe (Countdown Media)
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Everest Studio Masters

Tracks 1, 2 – contains high-resolution digital transfers of material originating from an analogue master source
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-0.31
-0.32 to -0.31
-23.30
-23.30 to -23.29
-18.85
-19.10 to -18.60
14
14 to 14
1
Rhapsody in Blue (Orch. by Ferde Grofé)
-0.32-23.30-18.614
2
An American in Paris
-0.31-23.29-19.114

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