℗ 2019 Signum Records
Released | February 7, 2020 |
Duration | 1h 04m 11s |
Record Label | Signum Classics |
Catalogue No. | SIGCD611 |
Genre | Classical (Keyboard) |
Italian Inspirations
Alessio Bax
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Concerto in D Minor after Alessando Marcello, BWV 974
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1.1
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I. Andante Spiccato
Johann Sebastian Bach; Alessio Bax |
2:27 | |||
1.2
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II. Adagio
Johann Sebastian Bach; Alessio Bax |
3:34 | |||
1.3
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III. Presto
Johann Sebastian Bach; Alessio Bax |
3:48 | |||
Variations on a Theme of Corelli, Op. 42
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1.4
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Theme
Sergei Rachmaninov; Alessio Bax |
0:54 | |||
1.5
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Variation I
Sergei Rachmaninov; Alessio Bax |
0:44 | |||
1.6
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Variation II
Sergei Rachmaninov; Alessio Bax |
0:34 | |||
1.7
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Variation III
Sergei Rachmaninov; Alessio Bax |
0:32 | |||
1.8
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Variations IV & V
Sergei Rachmaninov; Alessio Bax |
1:13 | |||
1.9
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Variation VI
Sergei Rachmaninov; Alessio Bax |
0:18 | |||
1.10
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Variation VII
Sergei Rachmaninov; Alessio Bax |
0:22 | |||
1.11
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Variation VIII
Sergei Rachmaninov; Alessio Bax |
0:58 | |||
1.12
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Variation IX
Sergei Rachmaninov; Alessio Bax |
0:54 | |||
1.13
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Variation X
Sergei Rachmaninov; Alessio Bax |
0:32 | |||
1.14
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Variation XI
Sergei Rachmaninov; Alessio Bax |
0:22 | |||
1.15
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Variation XII
Sergei Rachmaninov; Alessio Bax |
0:35 | |||
1.16
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Variation XIII
Sergei Rachmaninov; Alessio Bax |
0:27 | |||
1.17
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Intermezzo
Sergei Rachmaninov; Alessio Bax |
1:12 | |||
1.18
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Variation XIV
Sergei Rachmaninov; Alessio Bax |
1:00 | |||
1.19
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Variation XV
Sergei Rachmaninov; Alessio Bax |
1:30 | |||
1.20
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Variation XVI
Sergei Rachmaninov; Alessio Bax |
0:30 | |||
1.21
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Variation XVII
Sergei Rachmaninov; Alessio Bax |
0:52 | |||
1.22
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Variation XVIII
Sergei Rachmaninov; Alessio Bax |
0:29 | |||
1.23
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Variation XIX
Sergei Rachmaninov; Alessio Bax |
0:23 | |||
1.24
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Variation XX
Sergei Rachmaninov; Alessio Bax |
0:49 | |||
1.25
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Coda
Sergei Rachmaninov; Alessio Bax |
1:44 | |||
Quaderno musicale di Annalibera
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1.26
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I. Simbolo
Luigi Dallapiccola; Alessio Bax |
2:35 | |||
1.27
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II. Accenti
Luigi Dallapiccola; Alessio Bax |
0:29 | |||
1.28
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III. Contrapunctus primus
Luigi Dallapiccola; Alessio Bax |
1:07 | |||
1.29
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IV. Linee
Luigi Dallapiccola; Alessio Bax |
0:46 | |||
1.30
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V. Contrapunctus secondus
Luigi Dallapiccola; Alessio Bax |
0:19 | |||
1.31
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VI. Fregi
Luigi Dallapiccola; Alessio Bax |
1:23 | |||
1.32
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VII. Andantino amoroso e contrapunctus tertius
Luigi Dallapiccola; Alessio Bax |
1:21 | |||
1.33
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VIII. Ritmi
Luigi Dallapiccola; Alessio Bax |
1:09 | |||
1.34
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IX. Colore
Luigi Dallapiccola; Alessio Bax |
1:11 | |||
1.35
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X. Ombre
Luigi Dallapiccola; Alessio Bax |
1:46 | |||
1.36
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XI. Quartina
Luigi Dallapiccola; Alessio Bax |
1:34 | |||
Deux Légendes, S. 175
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1.37
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I. St. François d'Assise - La prédication aux oiseaux
Franz Liszt; Alessio Bax |
8:49 | |||
Années de pèlerinage II, S. 161
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1.38
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VII. Après une lecture du Dante - Fantasia quasi sonata
Franz Liszt; Alessio Bax |
14:59 |
Alessio Bax plays an Italian inspired programme, picking his favourite pieces taken from a rich history of music from one of the most romantic countries in the world.
