℗ 2014 Parlophone Records Limited, a Warner Music Group company.
| Released | April 11, 2014 |
| Duration | 1h 04m 00s |
| Record Label | Parlophone UK |
| Genre | Alternative (Pop) |
|
1.1
|
Re-Hash
Gorillaz |
3:39 | |||
|
1.2
|
5/4
Gorillaz |
2:41 | |||
|
1.3
|
Tomorrow Comes Today
Gorillaz |
3:13 | |||
|
1.4
|
New Genius (Brother)
Gorillaz |
3:58 | |||
|
1.5
|
Clint Eastwood EXPLICIT
Gorillaz |
5:42 | |||
|
1.6
|
Man Research (Clapper)
Gorillaz |
4:30 | |||
|
1.7
|
Punk
Gorillaz |
1:34 | |||
|
1.8
|
Sound Check (Gravity)
Gorillaz |
4:40 | |||
|
1.9
|
Double Bass
Gorillaz |
4:44 | |||
|
1.10
|
Rock the House EXPLICIT
Gorillaz |
4:08 | |||
|
1.11
|
19-2000
Gorillaz |
3:28 | |||
|
1.12
|
Latin Simone (Que Pasa Contigo)
Gorillaz |
3:37 | |||
|
1.13
|
Starshine
Gorillaz |
3:32 | |||
|
1.14
|
Slow Country
Gorillaz |
3:36 | |||
|
1.15
|
M1 A1
Gorillaz |
3:50 | |||
|
1.16
|
Clint Eastwood (Ed Case / Sweetie Irie Refix) EXPLICIT
Gorillaz |
3:40 | |||
|
1.17
|
19-2000 (Soulchild Remix)
Gorillaz |
3:28 |
"Although his collaborators comprise various hip-hop/graphics types, much of Gorillaz sounds like the solo album Damon Albarn probably never thought he would make ... When not doing a perfectly laconic impersonation of New Order's Bernard Sumner, he's soaring into the upper reaches once occupied by Labi Siffre and Jimmy Cliff. Like any good cartoon, Gorillaz are difficult to love deeply, but impossible not to like."
- The Guardian
Gorillaz is the eponymous debut studio album by virtual band Gorillaz. The album's success earned the group an entry in the Guinness Book of World Records as the "Most Successful Virtual Band", and spawned the singles "Clint Eastwood", "19-2000", "Rock the House", and "Tomorrow Comes Today".
Musician Damon Albarn and comic book creator Jamie Hewlett met in 1990 when guitarist Graham Coxon, a fan of Hewlett's work, asked him to interview Blur, a band Albarn and Coxon had recently formed.
The idea to create Gorillaz came about when Albarn and Hewlett were watching MTV. Hewlett said, "If you watch MTV for too long, it's a bit like hell – there's nothing of substance there. So we got this idea for a cartoon band, something that would be a comment on that."
44.1 kHz / 24-bit PCM – Parlophone UK Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.19 -2.37 to -2.10 | -13.31 -15.85 to -10.50 | -11.39 -14.50 to -8.70 | 7 4 to 10 | |
| 1 | Re-Hash | -2.11 | -14.81 | -13.0 | 8 |
| 2 | 5/4 | -2.11 | -12.21 | -9.6 | 5 |
| 3 | Tomorrow Comes Today | -2.31 | -10.50 | -9.2 | 4 |
| 4 | New Genius (Brother) | -2.11 | -13.40 | -11.6 | 7 |
| 5 | Clint Eastwood | -2.31 | -13.94 | -12.5 | 8 |
| 6 | Man Research (Clapper) | -2.11 | -14.36 | -12.8 | 8 |
| 7 | Punk | -2.11 | -14.80 | -11.9 | 8 |
| 8 | Sound Check (Gravity) | -2.11 | -12.84 | -10.4 | 6 |
| 9 | Double Bass | -2.10 | -13.88 | -13.0 | 8 |
| 10 | Rock the House | -2.31 | -13.70 | -11.7 | 7 |
| 11 | 19-2000 | -2.31 | -14.81 | -13.0 | 8 |
| 12 | Latin Simone (Que Pasa Contigo) | -2.28 | -11.80 | -9.7 | 5 |
| 13 | Starshine | -2.11 | -15.85 | -14.5 | 10 |
| 14 | Slow Country | -2.11 | -10.81 | -10.2 | 4 |
| 15 | M1 A1 | -2.11 | -11.81 | -8.7 | 4 |
| 16 | Clint Eastwood (Ed Case / Sweetie Irie Refix) | -2.30 | -13.82 | -11.9 | 7 |
| 17 | 19-2000 (Soulchild Remix) | -2.37 | -12.97 | -9.9 | 6 |