℗ 2015 Geffen Records
 

Jaws 2 (Original Motion Picture Soundtrack)

John Williams

Available in 96 kHz / 24-bit AIFF and FLAC high-resolution audio formats

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    • AIFF 96.0 kHz | 24-bit
    • FLAC 96.0 kHz | 24-bit
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1
Finding The Orca (Main Title) (From The "Jaws 2" Soundtrack)
John Williams
3:14
2
The Menu (From The "Jaws 2" Soundtrack)
John Williams
1:50
3
Ballet For Divers (From The "Jaws 2" Soundtrack)
John Williams
2:57
4
The Water Kite Sequence (From The "Jaws 2" Soundtrack)
John Williams
2:52
5
Brody Misunderstood (From The "Jaws 2" Soundtrack)
John Williams
2:48
6
The Catamaran Race (From The "Jaws 2" Soundtrack)
John Williams
2:09
7
Toward Cable Junction (From The "Jaws 2" Soundtrack)
John Williams
3:44
8
Attack On The Helicopter (From The "Jaws 2" Soundtrack)
John Williams
1:57
9
The Open Sea (From The "Jaws 2" Soundtrack)
John Williams
2:04
10
Fire Aboard And Eddie's Death (From The "Jaws 2" Soundtrack)
John Williams
3:25
11
Sean's Rescue (From The "Jaws 2" Soundtrack)
John Williams
2:55
12
Attack On The Water Skier (From The "Jaws 2" Soundtrack)
John Williams
2:42
13
The Big Jolt! (From The "Jaws 2" Soundtrack)
John Williams
4:39
14
End Title, End Cast (From The "Jaws 2" Soundtrack)
John Williams
3:27
Total Playing Time    40:43
"... a different beast than the original, musically. There’s a lot more on show here. The main theme is here, but it’s used very sparsely. The rest of the music is suspense and fun ..."
- Soundtrack Geek

"... a strong set of fresh and surprisingly optimistic new ideas from John Williams ... he actually succeeded in providing Jaws 2 with an interesting new sound while remaining loyal to the basic elements of the first score."
- Filmtracks.com

John Williams earned an Academy Award for his soundtrack to the first Jaws film and returned to compose the music for the sequel three years later, using a larger orchestra and more complex musical themes to convey the increased complexity of the second movie. Williams says the music was always considered "a member of the cast" essential to the story; of course he incorporates the iconic shark motif from the first film's soundtrack in this score.
96 kHz / 24-bit PCM – Geffen Studio Masters

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