℗ 2019 Paraty
Released | November 29, 2019 |
Duration | 36m 07s |
Record Label | Paraty |
Catalogue No. | PTY199346D |
Genre | Classical (Contemporary) |
Bleu Ébène, 4ème quatuor pour quatuor et bande magnétique
|
|||||
1.1
|
I. Prologue en 5 petits f ragments (dédié au Quatuor Tana, 2017)
David Achenberg; Quatuor Tana |
3:33 | |||
1.2
|
II. Bleu Ébène (dédié au Quatuor Tana, 2017)
David Achenberg; Quatuor Tana |
5:43 | |||
1.3
|
III. Épilogue (dédié au Quatuor Tana, 2017)
David Achenberg; Quatuor Tana |
4:10 | |||
Quatuor à cordes No. 1
|
|||||
1.4
|
I. Prologue
David Achenberg; Quatuor Tana |
1:34 | |||
1.5
|
II. Roman
David Achenberg; Quatuor Tana |
3:36 | |||
1.6
|
III. Épilogue
David Achenberg; Quatuor Tana |
1:17 | |||
1.7
|
IV. Final
David Achenberg; Quatuor Tana |
2:49 | |||
Quatuor No. 2
|
|||||
1.8
|
mouvement 1
David Achenberg; Quatuor Tana |
0:46 | |||
1.9
|
mouvement 2
David Achenberg; Quatuor Tana |
1:05 | |||
1.10
|
mouvement 3
David Achenberg; Quatuor Tana |
1:22 | |||
1.11
|
mouvement 4
David Achenberg; Quatuor Tana |
0:55 | |||
1.12
|
mouvement 5
David Achenberg; Quatuor Tana |
1:26 | |||
1.13
|
Quatuor No. 3 (dédié au Quatuor Tana, 2013)
David Achenberg; Quatuor Tana |
7:51 |
"In 2011 I offered my two first string quartets to the Tana Quartet. They assimilated the scores with staggering determination and creativity. In the wake of these first concerts, they commissioned a third quartet from me, which naturally came to form a triptych with the first two. These three quartets actually form only one work which develops the same material. The fourth quartet is also a commission from Tana Quartet. It introduces electronics into the equation, with the addition of a magnetic tape. Its micro-tonal language is rather subdued and sometimes even contemplative. Often close to silence, it is traversed by violent jolts from time to time. The remnants of older techtonic events are quickly brought back under control."
- David Achenberg
88.2 kHz / 24-bit PCM – Paraty Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.74 -11.66 to -0.09 | -23.72 -31.90 to -18.91 | -18.32 -27.20 to -13.40 | 13 10 to 18 | |
1 | I. Prologue en 5 petits f ragments (dédié au Quatuor Tana, 2017) | -0.09 | -27.89 | -20.8 | 18 |
2 | II. Bleu Ébène (dédié au Quatuor Tana, 2017) | -0.09 | -22.13 | -17.2 | 13 |
3 | III. Épilogue (dédié au Quatuor Tana, 2017) | -0.09 | -22.26 | -18.6 | 14 |
4 | I. Prologue | -2.26 | -22.46 | -17.6 | 11 |
5 | II. Roman | -0.09 | -19.44 | -13.9 | 11 |
6 | III. Épilogue | -0.09 | -20.32 | -15.4 | 12 |
7 | IV. Final | -0.09 | -20.52 | -15.9 | 11 |
8 | mouvement 1 | -11.66 | -31.90 | -27.2 | 11 |
9 | mouvement 2 | -0.09 | -18.91 | -13.4 | 10 |
10 | mouvement 3 | -1.66 | -24.93 | -18.5 | 14 |
11 | mouvement 4 | -0.81 | -24.24 | -17.7 | 12 |
12 | mouvement 5 | -5.54 | -30.15 | -24.6 | 14 |
13 | Quatuor No. 3 (dédié au Quatuor Tana, 2013) | -0.09 | -23.25 | -17.4 | 14 |