℗ 2019 Craft Recordings., Distributed by Concord.

We'll Get Over

The Staple Singers

Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
  • Select Format
    • AIFF 96 kHz | 24-bit
    • AIFF 192 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
    • FLAC 192 kHz | 24-bit
Add to cart
discounted price
We'll Get Over
The Staple Singers
Give A Damn
The Staple Singers
Everyday People
The Staple Singers
The End Of Our Road
The Staple Singers
Tend To Your Own Business
The Staple Singers
Solon Bushi (Japanese Folk Song)
The Staple Singers
The Challenge
The Staple Singers
God Bless The Children
The Staple Singers
Games People Play
The Staple Singers
A Wednesday In Your Garden
The Staple Singers
The Gardener
The Staple Singers
When Will We Be Paid
The Staple Singers
Total Playing Time    34:45
By the time that the Staple Singers signed to Stax in 1968, the family quartet—helmed by patriarch Roebuck “Pops” Staples, with daughters Cleotha and Mavis, and son Pervis (later replaced by his sister Yvonne)—had long graduated from the gospel circuit. The Chicago group had become well known in the counterculture and folk scenes and were performing alongside major rock acts like Big Brother and the Holding Company and the Grateful Dead. The Staples had also become formidable voices in the Civil Rights movement, and many of their songs preached a message of empowerment and racial equality. We’ll Get Over, the Staple Singers’ second album for Stax Records, captures the famous Chicago family group in transition. It was their last before Pervis departed and was replaced by sister Yvonne. Backed by producer Steve Cropper on guitar, bassist Duck Dunn, drummer Al Jackson, Jr., and Rufus Thomas’s son Marvell on keyboards, the quartet divides its repertoire between message songs and covers of such other artists’ material. Mavis’s emotion-gripping contralto is featured on most tracks, while Roebuck’s breathy low tenor leads on two. Highlights include the standout message song “When Will We Be Paid,” as well as covers of tracks like Sly & the Family Stone’s “Everyday People” and Gladys Knight & the Pips’ “The End of the Road.”
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Craft Recordings Studio Masters

Tracks 1-12 – contains high-resolution digital transfers of material originating from an analogue master source

For Your Consideration | More ▸

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions