℗ 2015 Universal International Music B.V.
Released July 17, 2014
Duration 35m 58s
Record Label Decca/London
Genre Classical
 

Hindemith: Symphony in B Flat - Schoenberg: Theme and Variations, Op.43a - Stravinsky: Symphonies of Wind Instruments

Eastman Wind Ensemble, Frederick Fennell

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
  • Select Format
    • AIFF 96 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
Add to cart
discounted price
 
Symphony In B Flat Major for Concert Band  
1.1
I. Moderately fast, with vigor
Paul Hindemith; Eastman Wind Ensemble; Frederick Fennell
6:23
1.2
II. Andantino grazioso
Paul Hindemith; Eastman Wind Ensemble; Frederick Fennell
5:27
1.3
III. Fugue
Paul Hindemith; Eastman Wind Ensemble; Frederick Fennell
4:42
Theme and Variations, Op.43a  
1.4
Theme
Arnold Schoenberg; Eastman Wind Ensemble; Frederick Fennell
0:59
1.5
Variation 1
Arnold Schoenberg; Eastman Wind Ensemble; Frederick Fennell
0:50
1.6
Variation 2
Arnold Schoenberg; Eastman Wind Ensemble; Frederick Fennell
1:15
1.7
Variation 3
Arnold Schoenberg; Eastman Wind Ensemble; Frederick Fennell
1:09
1.8
Variation 4
Arnold Schoenberg; Eastman Wind Ensemble; Frederick Fennell
0:54
1.9
Variation 5
Arnold Schoenberg; Eastman Wind Ensemble; Frederick Fennell
1:12
1.10
Variation 6
Arnold Schoenberg; Eastman Wind Ensemble; Frederick Fennell
0:35
1.11
Variation 7
Arnold Schoenberg; Eastman Wind Ensemble; Frederick Fennell
1:14
1.12
Finale
Arnold Schoenberg; Eastman Wind Ensemble; Frederick Fennell
2:37
1.13
Symphonies of Wind Instruments
Igor Stravinsky; Eastman Wind Ensemble; Frederick Fennell
8:41
Digital Booklet
Ever since its founding more than 60 years ago, the Eastman Wind Ensemble has been in the forefront, elevating the wind repertory through recordings centered on works not typically found on traditional band programs, such as Hindemith’s Symphony in B Flat contained on this 1957 release. The EWE also present pieces by Schoenberg and Stravinsky to complete the programme.
96 kHz / 24-bit PCM – Decca/London Studio Masters

This title is a high-resolution digital transfer of material originating from an analogue recording. It may be limited in bandwidth and dynamic range by the technology available at the time of its original creation, and is offered as a high-quality documentation of a historical release. These works were recorded on March 24, 1957, at the Eastman Theatre, Rochester, New York, using a Schoeps M201 microphone in the center and Neumann KM-56 microphones on the left and right. Recorded to 3-track half-inch magnetic tape; the first-generation master tape was used. They were first released on SR90143. Recording Director: Wilma Cozart Musical Supervisor: Harold Lawrence Recording Engineer and Technical Supervisor: C. Robert Fine Analog to Digital Transfer by John K. Chester and Jamie Howarth using the Plangent Process 3- to 2-Channel Mix by Thomas Fine Publishers: Schott Music Ltd (Hindemith); G. Schirmer Ltd (Schoenberg); Boosey & Hawkes Music Publishers Ltd (Stravinsky) Original Cover Artwork
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-3.98
-13.93 to -0.62
-26.63
-31.19 to -19.79
-22.17
-28.40 to -15.30
13
10 to 18
1
I. Moderately fast, with vigor
-0.86-24.10-18.814
2
II. Andantino grazioso
-4.35-30.82-26.817
3
III. Fugue
-0.62-24.08-18.314
4
Theme
-8.27-28.52-25.011
5
Variation 1
-6.89-27.97-24.613
6
Variation 2
-2.84-26.76-23.112
7
Variation 3
-5.21-29.59-26.314
8
Variation 4
-3.96-26.47-22.012
9
Variation 5
-13.93-31.19-28.410
10
Variation 6
-0.81-20.97-16.011
11
Variation 7
-0.98-26.00-19.014
12
Finale
-0.89-19.79-15.311
13
Symphonies of Wind Instruments
-2.15-29.88-24.618

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions