Thomas: La Cour de Célimène
Andrew Litton, Philharmonia Orchestra, Alexander Oliver, Nicole Tibbels, Sandra Browne, Marilyn Hill Smith, Yvonne Kenny, Bruce Ford
Available in MQA and 44.1 kHz / 24-bit AIFF, FLAC audio formats
La Cour de Célimène, Act 1
|
|||||
1.1
|
Overture
Ambroise Thomas; Andrew Litton; Philharmonia Orchestra |
6:17 | |||
1.2
|
"Bientot elle arrive" (Young Man, Adolescent, Old Man, Chorus of 12 Men)
Ambroise Thomas; Alexander Oliver; Andrew Litton; Nicole Tibbels; Philharmonia Orchestra; Sandra Browne |
7:49 | |||
1.3
|
"Il parait, chere soeur" (The Baroness, the Countess)
Ambroise Thomas; Andrew Litton; Marilyn Hill Smith; Philharmonia Orchestra |
0:38 | |||
1.4
|
"Qui, c'est le plus grand des bonheurs" (The Countess, the Baroness)
Ambroise Thomas; Andrew Litton; Marilyn Hill Smith; Philharmonia Orchestra |
6:09 | |||
1.5
|
"Charmez, brillez, c'est de votre age" (The Commander, the Baroness)
Ambroise Thomas; Andrew Litton; Marilyn Hill Smith; Philharmonia Orchestra |
3:06 | |||
1.6
|
"C'est un mariage" (The Baroness, the Countess, Ensemble)
Ambroise Thomas; Andrew Litton; Marilyn Hill Smith; Philharmonia Orchestra; Yvonne Kenny |
1:18 | |||
1.7
|
"Ainsi, un fois maries" (The Baroness, the Commander, the Countess)
Ambroise Thomas; Andrew Litton; Marilyn Hill Smith; Philharmonia Orchestra |
0:47 | |||
1.8
|
"Que dites-vous?" (The Commander)
Ambroise Thomas; Andrew Litton; Marilyn Hill Smith; Philharmonia Orchestra |
4:49 | |||
1.9
|
"Allons, rassurez-vous" (The Countess, the Commander, the Baroness)
Ambroise Thomas; Andrew Litton; Marilyn Hill Smith; Philharmonia Orchestra |
0:34 | |||
1.10
|
"Ça va être bien divertissant" (The Commander, the Baroness)
Ambroise Thomas; Andrew Litton; Marilyn Hill Smith; Philharmonia Orchestra |
3:46 | |||
1.11
|
"Ah, vous voila donc, chevalier?" (The Baroness, the Chevalier)
Ambroise Thomas; Andrew Litton; Marilyn Hill Smith; Philharmonia Orchestra |
0:44 | |||
1.12
|
"Mais pardon ..." (The Chevalier, the Baroness)
Ambroise Thomas; Andrew Litton; Marilyn Hill Smith; Philharmonia Orchestra |
5:40 | |||
1.13
|
"Eh bien! Monsieur" (The Countess, the Chevalier)
Ambroise Thomas; Andrew Litton; Marilyn Hill Smith; Philharmonia Orchestra |
1:29 | |||
1.14
|
"Oh... Ah! Cessez de grâce" (The Chevalier, the Countess)
Ambroise Thomas; Andrew Litton; Marilyn Hill Smith; Philharmonia Orchestra |
2:42 | |||
1.15
|
"Ainsi, madame" (The Chevaliers, the Countess)
Ambroise Thomas; Andrew Litton; Marilyn Hill Smith; Philharmonia Orchestra |
0:49 | |||
1.16
|
"Quels fracas!" (Chorus, the Commander, the Chevalier)
Ambroise Thomas; Andrew Litton; Marilyn Hill Smith; Nicole Tibbels; Philharmonia Orchestra |
6:27 | |||
La Cour de Célimène, Act 2
|
|||||
2.1
|
"Dieu! Quel mortel ennui" (The Countess)
Ambroise Thomas; Andrew Litton; Marilyn Hill Smith; Philharmonia Orchestra |
3:22 | |||
2.2
|
"Que voulez-vous" (The Countess)
Ambroise Thomas; Andrew Litton; Marilyn Hill Smith; Philharmonia Orchestra |
8:18 | |||
2.3
|
"Ma soeur! Ma soeur!" (The Baroness, the Countess)
Ambroise Thomas; Andrew Litton; Marilyn Hill Smith; Philharmonia Orchestra |
0:25 | |||
2.4
|
"Voila donc la cruelle" (Chorus of 12 Men, the Countess, the Baroness)
Ambroise Thomas; Andrew Litton; Marilyn Hill Smith; Nicole Tibbels; Philharmonia Orchestra |
5:40 | |||
2.5
|
"Sur le terrain, tous deux enfin" (The Commander, All)
Ambroise Thomas; Andrew Litton; Bruce Ford; Marilyn Hill Smith; Philharmonia Orchestra |
6:18 | |||
2.6
|
"Ainsi, commandeur, vous voila" (The Countess, the Baroness, the Commander)
Ambroise Thomas; Andrew Litton; Marilyn Hill Smith; Philharmonia Orchestra |
0:23 | |||
2.7
|
"Nous pouvons arranger l'affaire" (The Commander, the Countess, the Baroness)
Ambroise Thomas; Andrew Litton; Marilyn Hill Smith; Philharmonia Orchestra |
5:20 | |||
2.8
|
"Ainsi, noble baronne" (The Commander, the Baroness, the Countess)
Ambroise Thomas; Andrew Litton; Marilyn Hill Smith; Philharmonia Orchestra |
1:37 | |||
2.9
|
"Aucun, et je proteste! ..." (The Chevalier, the Baroness)
Ambroise Thomas; Andrew Litton; Marilyn Hill Smith; Philharmonia Orchestra |
3:33 | |||
2.10
|
"Et maintenant, chevalier" (The Baroness, the Chevalier)
Ambroise Thomas; Andrew Litton; Marilyn Hill Smith; Philharmonia Orchestra |
1:37 | |||
2.11
|
"Que vois-je?" (The Chevalier, the Commander, the Baroness, the 12 Men, the Countess, the Baroness)
Ambroise Thomas; Andrew Litton; Marilyn Hill Smith; Philharmonia Orchestra |
6:07 | |||
Total Playing Time 1:35:44
|
"Thomas's rarer-than-rare opera, about a woman who seems to enjoy tormenting her multiple suitors, is an outmoded comedy of manners. But it also features a sparkling score and is very ably performed by soprano Laura Claycomb and bass Alastair Miles in particular. Frothy fun."
- Gramophone
Opera Rara, the brainchild of Patric Schmid and Don White, has been in the business of bringing back forgotten operatic repertoire of the 19th-century for over 40 years. Operas once threatened with extinction have now been brought vividly back to life through the Opera Rara recordings.
- Gramophone
Opera Rara, the brainchild of Patric Schmid and Don White, has been in the business of bringing back forgotten operatic repertoire of the 19th-century for over 40 years. Operas once threatened with extinction have now been brought vividly back to life through the Opera Rara recordings.
44.1 kHz / 24-bit PCM – Opera Rara Studio Masters