℗ 2015 Universal International Music B.V.
Released | August 7, 2015 |
Originated | July 17, 2014 |
Duration | 35m 58s |
Record Label | Decca/London |
Genre | Classical |
Hindemith: Symphony in B Flat - Schoenberg: Theme and Variations, Op.43a - Stravinsky: Symphonies of Wind Instruments
Eastman Wind Ensemble, Frederick Fennell
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Symphony In B Flat Major for Concert Band
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1.1
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I. Moderately fast, with vigor
Paul Hindemith; Eastman Wind Ensemble; Frederick Fennell |
6:23 | |||
1.2
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II. Andantino grazioso
Paul Hindemith; Eastman Wind Ensemble; Frederick Fennell |
5:27 | |||
1.3
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III. Fugue
Paul Hindemith; Eastman Wind Ensemble; Frederick Fennell |
4:42 | |||
Theme and Variations, Op.43a
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1.4
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Theme
Arnold Schoenberg; Eastman Wind Ensemble; Frederick Fennell |
0:59 | |||
1.5
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Variation 1
Arnold Schoenberg; Eastman Wind Ensemble; Frederick Fennell |
0:50 | |||
1.6
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Variation 2
Arnold Schoenberg; Eastman Wind Ensemble; Frederick Fennell |
1:15 | |||
1.7
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Variation 3
Arnold Schoenberg; Eastman Wind Ensemble; Frederick Fennell |
1:09 | |||
1.8
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Variation 4
Arnold Schoenberg; Eastman Wind Ensemble; Frederick Fennell |
0:54 | |||
1.9
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Variation 5
Arnold Schoenberg; Eastman Wind Ensemble; Frederick Fennell |
1:12 | |||
1.10
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Variation 6
Arnold Schoenberg; Eastman Wind Ensemble; Frederick Fennell |
0:35 | |||
1.11
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Variation 7
Arnold Schoenberg; Eastman Wind Ensemble; Frederick Fennell |
1:14 | |||
1.12
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Finale
Arnold Schoenberg; Eastman Wind Ensemble; Frederick Fennell |
2:37 | |||
1.13
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Symphonies of Wind Instruments
Igor Stravinsky; Eastman Wind Ensemble; Frederick Fennell |
8:41 | |||
Digital Booklet
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Ever since its founding more than 60 years ago, the Eastman Wind Ensemble has been in the forefront, elevating the wind repertory through recordings centered on works not typically found on traditional band programs, such as Hindemith’s Symphony in B Flat contained on this 1957 release. The EWE also present pieces by Schoenberg and Stravinsky to complete the programme.
96 kHz / 24-bit PCM – Decca/London Studio Masters
This title is a high-resolution digital transfer of material originating from an analogue recording. It may be limited in bandwidth and dynamic range by the technology available at the time of its original creation, and is offered as a high-quality documentation of a historical release. These works were recorded on March 24, 1957, at the Eastman Theatre, Rochester, New York, using a Schoeps M201 microphone in the center and Neumann KM-56 microphones on the left and right. Recorded to 3-track half-inch magnetic tape; the first-generation master tape was used. They were first released on SR90143. Recording Director: Wilma Cozart Musical Supervisor: Harold Lawrence Recording Engineer and Technical Supervisor: C. Robert Fine Analog to Digital Transfer by John K. Chester and Jamie Howarth using the Plangent Process 3- to 2-Channel Mix by Thomas Fine Publishers: Schott Music Ltd (Hindemith); G. Schirmer Ltd (Schoenberg); Boosey & Hawkes Music Publishers Ltd (Stravinsky) Original Cover Artwork
This title is a high-resolution digital transfer of material originating from an analogue recording. It may be limited in bandwidth and dynamic range by the technology available at the time of its original creation, and is offered as a high-quality documentation of a historical release. These works were recorded on March 24, 1957, at the Eastman Theatre, Rochester, New York, using a Schoeps M201 microphone in the center and Neumann KM-56 microphones on the left and right. Recorded to 3-track half-inch magnetic tape; the first-generation master tape was used. They were first released on SR90143. Recording Director: Wilma Cozart Musical Supervisor: Harold Lawrence Recording Engineer and Technical Supervisor: C. Robert Fine Analog to Digital Transfer by John K. Chester and Jamie Howarth using the Plangent Process 3- to 2-Channel Mix by Thomas Fine Publishers: Schott Music Ltd (Hindemith); G. Schirmer Ltd (Schoenberg); Boosey & Hawkes Music Publishers Ltd (Stravinsky) Original Cover Artwork
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.98 -13.93 to -0.62 | -26.63 -31.19 to -19.79 | -22.17 -28.40 to -15.30 | 13 10 to 18 | |
1 | I. Moderately fast, with vigor | -0.86 | -24.10 | -18.8 | 14 |
2 | II. Andantino grazioso | -4.35 | -30.82 | -26.8 | 17 |
3 | III. Fugue | -0.62 | -24.08 | -18.3 | 14 |
4 | Theme | -8.27 | -28.52 | -25.0 | 11 |
5 | Variation 1 | -6.89 | -27.97 | -24.6 | 13 |
6 | Variation 2 | -2.84 | -26.76 | -23.1 | 12 |
7 | Variation 3 | -5.21 | -29.59 | -26.3 | 14 |
8 | Variation 4 | -3.96 | -26.47 | -22.0 | 12 |
9 | Variation 5 | -13.93 | -31.19 | -28.4 | 10 |
10 | Variation 6 | -0.81 | -20.97 | -16.0 | 11 |
11 | Variation 7 | -0.98 | -26.00 | -19.0 | 14 |
12 | Finale | -0.89 | -19.79 | -15.3 | 11 |
13 | Symphonies of Wind Instruments | -2.15 | -29.88 | -24.6 | 18 |