℗ 2016 Licensed by Tokyo University of the Arts / GEIDAI LABEL supported by Warner Music Japan
| Released | August 30, 2017 |
| Duration | 1h 54m 21s |
| Record Label | WM Japan |
| Genre | Classical |
Geidai Label Vol. 1 Plus: To Know More About The Recommended Students Vol. 1
Various Artists
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Piece for Flute Solo
Jacques Ibert; Yuna Okubo |
5:03 | |||
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Violin Partita No. 3 in E Major, BWV 1006
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1.2
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III. Gavotte en Rondeau
Johann Sebastian Bach; Seiji Okamoto |
2:58 | |||
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The Well-Tempered Clavier, Book II No. 14
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1.3
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Prelude F-Sharp Minor, BWV 883
Johann Sebastian Bach; Akihiro Sakiya |
2:56 | |||
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1.4
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Fugue F-Sharp Minor, BWV 883
Johann Sebastian Bach; Akihiro Sakiya |
3:50 | |||
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1.5
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Romance Op. 36 (feat. Mayuko Oono)
Camille Saint-Saëns; Yudai Shoji; Mayuko Oono |
3:28 | |||
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1.6
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Seoto
Michio Miyagi; Joji Murasawa; Ayane Katono |
5:35 | |||
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1.7
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Ungarische rhapsodie No. 12, S. 244 in C-Sharp Minor
Franz Liszt; Akihiro Sakiya |
10:07 | |||
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Violin Sonata No. 3 in C Major, BWV 1005
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1.8
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III. Largo
Johann Sebastian Bach; Seiji Okamoto |
2:52 | |||
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1.9
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Larghetto for Horn and Piano (feat. Mayuko Oono)
Alexis Emanuel Chabier; Yudai Shoji; Mayuko Oono |
8:58 | |||
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Violin Sonata No. 1 in G Minor, BWV 1001
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1.10
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I. Adagio
Johann Sebastian Bach; Seiji Okamoto |
4:01 | |||
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1.11
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En Foret (feat. Mayuko Oono)
Eugene Bozza; Yudai Shoji; Mayuko Oono |
7:02 | |||
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1.12
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Midare
Kengyo Yatsuhashi; Kaori Ishimoto; Joji Murasawa; Ayane Katono; Chozan Imoto |
9:22 | |||
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Ciclo brasileiro
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1.13
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II. Impressoes seresteinas
Heitor Villa-Lobos; Akihiro Sakiya |
6:10 | |||
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Quartet in E-Flat Major, Op. 33, No. 2 "The Joke"
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1.14
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I. Allegro moderato
Franz Joseph Haydn; Quartet Arpa |
5:11 | |||
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1.15
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II. Scherzo - Allegro
Franz Joseph Haydn; Quartet Arpa |
3:33 | |||
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1.16
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III. Largo e sostenuto
Franz Joseph Haydn; Quartet Arpa |
4:53 | |||
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1.17
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IV. Finale
Franz Joseph Haydn; Quartet Arpa |
3:22 | |||
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Cello Suite No. 1, Op. 72
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1.18
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I. Canto primo
Benjamin Britten; Yu Ito |
2:19 | |||
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1.19
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II. Fuga
Benjamin Britten; Yu Ito |
3:56 | |||
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1.20
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III. Lamento
Benjamin Britten; Yu Ito |
2:45 | |||
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1.21
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IV. Canto secondo
Benjamin Britten; Yu Ito |
1:20 | |||
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1.22
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V. Serenata
Benjamin Britten; Yu Ito |
2:27 | |||
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1.23
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VI. Marcia
Benjamin Britten; Yu Ito |
3:34 | |||
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1.24
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VII. Canto terzo
Benjamin Britten; Yu Ito |
2:12 | |||
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1.25
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VIII. Canto terzo
Benjamin Britten; Yu Ito |
3:11 | |||
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1.26
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IX. Moto perpetuo e Canto quarto
Benjamin Britten; Yu Ito |
3:16 | |||
96 kHz / 24-bit PCM – WM Japan Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.36 -15.93 to -0.36 | -27.17 -38.55 to -23.00 | -23.17 -34.60 to -18.80 | 13 10 to 16 | |
| 1 | Piece for Flute Solo | -8.68 | -31.35 | -25.9 | 13 |
| 2 | III. Gavotte en Rondeau | -1.63 | -23.35 | -18.8 | 14 |
| 3 | Prelude F-Sharp Minor, BWV 883 | -14.59 | -31.78 | -29.0 | 11 |
| 4 | Fugue F-Sharp Minor, BWV 883 | -8.99 | -28.57 | -25.9 | 13 |
| 5 | Romance Op. 36 (feat. Mayuko Oono) | -5.78 | -25.34 | -21.8 | 12 |
| 6 | Seoto | -5.61 | -25.45 | -21.9 | 14 |
| 7 | Ungarische rhapsodie No. 12, S. 244 in C-Sharp Minor | -0.36 | -23.62 | -19.6 | 15 |
| 8 | III. Largo | -3.23 | -25.33 | -20.6 | 12 |
| 9 | Larghetto for Horn and Piano (feat. Mayuko Oono) | -4.21 | -23.00 | -19.2 | 11 |
| 10 | I. Adagio | -3.43 | -25.32 | -20.6 | 13 |
| 11 | En Foret (feat. Mayuko Oono) | -1.46 | -24.21 | -20.1 | 14 |
| 12 | Midare | -4.63 | -24.08 | -20.2 | 13 |
| 13 | II. Impressoes seresteinas | -1.90 | -23.56 | -19.6 | 13 |
| 14 | I. Allegro moderato | -4.39 | -26.87 | -23.5 | 14 |
| 15 | II. Scherzo - Allegro | -3.98 | -28.45 | -25.1 | 16 |
| 16 | III. Largo e sostenuto | -2.36 | -28.00 | -24.1 | 16 |
| 17 | IV. Finale | -3.10 | -26.22 | -22.2 | 13 |
| 18 | I. Canto primo | -5.60 | -26.08 | -21.7 | 11 |
| 19 | II. Fuga | -1.61 | -25.51 | -22.0 | 15 |
| 20 | III. Lamento | -5.71 | -27.32 | -22.7 | 13 |
| 21 | IV. Canto secondo | -15.93 | -38.55 | -34.6 | 10 |
| 22 | V. Serenata | -4.55 | -29.63 | -25.6 | 15 |
| 23 | VI. Marcia | -4.20 | -27.58 | -22.0 | 13 |
| 24 | VII. Canto terzo | -7.68 | -27.66 | -24.1 | 12 |
| 25 | VIII. Canto terzo | -9.74 | -34.39 | -29.8 | 14 |
| 26 | IX. Moto perpetuo e Canto quarto | -5.92 | -25.27 | -21.7 | 11 |