℗ 2017 This Compilation Parlophone Records Ltd, a Warner Music Group Company
| Released | December 1, 2017 |
| Duration | 41m 11s |
| Record Label | Rhino |
| Genre | Rock |
Misplaced Childhood (2017 Remaster)
Marillion
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Pseudo Silk Kimono (2017 Remaster)
Marillion |
2:13 | |||
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1.2
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Kayleigh (2017 Remaster)
Marillion |
4:03 | |||
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1.3
|
Lavender (2017 Remaster)
Marillion |
2:26 | |||
|
Bitter Suite
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1.4
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Brief Encounter / Lost Weekend / Blue Angel / Misplaced Rendezvous / Windswept Thumb (2017 Remaster)
Marillion |
7:55 | |||
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1.5
|
Heart of Lothian (2017 Remaster)
Marillion |
4:04 | |||
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1.6
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Waterhole (Expresso Bongo / 2017 Remaster)
Marillion |
2:12 | |||
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1.7
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Lords of the Backstage (2017 Remaster)
Marillion |
1:53 | |||
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Blind Curve
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1.8
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Vocal Under a Bloodlight / Passing Strangers / Mylo / Perimeter Walk / Threshold (2017 Remaster)
Marillion |
9:29 | |||
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1.9
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Childhood's End? (2017 Remaster)
Marillion |
4:32 | |||
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1.10
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White Feather (2017 Remaster)
Marillion |
2:24 | |||
Misplaced Childhood is the third studio album by the British neo-progressive rock band Marillion, released in 1985. It is a concept album loosely based on the childhood of Marillion's lead singer, Fish, who was inspired by a brief incident that occurred while he was under the influence of acid.
The album was recorded during the spring of 1985 at Hansa Tonstudio in Berlin and produced by Chris Kimsey, who had previously worked with the Rolling Stones. Misplaced Childhood is the group's most commercially successful album to date, peaking immediately at number one in the UK charts and spending a total of 41 weeks on the chart
96 kHz / 24-bit PCM – Rhino Studio Masters
Tracks 1, 3, 4, 6-9 – contains material which utilizes a limited amount of the available bandwidth Tracks 2, 5, 10 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1, 3, 4, 6-9 – contains material which utilizes a limited amount of the available bandwidth Tracks 2, 5, 10 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.60 -2.56 to -0.02 | -15.32 -17.16 to -14.01 | -12.42 -15.00 to -10.70 | 10 9 to 10 | |
| 1 | Pseudo Silk Kimono (2017 Remaster) | -2.56 | -17.16 | -15.0 | 9 |
| 2 | Kayleigh (2017 Remaster) | -0.43 | -15.60 | -12.6 | 10 |
| 3 | Lavender (2017 Remaster) | -0.18 | -15.40 | -12.2 | 10 |
| 4 | Brief Encounter / Lost Weekend / Blue Angel / Misplaced Rendezvous / Windswept Thumb (2017 Remaster) | 0.00 | -16.21 | -13.8 | 10 |
| 5 | Heart of Lothian (2017 Remaster) | 0.00 | -14.25 | -11.9 | 9 |
| 6 | Waterhole (Expresso Bongo / 2017 Remaster) | -0.53 | -15.37 | -12.7 | 10 |
| 7 | Lords of the Backstage (2017 Remaster) | -0.02 | -14.01 | -10.9 | 10 |
| 8 | Vocal Under a Bloodlight / Passing Strangers / Mylo / Perimeter Walk / Threshold (2017 Remaster) | 0.00 | -15.40 | -12.4 | 10 |
| 9 | Childhood's End? (2017 Remaster) | -0.06 | -15.29 | -12.0 | 10 |
| 10 | White Feather (2017 Remaster) | -0.40 | -14.50 | -10.7 | 9 |