℗ 2019 FFW under exclusive license to BMG Rights Management (France)
Released | December 6, 2019 |
Duration | 50m 52s |
Record Label | BMG Rights Mgmt France SARL |
Genre | Pop |
Fauthentique, Acte 2
Tété
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Rien de ce qui va suivre n'est vrai
Tété |
0:50 | |||
1.2
|
King Simili
Tété |
3:27 | |||
1.3
|
Tout doit disparaître
Tété |
3:09 | |||
1.4
|
Les blédards célestes
Tété |
3:03 | |||
1.5
|
Les marchands d'attention
Tété |
0:57 | |||
1.6
|
Week-end sans wifi
Tété |
3:10 | |||
1.7
|
Summertime Blues (Esprit critique)
Tété |
3:20 | |||
1.8
|
Plus forts ensemble
Tété |
0:27 | |||
1.9
|
Disco Solitaire
Tété |
3:54 | |||
1.10
|
Jo
Tété |
3:13 | |||
1.11
|
L'Eau qui dort
Tété |
3:16 | |||
1.12
|
Les galleries lafaillite
Tété |
1:06 | |||
1.13
|
Votez pour moi
Tété |
2:55 | |||
1.14
|
Le spleen du faussaire
Tété |
3:27 | |||
1.15
|
Normal
Tété |
4:34 | |||
1.16
|
Le cœur sur les épaules
Tété |
4:00 | |||
1.17
|
Mr Moretti
Tété |
3:26 | |||
1.18
|
Le chant des cailloux
Tété |
2:38 |
With this eight album, co-produced by Johan Dalgaard (Alain Chamfort, Camille), Tété has lost none of his status as storyteller and unparalleled guitarist. He delicately explores the different facets of the likelihood that, more and more, fiction steals the limelight from the "real" in our daily lives: the treatment of the news, the economy, politics ...
The second act of Fauthentique is an epic of fake on a bed of organic programming. Certified pop collage. Falsely folk. Falsely naive. Fauthentique.
96 kHz / 24-bit PCM – BMG Rights Mgmt France SARL Studio Masters
Track 1 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Tracks 2, 4, 6, 10, 11, 14, 15, 18 – contains material which utilizes a limited amount of the available bandwidth Tracks 5, 12 – contains material which has been processed by a perceptual audio coding algorithm Tracks 5, 8, 9, 12 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Tracks 16, 17 – 44.1 kHz / 24-bit PCM
Track 1 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Tracks 2, 4, 6, 10, 11, 14, 15, 18 – contains material which utilizes a limited amount of the available bandwidth Tracks 5, 12 – contains material which has been processed by a perceptual audio coding algorithm Tracks 5, 8, 9, 12 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Tracks 16, 17 – 44.1 kHz / 24-bit PCM
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.71 -6.55 to -0.01 | -14.24 -21.43 to -10.93 | -11.53 -18.70 to -8.90 | 8 7 to 14 | |
1 | Rien de ce qui va suivre n'est vrai | -6.55 | -21.43 | -18.7 | 9 |
2 | King Simili | -0.01 | -11.80 | -9.0 | 7 |
3 | Tout doit disparaître | -0.01 | -13.33 | -10.8 | 8 |
4 | Les blédards célestes | -0.01 | -11.82 | -9.3 | 8 |
5 | Les marchands d'attention | -1.65 | -19.77 | -15.9 | 11 |
6 | Week-end sans wifi | -0.01 | -13.04 | -10.7 | 8 |
7 | Summertime Blues (Esprit critique) | -0.01 | -10.93 | -9.5 | 7 |
8 | Plus forts ensemble | -2.45 | -18.97 | -15.3 | 10 |
9 | Disco Solitaire | -0.01 | -11.41 | -9.1 | 7 |
10 | Jo | -0.01 | -13.01 | -10.8 | 8 |
11 | L'Eau qui dort | -0.01 | -12.07 | -9.1 | 8 |
12 | Les galleries lafaillite | -1.01 | -15.55 | -10.9 | 9 |
13 | Votez pour moi | -0.01 | -12.19 | -10.1 | 8 |
14 | Le spleen du faussaire | -0.01 | -11.61 | -9.9 | 7 |
15 | Normal | -0.01 | -11.30 | -8.9 | 7 |
16 | Le cœur sur les épaules | -0.30 | -11.77 | -9.6 | 7 |
17 | Mr Moretti | -0.30 | -14.95 | -11.9 | 9 |
18 | Le chant des cailloux | -0.30 | -21.41 | -18.0 | 14 |