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Nikita Koshkin: 24 Preludes & Fugues, Vol. 1

Asya Selyutina

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24 Preludes & Fugues, Vol. 1  
1.1
Prelude No. 1 in C Major
Nikita Koshkin; Asya Selyutina
1:18
1.2
Fugue No. 1 in C Major
Nikita Koshkin; Asya Selyutina
2:21
1.3
Prelude No. 2 in A Minor
Nikita Koshkin; Asya Selyutina
1:33
1.4
Fugue No. 2 in A Minor
Nikita Koshkin; Asya Selyutina
4:33
1.5
Prelude No. 3 in G Major
Nikita Koshkin; Asya Selyutina
2:30
1.6
Fugue No. 3 in G Major
Nikita Koshkin; Asya Selyutina
2:18
1.7
Prelude No. 4 in E Minor
Nikita Koshkin; Asya Selyutina
2:12
1.8
Fugue No. 4 in E Minor
Nikita Koshkin; Asya Selyutina
2:45
1.9
Prelude No. 5 in D Major
Nikita Koshkin; Asya Selyutina
2:08
1.10
Fugue No. 5 in D Major
Nikita Koshkin; Asya Selyutina
2:40
1.11
Prelude No. 6 in B Minor
Nikita Koshkin; Asya Selyutina
2:19
1.12
Fugue No. 6 in B Minor
Nikita Koshkin; Asya Selyutina
2:46
1.13
Prelude No. 7 in A Major
Nikita Koshkin; Asya Selyutina
2:07
1.14
Fugue No. 7 in A Major
Nikita Koshkin; Asya Selyutina
2:30
1.15
Prelude No. 8 in F-Sharp Minor
Nikita Koshkin; Asya Selyutina
2:19
1.16
Fugue No. 8 in F-Sharp Minor
Nikita Koshkin; Asya Selyutina
2:09
1.17
Prelude No. 9 in E Major
Nikita Koshkin; Asya Selyutina
2:07
1.18
Fugue No. 9 in E Major
Nikita Koshkin; Asya Selyutina
2:55
1.19
Prelude No. 10 in C-Sharp Minor
Nikita Koshkin; Asya Selyutina
3:41
1.20
Fugue No. 10 in C-Sharp Minor
Nikita Koshkin; Asya Selyutina
2:26
1.21
Prelude No. 11 in B Major
Nikita Koshkin; Asya Selyutina
1:09
1.22
Fugue No. 11 in B Major
Nikita Koshkin; Asya Selyutina
2:08
1.23
Prelude No. 12 in G-Sharp Minor
Nikita Koshkin; Asya Selyutina
3:06
1.24
Fugue No. 12 in G-Sharp Minor
Nikita Koshkin; Asya Selyutina
2:04
Digital Booklet
Total Playing Time    58:04
Moscow-born Nikita Koshkin won international fame for his 1980 score "The Prince’s Toys" and has since established himself as one of the greatest creative composers for the contemporary guitar. His "24 Preludes and Fugues for Solo Guitar", of which this is the first volume, is a compendium of musical styles, colours and effects. It is both a virtuosic tour de force and an expressively complex undertaking that demands unremitting technical command and absolute interpretative clarity from the performer.
44.1 kHz / 24-bit PCM – Naxos Studio Masters

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