℗ 2019 harmonia mundi
| Released | January 17, 2020 |
| Duration | 1h 03m 05s |
| Record Label | harmonia mundi |
| Catalogue No. | 902601DI |
| Genre | Classical (Solo concerto, concerto grosso, sinfonia concertante) |
C.P.E. Bach: Oboe Concertos
Akademie für Alte Musik Berlin, Xenia Löffler
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Oboe Concerto in E-Flat Major, H. 468, Wq. 165
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1.1
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I. Allegro
Carl Philipp Emanuel Bach; Xenia Löffler; Akademie für Alte Musik Berlin |
5:59 | |||
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1.2
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II. Adagio ma non troppo
Carl Philipp Emanuel Bach; Xenia Löffler; Akademie für Alte Musik Berlin |
7:44 | |||
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1.3
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III. Allegro ma non troppo
Carl Philipp Emanuel Bach; Xenia Löffler; Akademie für Alte Musik Berlin |
5:53 | |||
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Sinfonia for winds, strings and basso continuo in F Major, H. 656, Wq. 181
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1.4
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I. Allegro
Carl Philipp Emanuel Bach; Akademie für Alte Musik Berlin |
3:25 | |||
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1.5
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II. Andante
Carl Philipp Emanuel Bach; Akademie für Alte Musik Berlin |
3:26 | |||
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1.6
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III. Allegro assai
Carl Philipp Emanuel Bach; Akademie für Alte Musik Berlin |
4:44 | |||
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Oboe Concerto in B-Flat Major, H. 466, Wq. 164
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1.7
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I. Allegretto
Carl Philipp Emanuel Bach; Xenia Löffler; Akademie für Alte Musik Berlin |
7:13 | |||
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1.8
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II. Largo e mesto
Carl Philipp Emanuel Bach; Xenia Löffler; Akademie für Alte Musik Berlin |
7:19 | |||
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1.9
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III. Allegro moderato
Carl Philipp Emanuel Bach; Xenia Löffler; Akademie für Alte Musik Berlin |
5:17 | |||
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Sinfonia for 2 oboes, 2 horns, strings and basso continuo in G Major, H. 655, Wq. 180
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1.10
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I. Allegro di molto
Carl Philipp Emanuel Bach; Akademie für Alte Musik Berlin |
3:58 | |||
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1.11
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II. Largo
Carl Philipp Emanuel Bach; Akademie für Alte Musik Berlin |
3:58 | |||
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1.12
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III. Allegro assai
Carl Philipp Emanuel Bach; Akademie für Alte Musik Berlin |
4:09 | |||
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Digital Booklet
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The Berlin public of the mid-eighteenth century was fascinated by the 'original genius' of C. P. E. Bach, and never tired of listening to his concertos. These works call for a talented soloist capable of mastering the multiple facets of an original and finely worked musical texture: a challenge taken up with panache (and on a period instrument) by the oboist Xenia Löffler, surrounded by her distinguished colleagues of the Akademie für Alte Musik Berlin.
96 kHz / 24-bit PCM – harmonia mundi Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.14 -5.33 to -0.55 | -24.53 -29.78 to -21.53 | -20.82 -26.30 to -17.50 | 14 13 to 16 | |
| 1 | I. Allegro | -3.92 | -24.48 | -20.9 | 14 |
| 2 | II. Adagio ma non troppo | -5.14 | -25.84 | -22.0 | 13 |
| 3 | III. Allegro ma non troppo | -3.31 | -25.25 | -21.7 | 13 |
| 4 | I. Allegro | -0.55 | -22.36 | -18.6 | 15 |
| 5 | II. Andante | -3.73 | -26.14 | -23.1 | 13 |
| 6 | III. Allegro assai | -0.55 | -21.53 | -17.5 | 14 |
| 7 | I. Allegretto | -5.21 | -24.30 | -20.6 | 13 |
| 8 | II. Largo e mesto | -4.26 | -25.69 | -21.8 | 13 |
| 9 | III. Allegro moderato | -5.33 | -24.80 | -21.0 | 13 |
| 10 | I. Allegro di molto | -0.89 | -22.33 | -18.3 | 14 |
| 11 | II. Largo | -4.20 | -29.78 | -26.3 | 16 |
| 12 | III. Allegro assai | -0.55 | -21.84 | -18.0 | 15 |