He opens the programme with a J.S. Bach transcription of a oboe concerto by Venetian composer Alessandro Marcello, which reveals a deep insight into Bach’s mind. This is followed by Rachmaninov’s last ever work for solo piano, which is incredibly eloquent, introspective and personal. The Dallapiccola continues this eloquent theme, showing some beautifully crafted dodecaphonism. The recording is rounded off with two pieces of Liszt, which take the listener on a multi-legged journey through hell, purgatory and heaven, with beauty and drama along the way.
96 kHz / 24-bit PCM – Signum Classics Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -9.11 -21.76 to -0.08 | -29.55 -42.77 to -19.04 | -26.12 -38.50 to -15.90 | 12 8 to 16 | |
1 | I. Andante Spiccato | -2.17 | -22.60 | -19.9 | 12 |
2 | II. Adagio | -12.12 | -32.84 | -29.4 | 12 |
3 | III. Presto | -5.67 | -25.07 | -22.3 | 12 |
4 | Theme | -17.54 | -40.08 | -36.3 | 13 |
5 | Variation I | -12.87 | -31.03 | -28.5 | 8 |
6 | Variation II | -9.69 | -31.96 | -28.8 | 13 |
7 | Variation III | -7.94 | -27.11 | -23.7 | 12 |
8 | Variations IV & V | -2.55 | -26.46 | -22.2 | 13 |
9 | Variation VI | -4.17 | -25.08 | -22.1 | 12 |
10 | Variation VII | -2.97 | -20.24 | -17.5 | 11 |
11 | Variation VIII | -13.28 | -33.70 | -30.6 | 13 |
12 | Variation IX | -10.96 | -30.95 | -27.7 | 10 |
13 | Variation X | -6.07 | -27.86 | -25.2 | 11 |
14 | Variation XI | -3.17 | -21.46 | -19.0 | 12 |
15 | Variation XII | -5.58 | -25.21 | -21.2 | 12 |
16 | Variation XIII | 0.00 | -22.94 | -20.0 | 12 |
17 | Intermezzo | -6.24 | -27.02 | -23.7 | 13 |
18 | Variation XIV | -12.53 | -33.84 | -30.3 | 12 |
19 | Variation XV | -15.95 | -36.39 | -33.3 | 12 |
20 | Variation XVI | -5.49 | -23.53 | -20.9 | 11 |
21 | Variation XVII | -7.13 | -29.73 | -27.1 | 13 |
22 | Variation XVIII | -2.77 | -20.62 | -18.0 | 11 |
23 | Variation XIX | -5.81 | -21.97 | -19.5 | 9 |
24 | Variation XX | -1.04 | -19.04 | -15.9 | 10 |
25 | Coda | -13.22 | -34.01 | -29.8 | 11 |
26 | I. Simbolo | -15.97 | -38.58 | -35.6 | 13 |
27 | II. Accenti | -2.38 | -22.22 | -18.6 | 13 |
28 | III. Contrapunctus primus | -16.79 | -37.92 | -34.3 | 12 |
29 | IV. Linee | -21.76 | -41.75 | -38.1 | 11 |
30 | V. Contrapunctus secondus | -10.09 | -31.59 | -27.8 | 11 |
31 | VI. Fregi | -15.11 | -36.33 | -32.5 | 12 |
32 | VII. Andantino amoroso e contrapunctus tertius | -21.71 | -42.77 | -38.5 | 13 |
33 | VIII. Ritmi | -0.83 | -24.74 | -21.1 | 15 |
34 | IX. Colore | -18.36 | -38.32 | -34.1 | 12 |
35 | X. Ombre | -5.12 | -26.53 | -21.6 | 13 |
36 | XI. Quartina | -21.15 | -41.33 | -37.1 | 11 |
37 | I. St. François d'Assise - La prédication aux oiseaux | -0.83 | -27.61 | -22.4 | 16 |
38 | VII. Après une lecture du Dante - Fantasia quasi sonata | -0.08 | -22.41 | -17.8 | 13 |