℗ 2020 Claves Records
Released January 17, 2020
Duration 1h 51m 04s
Record Label Claves Records
Catalogue No. CD 3005/06
Genre Classical (Chamber)
 

Live at Zentrum Paul Klee, Bern

Tharice Virtuosi

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1.1
Zigeunerweisen, Op. 20 (Live)
Pablo de Sarasate; Tharice Virtuosi; Valentina Svyatlovskaya
9:19
Swan Lake (Ballet), Op. 20  
1.2
Russian Dance (Live)
Pyotr Ilyich Tchaikovsky; Tharice Virtuosi; Vlad Stanculeasa
5:01
1.3
Mose-Fantasia, M. S. 23 (Live)
Niccolò Paganini; Tharice Virtuosi; Stanimir Todorov; Pablo de Naverán
8:42
1.4
Jota Aragonesa, Op. 27 (Live)
Pablo de Sarasate; Tharice Virtuosi; Bogdan Zvoristeanu
5:03
1.5
La Campanella (Live)
Niccolò Paganini; Tharice Virtuosi; Oleg Kaskiv
5:06
1.6
Lament for Two Violas (Live)
Frank Bridge; Tharice Virtuosi; Sophia Reuter; Ettore Causa
7:57
1.7
Dance of the Elves, Op. 39 (Live)
David Popper; Tharice Virtuosi; Stanimir Todorov
3:20
1.8
The Flight of the Bumble-Bee (Live)
Nikolaï Rimski-Korsakov; Tharice Virtuosi; Edgar Pujol
1:42
1.9
Calabrese (Arr. by M. Waterman / Live)
Antonio Bazzini; Tharice Virtuosi; Liviu Prunaru
5:22
1.10
Bagatella (Arr. by Ion Dobrinescu / Live)
Ion Scărlătescu; Tharice Virtuosi
3:56
1.11
Arioso, BWV 156 (Live)
Johann Sebastian Bach; Tharice Virtuosi; Liviu Prunaru
4:23
String Octet in E-Flat Major, Op. 20, MWV R 20  
2.1
I. Allegro moderato con fuoco (Live)
Félix Mendelssohn; Tharice Virtuosi
14:09
2.2
II. Andante (Live)
Félix Mendelssohn; Tharice Virtuosi
7:24
2.3
III. Scherzo (Live)
Félix Mendelssohn; Tharice Virtuosi
4:34
2.4
IV. Presto (Live)
Félix Mendelssohn; Tharice Virtuosi
6:28
2.5
Amitié, Op. 26 (Live)
Eugène Ysaÿe; Tharice Virtuosi; Liviu Prunaru; Valentina Svyatlovskaya
18:38
A time there was when concert programmes comprised a merry medley of music high and low, the short and sweet alongside the longer and the lofty. That changed in the second half of the 19th century, when Richard Wagner and others introduced the concept of the “symphony concert”, usually in three weighty parts, namely an overture, a solo concerto and a symphony. With today’s emphasis on “music communication”, things seem to have gone full circle. More and more major orchestras are offering daytime concerts in which a meaty repertoire piece is placed alongside shorter works of the kind Thomas Beecham used to call “lollipops”. The Tharice Ensemble thrives on such juxtapositions, as is evidenced by the programme recorded here. They also offer many of these smaller works in arrangements of their own. In historical terms, this is a thoroughly “authentic” approach, for it was a common practice until the 20th century began to insist on an often fictitious fidelity to a fixed text.
96 kHz / 24-bit PCM – Claves Records Studio Masters
Track titlePeak (dB FS)RMS (dB FS)DR
Album average
Range of values
-0.84
-3.65 to -0.65
-19.66
-23.94 to -16.64
12
10 to 14
1.1
Zigeunerweisen, Op. 20 (Live)
-0.65-21.0814
1.2
Russian Dance (Live)
-0.65-19.6211
1.3
Mose-Fantasia, M. S. 23 (Live)
-0.65-18.8711
1.4
Jota Aragonesa, Op. 27 (Live)
-0.65-19.4412
1.5
La Campanella (Live)
-0.65-19.8213
1.6
Lament for Two Violas (Live)
-0.65-19.5212
1.7
Dance of the Elves, Op. 39 (Live)
-0.65-18.7211
1.8
The Flight of the Bumble-Bee (Live)
-0.65-20.2912
1.9
Calabrese (Arr. by M. Waterman / Live)
-0.65-18.7511
1.10
Bagatella (Arr. by Ion Dobrinescu / Live)
-0.65-16.6410
1.11
Arioso, BWV 156 (Live)
-0.65-22.4913
2.1
I. Allegro moderato con fuoco (Live)
-0.65-17.6810
2.2
II. Andante (Live)
-0.65-20.5712
2.3
III. Scherzo (Live)
-3.65-23.9414
2.4
IV. Presto (Live)
-0.65-17.0210
2.5
Amitié, Op. 26 (Live)
-0.65-20.0611

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