℗ 2018 Münchner Philharmoniker
| Released | November 30, 2018 |
| Duration | 1h 10m 16s |
| Record Label | MUNCHNER PHILHARMONIKER GBR |
| Genre | Classical |
Prokofiev: Scythian Suite, Romeo and Juliet (Excerpts) [Live]
Münchner Philharmoniker, Sergiu Celibidache
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Scythian Suite, Op. 20
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1.1
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I. The Adoration of Veless and Ala (Live)
Sergei Prokofiev; Münchner Philharmoniker; Sergiu Celibidache |
7:46 | |||
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1.2
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II. The Enemy God and the Dance of the Spirits of Darkness (Live)
Sergei Prokofiev; Münchner Philharmoniker; Sergiu Celibidache |
3:32 | |||
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1.3
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III. Night (Live)
Sergei Prokofiev; Münchner Philharmoniker; Sergiu Celibidache |
7:31 | |||
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1.4
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IV. The Glorious Departure of Lolly and the Sun's Procession (Live)
Sergei Prokofiev; Münchner Philharmoniker; Sergiu Celibidache |
7:22 | |||
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Romeo and Juliet, Op. 64a & 64b
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1.5
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Montagues and Capulets (Excerpt / Live)
Sergei Prokofiev; Münchner Philharmoniker; Sergiu Celibidache |
5:58 | |||
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1.6
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Juliet the Young Girl (Excerpt / Live)
Sergei Prokofiev; Münchner Philharmoniker; Sergiu Celibidache |
5:03 | |||
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1.7
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Masks (Excerpt / Live)
Sergei Prokofiev; Münchner Philharmoniker; Sergiu Celibidache |
3:20 | |||
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1.8
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Romeo and Juliet before Parting (Excerpt / Live)
Sergei Prokofiev; Münchner Philharmoniker; Sergiu Celibidache |
11:21 | |||
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1.9
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Dance of the Maids from the Antilles (Excerpt / Live)
Sergei Prokofiev; Münchner Philharmoniker; Sergiu Celibidache |
2:56 | |||
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1.10
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Romeo at Juliet's Tomb (Excerpt / Live)
Sergei Prokofiev; Münchner Philharmoniker; Sergiu Celibidache |
8:51 | |||
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1.11
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Death of Tybalt (Live)
Sergei Prokofiev; Münchner Philharmoniker; Sergiu Celibidache |
6:36 | |||
The Münchner Philharmoniker appears under the direction of Sergiu Celibidache in this stunning legacy recording of selections from Prokofiev's Scythian Suite and Romeo and Juliet.
Throughout his lifetime Sergiu Celibidache was convinced that music could not be conserved on tape. He nevertheless did record a few concerts – especially compositions by Anton Bruckner – with the Munich Philharmonics. To this day, these recordings are regarded as legendary: not surprising, given that Celibidache is considered to be the greatest Bruckner specialist of his time.
96 kHz / 24-bit PCM – MUNCHNER PHILHARMONIKER GBR Studio Masters
Tracks 1-4 – contains high-resolution digital transfers of material originating from an analogue master source Tracks 5-11 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1-4 – contains high-resolution digital transfers of material originating from an analogue master source Tracks 5-11 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.27 -19.47 to -0.51 | -27.34 -40.07 to -20.09 | -22.79 -37.40 to -16.30 | 13 11 to 16 | |
| 1 | I. The Adoration of Veless and Ala (Live) | -1.95 | -23.99 | -16.8 | 12 |
| 2 | II. The Enemy God and the Dance of the Spirits of Darkness (Live) | -0.91 | -20.09 | -16.3 | 12 |
| 3 | III. Night (Live) | -2.41 | -27.98 | -23.2 | 16 |
| 4 | IV. The Glorious Departure of Lolly and the Sun's Procession (Live) | -1.96 | -21.04 | -16.3 | 11 |
| 5 | Montagues and Capulets (Excerpt / Live) | -0.53 | -25.38 | -19.7 | 15 |
| 6 | Juliet the Young Girl (Excerpt / Live) | -14.54 | -36.63 | -33.5 | 13 |
| 7 | Masks (Excerpt / Live) | -10.10 | -31.80 | -27.7 | 14 |
| 8 | Romeo and Juliet before Parting (Excerpt / Live) | -5.06 | -28.60 | -23.3 | 13 |
| 9 | Dance of the Maids from the Antilles (Excerpt / Live) | -19.47 | -40.07 | -37.4 | 12 |
| 10 | Romeo at Juliet's Tomb (Excerpt / Live) | -0.51 | -23.93 | -19.6 | 15 |
| 11 | Death of Tybalt (Live) | -0.51 | -21.26 | -16.9 | 13 |