℗ 2019 Accentus Music
| Released | November 15, 2019 |
| Duration | 55m 55s |
| Record Label | Accentus Music |
| Catalogue No. | ACC-30474 |
| Genre | Classical (Romantic Era) |
Bruckner: Requiem
RIAS Kammerchor, Akademie für Alte Musik Berlin, Łukasz Borowicz
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
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Requiem in D Minor, WAB 39
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1.1
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I. Introitus. Requiem
Anton Bruckner; RIAS Kammerchor; Akademie für Alte Musik Berlin; Łukasz Borowicz |
4:58 | |||
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1.2
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II. Sequentia. Dies irae
Anton Bruckner; Johanna Winkel; Sophie Harmsen; Ludwig Mittelhammer; RIAS Kammerchor; Akademie für Alte Musik Berlin; Łukasz Borowicz |
6:30 | |||
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1.3
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IIIa. Offertorium. Domine
Anton Bruckner; Johanna Winkel; Ludwig Mittelhammer; RIAS Kammerchor; Akademie für Alte Musik Berlin; Łukasz Borowicz |
2:23 | |||
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1.4
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IIIb. Offertorium. Hostias
Anton Bruckner; Michael Feyfar; Ludwig Mittelhammer; RIAS Kammerchor; Akademie für Alte Musik Berlin; Łukasz Borowicz |
1:30 | |||
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1.5
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IIIc. Offertorium. Quam olim
Anton Bruckner; RIAS Kammerchor; Akademie für Alte Musik Berlin; Łukasz Borowicz |
2:26 | |||
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1.6
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IV. Sanctus
Anton Bruckner; RIAS Kammerchor; Akademie für Alte Musik Berlin; Łukasz Borowicz |
1:32 | |||
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1.7
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V. Benedictus
Anton Bruckner; Johanna Winkel; Sophie Harmsen; Michael Feyfar; Ludwig Mittelhammer; RIAS Kammerchor; Akademie für Alte Musik Berlin; Łukasz Borowicz |
3:44 | |||
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1.8
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IVa. Agnus Dei
Anton Bruckner; Johanna Winkel; Sophie Harmsen; Michael Feyfar; Ludwig Mittelhammer; RIAS Kammerchor; Akademie für Alte Musik Berlin; Łukasz Borowicz |
2:47 | |||
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1.9
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IVb. Requiem
Anton Bruckner; RIAS Kammerchor; Akademie für Alte Musik Berlin; Łukasz Borowicz |
1:15 | |||
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1.10
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IVc. Cum sanctis
Anton Bruckner; RIAS Kammerchor; Akademie für Alte Musik Berlin; Łukasz Borowicz |
0:48 | |||
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1.11
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Libera me, WAB 22
Anton Bruckner; RIAS Kammerchor; Akademie für Alte Musik Berlin; Łukasz Borowicz |
5:04 | |||
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1.12
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Aequale, WAB 149
Anton Bruckner; Simen van Mechelen; Detlef Reimers; Joost Swinkels |
1:37 | |||
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1.13
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Am Grabe, WAB 2
Anton Bruckner; RIAS Kammerchor; Akademie für Alte Musik Berlin; Łukasz Borowicz |
2:57 | |||
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1.14
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Vor Arneths Grab, WAB 53 (Arr. B.G. Cohrs for 3 Trombones)
Anton Bruckner; Simen van Mechelen; Detlef Reimers; Joost Swinkels |
2:35 | |||
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1.15
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Vor Arneths Grab, WAB 53
Anton Bruckner; Simen van Mechelen; Detlef Reimers; Joost Swinkels; RIAS Kammerchor; Łukasz Borowicz |
3:37 | |||
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1.16
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Aequale, WAB 114
Anton Bruckner; Simen van Mechelen; Detlef Reimers; Joost Swinkels |
1:45 | |||
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1.17
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Totenlied No. 1, WAB 47 No. 1
Anton Bruckner; RIAS Kammerchor; Łukasz Borowicz |
1:04 | |||
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1.18
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Trösterin Musik, WAB 81b
Anton Bruckner; Raphael Alpermann; RIAS Kammerchor; Łukasz Borowicz |
5:03 | |||
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1.19
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Totenlied No. 2, WAB 47 No. 2
Anton Bruckner; RIAS Kammerchor; Łukasz Borowicz |
1:17 | |||
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1.20
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Libera me, WAB 21
Anton Bruckner; Raphael Alpermann; RIAS Kammerchor; Łukasz Borowicz |
3:03 | |||
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Digital Booklet
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On March 14, 1849, 24-year-old Anton Bruckner finished his first major vocal composition. The only Requiem of the composer who would later become the architect of big symphonic “castles in the sky” was still created during his work in St. Florian. Some references to older models and some stylistic incongruities in musical stature still refer to the phase of self-discovery of the young composer. But those who listen closely will certainly discover the passages in which the mystical aura and sublimity of the large orchestral scores shine through already, be it in the gently glowing tone of the Benedictus, the intimate creed of the Agnus Dei or the powerful and masterfully conceived double fugue of Quam olim Abrahae. It is essentially “Bruckner on the way to Bruckner”. Goal in sight, full of auspices.
After the Missa Solemnis, released in February 2018, this recording marks the second step in the journey of discovery into the cosmos of Anton Bruckner’s seldom heard early works.
48 kHz / 24-bit PCM – Accentus Music Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.84 -17.95 to -0.20 | -28.16 -38.11 to -22.61 | -24.43 -35.00 to -18.90 | 13 11 to 15 | |
| 1 | I. Introitus. Requiem | -2.21 | -24.62 | -20.5 | 13 |
| 2 | II. Sequentia. Dies irae | -0.20 | -23.06 | -19.2 | 15 |
| 3 | IIIa. Offertorium. Domine | -4.50 | -25.85 | -22.6 | 14 |
| 4 | IIIb. Offertorium. Hostias | -11.45 | -31.71 | -27.9 | 12 |
| 5 | IIIc. Offertorium. Quam olim | -2.60 | -23.04 | -19.9 | 13 |
| 6 | IV. Sanctus | -3.26 | -23.89 | -20.1 | 12 |
| 7 | V. Benedictus | -4.53 | -27.75 | -24.8 | 14 |
| 8 | IVa. Agnus Dei | -1.65 | -24.31 | -20.9 | 12 |
| 9 | IVb. Requiem | -17.95 | -38.11 | -35.0 | 12 |
| 10 | IVc. Cum sanctis | -2.31 | -22.61 | -18.9 | 11 |
| 11 | Libera me, WAB 22 | -2.90 | -26.09 | -22.4 | 14 |
| 12 | Aequale, WAB 149 | -14.63 | -34.48 | -30.5 | 11 |
| 13 | Am Grabe, WAB 2 | -10.13 | -33.40 | -29.0 | 13 |
| 14 | Vor Arneths Grab, WAB 53 (Arr. B.G. Cohrs for 3 Trombones) | -13.42 | -33.24 | -29.4 | 12 |
| 15 | Vor Arneths Grab, WAB 53 | -11.63 | -32.88 | -28.9 | 13 |
| 16 | Aequale, WAB 114 | -14.40 | -33.13 | -29.4 | 11 |
| 17 | Totenlied No. 1, WAB 47 No. 1 | -5.36 | -26.67 | -22.5 | 12 |
| 18 | Trösterin Musik, WAB 81b | -1.85 | -23.91 | -19.2 | 13 |
| 19 | Totenlied No. 2, WAB 47 No. 2 | -7.38 | -28.14 | -24.4 | 12 |
| 20 | Libera me, WAB 21 | -4.52 | -26.36 | -23.1 | 13 |