℗ 2013 ATMA Classique
 

Handel: Orlando

Owen Willetts, Karina Gauvin, Nathan Berg, Amanda Forsythe, Allyson McHardy, Pacific Baroque Orchestra, Alexander Weimann

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Orlando, HWV 31  
1
Overture
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
4:37
Orlando, HWV 31: Act I  
2
Scene 1: Gieroglifici eterni (Zoroastro)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
2:04
3
Scene 2: Stimulato dalla gloria (Orlando)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
1:47
4
Scene 2: Purgalo ormai da effiminati sensi (Zoroastro, Orlando)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
1:05
5
Scene 2: Lascia amor (Zoroastro)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
4:29
6
Scene 3: Immagini funeste (Orlando)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
1:15
7
Scene 3: Non fu già men forte Alcide (Orlando)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
5:42
8
Scene 4: Quanto diletto (Dorinda)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
2:03
9
Scene 4: Itene pur fremendo (Orlando, Dorinda)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
0:38
10
Scene 4: Ho un certo rossore (Dorinda)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
3:12
11
Scene 5: M'hai vinto, al fin (Angelica)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
0:44
12
Scene 5: Ritornava al suo bel viso (Angelica, Medoro)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
2:11
13
Scene 6: Chi possessore (Angelica)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
3:35
14
Scene 7: Ecco Dorinda (Medoro, Dorinda)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
1:20
15
Scene 7: Se il cor mai ti dirà (Medoro)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
3:49
16
Scene 8: Povera me! (Dorinda)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
0:28
17
Scene 8: O care parolette (Dorinda)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
2:57
18
Scene 9: Noti a me sono i tuoi fatali amori (Zoroastro, Angelica, Orlando)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
2:05
19
Scene 9: Se fedel vuoi (Angelica)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
4:58
20
Scene 10: T’ubbidirò, crudele (Orlando)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
0:17
21
Scene 10: Fammi combattere (Orlando)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
3:26
22
Scene 11: Angelica, deh! Lascia (Medoro, Angelica, Dorinda)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
1:56
23
Scene 12: Consolati, o bella (Medoro, Angelica, Dorinda)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
5:09
Orlando, HWV 31: Act II  
1
Scene 1: Quando spieghi i tuoi tormenti (Dorinda)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
3:38
2
Scene 2: Perchè, gentil Dorinda (Orlando, Dorinda)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
1:48
3
Scene 2: Se mi rivolgo al prato (Dorinda)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
5:51
4
Scene 3: E'questa la mercede (Orlando)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
0:24
5
Scene 3: Cielo! Se tu il consenti (Orlando)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
3:59
6
Scene 4: A qual rischio vi espone (Zoroastro, Angelica, Medoro)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
0:36
7
Scene 4: Tra caligini profonde (Zoroastro)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
4:11
8
Scene 5: Da queste amiche piante (Angelica, Medoro)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
0:58
9
Scene 5: Verdi allori (Medoro)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
6:14
10
Scene 6: Dopo tanti perigli (Angelica)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
0:36
11
Scene 6: Non potrà (Angelica)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
4:01
12
Scene 7: Dove, dove guidate (Orlando, Angelica)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
1:20
13
Scene 8: Verdi piante (Angelica)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
7:00
14
Scene 8: Ah perfida, qui sei! (Orlando, Angelica, Medoro)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
0:41
15
Scene 9: Ah! Stigie larve! (Orlando)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
7:24
Orlando, HWV 31: Act III  
1
Sinfonia
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
1:19
2
Scene 1: Di Dorinda alle mura (Medoro, Dorinda)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
1:10
3
Scene 1: Vorrei poterti amar (Medoro)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
3:50
4
Scene 2: Più obbligata gli sono (Dorinda, Orlando)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
1:29
5
Scene 3: Unisca amor in noi (Orlando, Dorinda)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
2:07
6
Scene 3: Già lo stringo (Orlando)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
2:16
7
Scene 4: Di Dorinda all'albergo (Angelica, Dorinda)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
0:46
8
Scene 4: Cosi giusta è questa speme (Angelica)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
5:22
9
Scene 5: S'è corrisposto un core (Dorinda)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
0:27
10
Scene 5: Amore è qual vento (Dorinda)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
4:42
11
Scene 5: Impari ognun da Orlando (Zoroastro)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
1:30
12
Scene 6: Sorge infausta una procella (Zoroastro)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
4:51
13
Scene 7: Dorinda, e perchè piangi? (Angelica, Dorinda, Orlando)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
1:10
14
Scene 8: Finchè prendi ancor (Angelica, Orlando)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
2:00
15
Scene 8: Vieni! Vanne precipitando (Orlando, Angelica)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
1:41
16
Scene 9: Già l'ebro mio ciglio (Orlando)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
4:43
17
Scene 9: Ecco il tempo prefisso! (Zoroastro, Dorinda, Orlando)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
4:59
18
Scene 9: Per far mia diletta (Orlando, Angelica, Medoro, Zoroastro, Dorinda)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
2:06
19
Scene 10: Vinse incanti (Orlando, Angelica, Medoro, Zoroastro, Dorinda)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
0:45
20
Scene 10: Trionfa oggi'l mio cor (Orlando, Angelica, Medoro, Zoroastro, Dorinda, Chorus)
George Frideric Handel; Carlo Sigismondo Capece; Karina Gauvin; Nathan Berg; Amanda Forsythe; Allyson McHardy; Owen Willetts; Alexander Weimann; Pacific Baroque Orchestra
2:16
Digital Booklet
Total Playing Time    2:37:57
Considered to be one of Handel's most successful operas, Orlando is presented for the first time on a Canadian label. Singing the title role is the English countertenor Owen Willetts, a rising figure on the international scene. He is joined by the American soprano Amanda Forsythe, and several of the finest Canadian singers: Karina Gauvin, Allyson McHardy, and Nathan Berg. Under the direction of renowned conductor and harpsichordist Alexander Weimann, the PBO is recognized as one of Canada’s most exciting and innovative ensembles performing early music for modern ears.
96 kHz / 24-bit PCM – ATMA Classique Studio Masters

Réalisation et montage /Produced and edited by: Johanne Goyette
Ingénieur du son / Sound Engineer: Carlos Prieto
Lieu d’enregistrement / Recording Venue: Ryerson United Church,Vancouver (BC), Canada Août / August 2012
Cet enregistrement a été réalisé à la suite des représentations d'Orlando au Vancouver Early Music Festival 2012.
This recording was produced following Orlando’s performances at the 2012 Vancouver Early Music Festival.
Graphisme / Graphic design: Diane Lagacé
Photo de couverture / Cover photo: © istockphoto
Responsable du livret / Booklet Editor: Michel Ferland

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