℗ 1960 2016 Countdown Media, a division of BMG Rights Management (US)
Released October 6, 2017
Duration 39m 49s
Record Label Concert-Disc
Genre Classical
 

Hindemith: Octet & Sonata for Viola Alone, Op. 25, No. 1 (Remastered from the Original Concert-Disc Master Tapes)

Fine Arts Quartet, Members of the New York Woodwind Quintet, Irving Ilmer

Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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    • AIFF 96 kHz | 24-bit
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    • MQA 96 kHz | 24-bit (source)
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Octet  
1.1
I. Breit. Mäßig schnell
Paul Hindemith; Fine Arts Quartet; New York Woodwind Quintet
7:16
1.2
II. Varianten. Mäßig bewegt
Paul Hindemith; Fine Arts Quartet; New York Woodwind Quintet
2:32
1.3
III. Langsam
Paul Hindemith; Fine Arts Quartet; New York Woodwind Quintet
7:46
1.4
IV. Sehr lebhaft
Paul Hindemith; Fine Arts Quartet; New York Woodwind Quintet
2:20
1.5
V. Fuge und drei altmodische Tänze. Walzer, Polka & Galopp
Paul Hindemith; Fine Arts Quartet; New York Woodwind Quintet
6:01
Sonata for Viola Alone, Op. 25, No. 1  
1.6
I. Breit. Viertel
Paul Hindemith; Irving Ilmer
1:50
1.7
II. Sehr frisch und straff
Paul Hindemith; Irving Ilmer
2:01
1.8
III. Sehr langsam
Paul Hindemith; Irving Ilmer
4:30
1.9
IV. Rasendes Zeitmaß. Wild. Tonschönheit ist Nebensache
Paul Hindemith; Irving Ilmer
1:45
1.10
V. Langsam, mit viel Ausdruck
Paul Hindemith; Irving Ilmer
3:48
Digital Booklet
"One of the gold-plated names in chamber music." - Washington Post Countdown Media presents this legacy recording of the Fine Arts Quartet performing the Octet & Sonata for Viola Alone, Op. 25, No. 1 from the great modernist composer of the 20th century, Paul Hindemith, who presented a new system of music composition called "Neue Sachlichkeit" (new objectivity). The Fine Arts Quartet was founded in 1946, although the group's members had actually begun working together as early as 1939 while playing in the Chicago Symphony Orchestra. The Quartet's first performance took place in 1940 with Leonard Sorkin, first violinist, Ben Senescu, second violinist, Sheppard Lehnhoff, violist, and George Sopkin, cellist. Military service in World War II intervened, however, and it was not until 1946, now with the new second violinist Joseph Stepansky, that the Quartet began to rehearse and perform regularly. The Quartet released an astonishing quantity of works (over 100) during its first 30 years of existence, including cycles of chamber music by Haydn, Mozart, Beethoven, Schubert, Mendelssohn, and Brahms. Now, Countdown Media has catalogued and collected the masters of these incredible recordings, remastering and rereleasing them in stunning modern clarity for new listeners.
96 kHz / 24-bit PCM – Concert-Disc Studio Masters

Tracks 1-10 – contains high-resolution digital transfers of material originating from an analogue master source
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-2.21
-4.57 to 0.00
-22.57
-25.50 to -19.14
-19.00
-22.20 to -15.90
13
12 to 14
1
I. Breit. Mäßig schnell
-0.58-20.17-16.712
2
II. Varianten. Mäßig bewegt
-4.57-25.50-22.213
3
III. Langsam
-0.29-22.63-19.513
4
IV. Sehr lebhaft
0.00-20.29-16.712
5
V. Fuge und drei altmodische Tänze. Walzer, Polka & Galopp
-1.59-24.54-20.914
6
I. Breit. Viertel
-4.15-22.53-19.312
7
II. Sehr frisch und straff
-2.15-21.24-17.713
8
III. Sehr langsam
-3.74-25.11-20.513
9
IV. Rasendes Zeitmaß. Wild. Tonschönheit ist Nebensache
0.00-19.14-15.913
10
V. Langsam, mit viel Ausdruck
-2.80-24.58-20.613

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