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Italian Guitar Concertos

Emanuele Segre, Angela Lazzaroni, Orchestra I Pomeriggi musicali, Carlo Boccadoro

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Cessate, omai cessate, RV 684  
1.1
II. Ah, ch'infelice sempre (Arr. E. Segre)
Emanuele Segre; Antonio Vivaldi; Emanuele Segre; Angela Lazzaroni; Orchestra I Pomeriggi musicali; Carlo Boccadoro
5:32
Lute Concerto in D Major, RV 93 (Arr. for Guitar & Orchestra)  
1.2
I. Allegro giusto
Antonio Vivaldi; Emanuele Segre; Angela Lazzaroni; Orchestra I Pomeriggi musicali; Carlo Boccadoro
4:04
1.3
II. Largo
Antonio Vivaldi; Emanuele Segre; Angela Lazzaroni; Orchestra I Pomeriggi musicali; Carlo Boccadoro
5:23
1.4
III. Allegro
Antonio Vivaldi; Emanuele Segre; Angela Lazzaroni; Orchestra I Pomeriggi musicali; Carlo Boccadoro
2:34
Gran quintetto, Op. 65 (Version for Guitar & String Orchestra)  
1.5
I. Introduzione
Mauro Giuliani; Emanuele Segre; Orchestra I Pomeriggi musicali; Carlo Boccadoro
1:37
1.6
II. Tema e variazioni
Mauro Giuliani; Emanuele Segre; Orchestra I Pomeriggi musicali; Carlo Boccadoro
7:49
1.7
III. Polonaise
Mauro Giuliani; Emanuele Segre; Orchestra I Pomeriggi musicali; Carlo Boccadoro
9:00
1.8
The Black Owl
Giovanni Sollima; Emanuele Segre; Orchestra I Pomeriggi musicali; Carlo Boccadoro
17:51
1.9
Dulcis memoria II
Carlo Boccadoro; Emanuele Segre; Orchestra I Pomeriggi musicali; Carlo Boccadoro
14:00
Digital Booklet
Total Playing Time    67:50
Spain may be the ancestral home of the guitar, but Italy has produced wonderful guitarists and guitar music—witness Italian virtuoso Emanuele Segre and his new release on Delos, Italian Guitar Concertos. Segre brings his “rhythmic buoyancy,” “delicate touch,” and “persuasive playing” to a delightful program ranging from Vivaldi and Giuliani concertos to new creations.

Beginning with an aria and concerto by Vivaldi, the father of the concerto, the album then features the Gran Quintetto by Mauro Giuliani. One of the greatest composers of music for classical guitar, Giuliani’s performances on the guitar were legendary—Giuliani knew Beethoven, who wrote guitar music especially for him. (And the piece itself is reminiscent of Beethoven, particularly the instrumental introduction.)

The album finishes with two enchanting and congenial contemporary works for guitar and orchestra: Giovanni Sollima’s dreamy The Black Owl, and Carlo Boccadoro’s haunting Dulcis memoria II.
88.2 kHz / 24-bit PCM – Delos Studio Masters

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