℗ 2019 harmonia mundi
Released January 24, 2020
Duration 1h 02m 23s
Catalogue No. 902651DI
Genre Classical (Keyboard (specific genres))
 

Bach Bartók

Julien Libeer

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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French Suite No. 5 In G Major, BWV 816  
1.1
I. Allemande
Johann Sebastian Bach; Julien Libeer
3:10
1.2
II. Courante
Johann Sebastian Bach; Julien Libeer
1:39
1.3
III. Sarabande
Johann Sebastian Bach; Julien Libeer
4:39
1.4
IV. Gavotte
Johann Sebastian Bach; Julien Libeer
1:07
1.5
V. Bourrée
Johann Sebastian Bach; Julien Libeer
1:24
1.6
VI. Loure
Johann Sebastian Bach; Julien Libeer
2:18
1.7
VII. Gigue
Johann Sebastian Bach; Julien Libeer
3:17
Out of Doors, Sz. 81  
1.8
I. With Drums and Pipes. Pesante
Bela Bartok; Julien Libeer
1:52
1.9
II. Barcarolla. Andante
Bela Bartok; Julien Libeer
2:44
1.10
III. Musettes. Moderato
Bela Bartok; Julien Libeer
3:10
1.11
IV. The Night's music. Lento
Bela Bartok; Julien Libeer
5:21
1.12
V. The Chase. Presto
Bela Bartok; Julien Libeer
2:20
Partita in C Minor, BWV 826  
1.13
I. Sinfonia
Johann Sebastian Bach; Julien Libeer
4:39
1.14
II. Allemande
Johann Sebastian Bach; Julien Libeer
4:31
1.15
III. Courante
Johann Sebastian Bach; Julien Libeer
2:36
1.16
IV. Sarabande
Johann Sebastian Bach; Julien Libeer
3:38
1.17
V. Rondeaux
Johann Sebastian Bach; Julien Libeer
1:36
1.18
VI. Capriccio
Johann Sebastian Bach; Julien Libeer
3:18
Suite for Piano, Op. 14  
1.19
I. Allegretto
Bela Bartok; Julien Libeer
2:06
1.20
II. Scherzo
Bela Bartok; Julien Libeer
1:56
1.21
III. Allegro molto
Bela Bartok; Julien Libeer
2:12
1.22
IV. Sostenuto
Bela Bartok; Julien Libeer
2:50
Digital Booklet
Sounds that illuminate Beyond their lifelong interest in keyboard instruments of all types (organ, harpsichord, and clavichord in the case of Bach; modern piano as a percussion instrument in the case of Bartók), other shared concerns connect these two giants of classical music who at first glance appear to be polar opposites. The juxtaposition of the two composers is not the least appeal of this album which also marks Julien Libeer's first project for harmonia mundi: this ardent advocate of a clear and direct approach deftly combines keen intuition with a sense of formal rigour to bring four masterful examples of the 'suite' genre into a dialogue spanning across the centuries that set them apart.
96 kHz / 24-bit PCM – harmonia mundi Studio Masters

Tracks 1-22 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-5.61
-12.06 to -0.91
-24.73
-33.77 to -18.81
-21.43
-29.70 to -15.40
12
10 to 19
1
I. Allemande
-8.42-25.83-22.811
2
II. Courante
-5.78-21.74-18.810
3
III. Sarabande
-9.46-30.37-27.013
4
IV. Gavotte
-5.99-22.50-19.610
5
V. Bourrée
-7.02-23.54-20.510
6
VI. Loure
-9.61-30.43-26.612
7
VII. Gigue
-4.96-21.15-18.410
8
I. With Drums and Pipes. Pesante
-0.92-19.42-16.312
9
II. Barcarolla. Andante
-2.60-26.68-23.114
10
III. Musettes. Moderato
-1.62-21.76-18.011
11
IV. The Night's music. Lento
-4.83-32.61-27.719
12
V. The Chase. Presto
-0.91-19.64-16.411
13
I. Sinfonia
-5.26-23.69-20.310
14
II. Allemande
-7.24-25.55-22.811
15
III. Courante
-8.34-25.77-22.711
16
IV. Sarabande
-12.06-30.37-27.512
17
V. Rondeaux
-6.12-23.82-20.810
18
VI. Capriccio
-4.67-20.31-17.610
19
I. Allegretto
-3.31-25.45-21.812
20
II. Scherzo
-2.44-20.88-17.711
21
III. Allegro molto
-2.12-18.81-15.411
22
IV. Sostenuto
-9.82-33.77-29.714

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