℗ 2019 harmonia mundi
| Released | January 24, 2020 |
| Duration | 1h 02m 23s |
| Record Label | harmonia mundi |
| Catalogue No. | 902651DI |
| Genre | Classical (Keyboard (specific genres)) |
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French Suite No. 5 In G Major, BWV 816
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1.1
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I. Allemande
Johann Sebastian Bach; Julien Libeer |
3:10 | |||
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1.2
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II. Courante
Johann Sebastian Bach; Julien Libeer |
1:39 | |||
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1.3
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III. Sarabande
Johann Sebastian Bach; Julien Libeer |
4:39 | |||
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1.4
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IV. Gavotte
Johann Sebastian Bach; Julien Libeer |
1:07 | |||
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1.5
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V. Bourrée
Johann Sebastian Bach; Julien Libeer |
1:24 | |||
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1.6
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VI. Loure
Johann Sebastian Bach; Julien Libeer |
2:18 | |||
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1.7
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VII. Gigue
Johann Sebastian Bach; Julien Libeer |
3:17 | |||
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Out of Doors, Sz. 81
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1.8
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I. With Drums and Pipes. Pesante
Bela Bartok; Julien Libeer |
1:52 | |||
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1.9
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II. Barcarolla. Andante
Bela Bartok; Julien Libeer |
2:44 | |||
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1.10
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III. Musettes. Moderato
Bela Bartok; Julien Libeer |
3:10 | |||
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1.11
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IV. The Night's music. Lento
Bela Bartok; Julien Libeer |
5:21 | |||
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1.12
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V. The Chase. Presto
Bela Bartok; Julien Libeer |
2:20 | |||
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Partita in C Minor, BWV 826
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1.13
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I. Sinfonia
Johann Sebastian Bach; Julien Libeer |
4:39 | |||
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1.14
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II. Allemande
Johann Sebastian Bach; Julien Libeer |
4:31 | |||
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1.15
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III. Courante
Johann Sebastian Bach; Julien Libeer |
2:36 | |||
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1.16
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IV. Sarabande
Johann Sebastian Bach; Julien Libeer |
3:38 | |||
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1.17
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V. Rondeaux
Johann Sebastian Bach; Julien Libeer |
1:36 | |||
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1.18
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VI. Capriccio
Johann Sebastian Bach; Julien Libeer |
3:18 | |||
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Suite for Piano, Op. 14
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1.19
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I. Allegretto
Bela Bartok; Julien Libeer |
2:06 | |||
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1.20
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II. Scherzo
Bela Bartok; Julien Libeer |
1:56 | |||
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1.21
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III. Allegro molto
Bela Bartok; Julien Libeer |
2:12 | |||
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1.22
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IV. Sostenuto
Bela Bartok; Julien Libeer |
2:50 | |||
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Digital Booklet
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Sounds that illuminate Beyond their lifelong interest in keyboard instruments of all types (organ, harpsichord, and clavichord in the case of Bach; modern piano as a percussion instrument in the case of Bartók), other shared concerns connect these two giants of classical music who at first glance appear to be polar opposites. The juxtaposition of the two composers is not the least appeal of this album which also marks Julien Libeer's first project for harmonia mundi: this ardent advocate of a clear and direct approach deftly combines keen intuition with a sense of formal rigour to bring four masterful examples of the 'suite' genre into a dialogue spanning across the centuries that set them apart.
96 kHz / 24-bit PCM – harmonia mundi Studio Masters
Tracks 1-22 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1-22 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.61 -12.06 to -0.91 | -24.73 -33.77 to -18.81 | -21.43 -29.70 to -15.40 | 12 10 to 19 | |
| 1 | I. Allemande | -8.42 | -25.83 | -22.8 | 11 |
| 2 | II. Courante | -5.78 | -21.74 | -18.8 | 10 |
| 3 | III. Sarabande | -9.46 | -30.37 | -27.0 | 13 |
| 4 | IV. Gavotte | -5.99 | -22.50 | -19.6 | 10 |
| 5 | V. Bourrée | -7.02 | -23.54 | -20.5 | 10 |
| 6 | VI. Loure | -9.61 | -30.43 | -26.6 | 12 |
| 7 | VII. Gigue | -4.96 | -21.15 | -18.4 | 10 |
| 8 | I. With Drums and Pipes. Pesante | -0.92 | -19.42 | -16.3 | 12 |
| 9 | II. Barcarolla. Andante | -2.60 | -26.68 | -23.1 | 14 |
| 10 | III. Musettes. Moderato | -1.62 | -21.76 | -18.0 | 11 |
| 11 | IV. The Night's music. Lento | -4.83 | -32.61 | -27.7 | 19 |
| 12 | V. The Chase. Presto | -0.91 | -19.64 | -16.4 | 11 |
| 13 | I. Sinfonia | -5.26 | -23.69 | -20.3 | 10 |
| 14 | II. Allemande | -7.24 | -25.55 | -22.8 | 11 |
| 15 | III. Courante | -8.34 | -25.77 | -22.7 | 11 |
| 16 | IV. Sarabande | -12.06 | -30.37 | -27.5 | 12 |
| 17 | V. Rondeaux | -6.12 | -23.82 | -20.8 | 10 |
| 18 | VI. Capriccio | -4.67 | -20.31 | -17.6 | 10 |
| 19 | I. Allegretto | -3.31 | -25.45 | -21.8 | 12 |
| 20 | II. Scherzo | -2.44 | -20.88 | -17.7 | 11 |
| 21 | III. Allegro molto | -2.12 | -18.81 | -15.4 | 11 |
| 22 | IV. Sostenuto | -9.82 | -33.77 | -29.7 | 14 |