℗ 1978 Revonah Records
| Released | December 16, 1978 |
| Duration | 32m 03s |
| Record Label | Revonah Records |
| Catalogue No. | 43NB1524RE |
| Genre | Country (Bluegrass) |
Travelin' On
Mac Martin, The Dixie Travelers
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Black Eyed Susie
Mac Martin; The Dixie Travelers |
2:00 | |||
|
1.2
|
At the End of a Long Lonely Day
Mac Martin; The Dixie Travelers |
2:35 | |||
|
1.3
|
That's Why You Left Me so Blue
Mac Martin; The Dixie Travelers |
2:45 | |||
|
1.4
|
Scotland
Mac Martin; The Dixie Travelers |
1:40 | |||
|
1.5
|
The Old House
Mac Martin; The Dixie Travelers |
2:15 | |||
|
1.6
|
Gethsamene
Mac Martin; The Dixie Travelers |
3:00 | |||
|
1.7
|
Down South in New Orleans
Mac Martin; The Dixie Travelers |
1:51 | |||
|
1.8
|
Choking The Strings
Mac Martin; The Dixie Travelers |
3:34 | |||
|
1.9
|
Mary at the Home Place
Mac Martin; The Dixie Travelers |
2:15 | |||
|
1.10
|
Along About Daybreak
Mac Martin; The Dixie Travelers |
3:20 | |||
|
1.11
|
Stacey Lynn
Mac Martin; The Dixie Travelers |
1:37 | |||
|
1.12
|
Is She Praying There
Mac Martin; The Dixie Travelers |
2:54 | |||
|
1.13
|
Joy Bells
Mac Martin; The Dixie Travelers |
2:17 |
Mac Martin has been identified as a “Pioneer of Bluegrass” by International Bluegrass Music Museum in Owensboro, Kentucky. For over fifty years, Mac Martin has kept the bluegrass fame burning strongly in Pittsburgh Pennsylvania and the surrounding regional area. Although during the 50’s, 60’s & 70’s, Mac Martin & The Dixie Travelers have not made a large number of personal appearances outside of the region, their quality recordings have won them a dedicated audience among fans of traditional Bluegrass throughout the world.
Mac Martin’s style of music is highly influenced by the “bluesy” sound of Bill Monroe’s classic bluegrass band when Lester Flatt, Earl Scruggs, Chubby Wise and Cedric Rainwater were in it during the mid-1940’s. Mac Martin & The Dixie Travelers have shown an especially able knack for taking good quality songs from the near forgotten past and developing excellent arrangements of them that fit the style of the Dixie Travelers.
“We choose songs that varied from the usual Bluegrass instrumentals, some with an up-tempo beat, some blues numbers and music from the early days.”
– Mac Martin
96 kHz / 24-bit PCM – Revonah Records Studio Masters
Tracks 1-13 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-13 – contains high-resolution digital transfers of material originating from an analogue master source
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.23 -1.46 to -1.21 | -16.89 -18.64 to -15.66 | -14.07 -15.70 to -12.60 | 11 10 to 12 | |
| 1 | Black Eyed Susie | -1.22 | -15.66 | -12.6 | 10 |
| 2 | At the End of a Long Lonely Day | -1.21 | -17.55 | -14.8 | 11 |
| 3 | That's Why You Left Me so Blue | -1.22 | -17.74 | -14.6 | 12 |
| 4 | Scotland | -1.21 | -16.51 | -13.4 | 10 |
| 5 | The Old House | -1.46 | -18.09 | -15.5 | 11 |
| 6 | Gethsamene | -1.21 | -16.26 | -13.9 | 10 |
| 7 | Down South in New Orleans | -1.21 | -15.83 | -12.7 | 10 |
| 8 | Choking The Strings | -1.22 | -16.85 | -14.1 | 11 |
| 9 | Mary at the Home Place | -1.21 | -16.41 | -13.6 | 10 |
| 10 | Along About Daybreak | -1.21 | -16.69 | -14.0 | 11 |
| 11 | Stacey Lynn | -1.22 | -18.64 | -15.7 | 11 |
| 12 | Is She Praying There | -1.21 | -15.69 | -13.3 | 10 |
| 13 | Joy Bells | -1.21 | -17.71 | -14.7 | 11 |