℗ 2019 Initiale
Released November 22, 2019
Duration 58m 53s
Record Label Initiale
Catalogue No. INL03D
Genre Classical (Early)
 

Soledad sonora: Musique pour clavier du Siècle d'or espagnol

Jesús Noguera Guillén

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1.1
Tiento de quinto tono (LXV)
Antonio de Cabezón; Jesús Noguera Guillén
4:09
1.2
Diferencias sobre el villancico de « quien te me enojó, Isabel »
Antonio de Cabezón; Jesús Noguera Guillén
6:20
1.3
Fantasía de sexto tono (Libro II, f. 83)
Tomás de Santa Maria; Jesús Noguera Guillén
1:58
1.4
Prenez pitié
Antonio de Cabezón; Thomas Crecquillon; Jesús Noguera Guillén
3:33
1.5
Ancor che col partire (1)
Antonio de Cabezón; Cipriano de Rore; Jesús Noguera Guillén
3:15
1.6
Pavana con su glosa
Antonio de Cabezón; Jesús Noguera Guillén
2:11
1.7
Fantasía de primer tono(Libro I, f. 67)
Tomás de Santa Maria; Jesús Noguera Guillén
1:32
1.8
Tiento de primer tono (LXVII)
Antonio de Cabezón; Jesús Noguera Guillén
2:21
1.9
Diferencias sobre la Gallarda Milanesa
Antonio de Cabezón; Jesús Noguera Guillén
2:14
1.10
D'où vient cela
Antonio de Cabezón; Jesús Noguera Guillén
3:27
1.11
Diferencias sobre la Pavana italiana
Antonio de Cabezón; Jesús Noguera Guillén
3:09
1.12
Fantasía de segundo tono (Libro I, f. 68)
Tomás de Santa Maria; Jesús Noguera Guillén
1:11
1.13
Un gay berger
Antonio de Cabezón; Thomas Crecquillon; Jesús Noguera Guillén
2:32
1.14
Tiento de primer tono (LX)
Antonio de Cabezón; Jesús Noguera Guillén
5:38
1.15
Fantasía de cuarto tono(Libro I, f. 68)
Tomás de Santa Maria; Jesús Noguera Guillén
1:04
1.16
Tiento de octavo tono (LXV)
Antonio de Cabezón; Jesús Noguera Guillén
3:15
1.17
Diferencias sobre el Canto del caballero (1570)
Antonio de Cabezón; Jesús Noguera Guillén
3:05
1.18
Diferencias sobre el Canto del caballero (2017)
Joan Magrané Figuera; Jesús Noguera Guillén
4:12
1.19
Ancor che col partire (2)
Antonio de Cabezón; Cipriano de Rore; Jesús Noguera Guillén
3:47
Digital Booklet
Jesús Noguera Guillén offers an intimate vision of "Spanish Golden Age" music by performing Antonio de Cabezón's keyboard work on harpsichord, which he doubly compares with the fantasies of Tomás de Santa María played on clavichord, and an unpublished contemporary work composed as a tribute to Cabezón by Joan Magrané Figuera (born in 1988).
48 kHz / 24-bit PCM – Initiale Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-3.58
-6.10 to -0.10
-22.90
-27.70 to -17.76
-19.41
-24.70 to -14.00
13
11 to 17
1
Tiento de quinto tono (LXV)
-0.10-21.66-18.115
2
Diferencias sobre el villancico de « quien te me enojó, Isabel »
-3.35-20.90-17.713
3
Fantasía de sexto tono (Libro II, f. 83)
-4.95-27.70-24.717
4
Prenez pitié
-2.46-21.80-18.313
5
Ancor che col partire (1)
-3.75-22.09-18.512
6
Pavana con su glosa
-3.37-19.98-16.611
7
Fantasía de primer tono(Libro I, f. 67)
-4.03-27.49-23.916
8
Tiento de primer tono (LXVII)
-5.34-24.64-20.913
9
Diferencias sobre la Gallarda Milanesa
-0.77-17.76-14.012
10
D'où vient cela
-4.61-21.67-18.312
11
Diferencias sobre la Pavana italiana
-2.77-20.28-17.012
12
Fantasía de segundo tono (Libro I, f. 68)
-6.10-27.53-24.215
13
Un gay berger
-3.90-20.31-16.812
14
Tiento de primer tono (LX)
-1.39-21.79-18.414
15
Fantasía de cuarto tono(Libro I, f. 68)
-5.86-27.36-23.915
16
Tiento de octavo tono (LXV)
-4.26-22.20-18.613
17
Diferencias sobre el Canto del caballero (1570)
-4.24-21.49-17.912
18
Diferencias sobre el Canto del caballero (2017)
-2.65-24.49-20.313
19
Ancor che col partire (2)
-4.12-23.94-20.612

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