℗ 2017 Münchner Philharmoniker
| Released | November 17, 2017 |
| Duration | 59m 24s |
| Record Label | MUNCHNER PHILHARMONIKER GBR |
| Genre | Classical |
Mahler: Kindertotenlieder - Strauss, Richard: Tod und Verklärung (HD)
Sergiu Celibidache, Münchner Philharmoniker
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Kindertotenlieder
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1.1
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I. "Nun will die Sonn' so hell aufgeh'n"
Gustav Mahler; Sergiu Celibidache; Münchner Philharmoniker |
7:42 | |||
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1.2
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II. "Nun seh' ich wohl, warum so dunkle Flammen"
Gustav Mahler; Sergiu Celibidache; Münchner Philharmoniker |
5:39 | |||
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1.3
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III. "Wenn dein Mutterlein"
Gustav Mahler; Sergiu Celibidache; Münchner Philharmoniker |
5:44 | |||
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1.4
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IV. "Oft denk' ich, sie sind nur ausgegangen"
Gustav Mahler; Sergiu Celibidache; Münchner Philharmoniker |
2:55 | |||
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1.5
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V. "In diesem Wetter, in diesem Braus"
Gustav Mahler; Sergiu Celibidache; Münchner Philharmoniker |
7:13 | |||
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1.6
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Tod und Verklärung, Op. 24, TrV 158
Richard Strauss; Sergiu Celibidache; Münchner Philharmoniker |
30:11 | |||
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Digital Booklet
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The chosen repertoire on the album is Gustav Mahler’s Kindertotenlieder, recorded 30 June 1983 at the Herkulessaal der Residenz, Munich and Richard Strauss’ Tod und Verklärung, recorded on 17 February 1979 also at the Herkulessaal der Residenz, Munich.
For a long time, Tod und Verklärung was the most popular of Richard Strauss’s early tone poems. It contains a wide range of memorable motifs subtly differentiated with the result that its music recurs whenever there is mention of death or transfiguration in Strauss’ later output. Together with the innocent tone and positively artificial naïveté of the poems that attracted Gustav Mahler as a composer and prompted him to compose the Kindertotenlieder, this thoughtfully curated pairing creates an altogether intimate character while revealing an astonishing wealth of colours.
Mahler’s Kindertotenlieder feature German mezzo-soprano Brigitte Fassbaender, who holds the prestigious title Kammersängerin from the Bavarian State Opera and the Vienna State Opera.
96 kHz / 24-bit PCM – MUNCHNER PHILHARMONIKER GBR Studio Masters
Tracks 1-6 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-6 – contains high-resolution digital transfers of material originating from an analogue master source
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.84 -3.37 to -0.50 | -24.74 -29.12 to -19.27 | -20.13 -25.50 to -14.00 | 13 10 to 15 | |
| 1 | I. "Nun will die Sonn' so hell aufgeh'n" | -3.37 | -29.12 | -25.5 | 13 |
| 2 | II. "Nun seh' ich wohl, warum so dunkle Flammen" | -1.44 | -24.41 | -19.4 | 13 |
| 3 | III. "Wenn dein Mutterlein" | -1.76 | -26.75 | -22.4 | 15 |
| 4 | IV. "Oft denk' ich, sie sind nur ausgegangen" | -0.79 | -22.28 | -17.8 | 12 |
| 5 | V. "In diesem Wetter, in diesem Braus" | -3.17 | -26.63 | -21.7 | 14 |
| 6 | Tod und Verklärung, Op. 24, TrV 158 | -0.50 | -19.27 | -14.0 | 10 |