℗ 2020 Deutsche Grammophon, Berlin
| Released | January 17, 2020 |
| Duration | 1h 23m 21s |
| Record Label | Deutsche Grammophon (DG) |
| Genre | Classical |
Mahler: Symphony No. 8 (Live)
Philadelphia Orchestra, Yannick Nézet-Séguin
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Symphony No. 8 in E-Flat Major - "Symphony of a Thousand" / Pt. 1
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1.1
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"Veni creator spiritus" (Live)
Gustav Mahler; Anonymous; Philadelphia Orchestra; Yannick Nézet-Séguin; Westminster Symphonic Choir; The Choral Arts Society of Washington; Joe Miller; Scott Tucker |
1:26 | |||
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1.2
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"Imple superna gratia" (Live)
Gustav Mahler; Anonymous; Angela Meade; Erin Wall; Elizabeth Bishop; Mihoko Fujimura; Anthony Dean Griffey; Markus Werba; John Relyea; Philadelphia Orchestra; Yannick Nézet-Séguin; Westminster Symphonic Choir; The Choral Arts Society of Washington; Joe Miller; Scott Tucker |
4:26 | |||
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1.3
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"Infirma nostri corporis" (Live)
Gustav Mahler; Anonymous; Angela Meade; Erin Wall; Elizabeth Bishop; Mihoko Fujimura; Anthony Dean Griffey; Markus Werba; John Relyea; Philadelphia Orchestra; Yannick Nézet-Séguin; Westminster Symphonic Choir; The Choral Arts Society of Washington; Joe Miller; Scott Tucker |
1:47 | |||
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1.4
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Tempo I (Allegro, etwas hastig / Live)
Gustav Mahler; Anonymous; Philadelphia Orchestra; Yannick Nézet-Séguin |
1:25 | |||
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1.5
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"Infirma nostri corporis virtute firmans perpeti" (Live)
Gustav Mahler; Anonymous; Angela Meade; Erin Wall; Elizabeth Bishop; Mihoko Fujimura; Anthony Dean Griffey; Markus Werba; John Relyea; Philadelphia Orchestra; Yannick Nézet-Séguin |
2:48 | |||
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1.6
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"Accende lumen sensibus" (Live)
Gustav Mahler; Anonymous; Angela Meade; Erin Wall; Elizabeth Bishop; Mihoko Fujimura; Anthony Dean Griffey; Markus Werba; John Relyea; Philadelphia Orchestra; Yannick Nézet-Séguin; The American Boychoir; Westminster Symphonic Choir; The Choral Arts Society of Washington; Fernando |
5:22 | |||
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1.7
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"Qui Paraclitus diceris" (Live)
Gustav Mahler; Anonymous; Angela Meade; Erin Wall; Elizabeth Bishop; Mihoko Fujimura; Anthony Dean Griffey; Markus Werba; John Relyea; Philadelphia Orchestra; Yannick Nézet-Séguin; Westminster Symphonic Choir; The Choral Arts Society of Washington; Joe Miller; Scott Tucker |
4:18 | |||
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1.8
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"Gloria sit Patri Domino" (Live)
Gustav Mahler; Anonymous; Angela Meade; Erin Wall; Elizabeth Bishop; Mihoko Fujimura; Anthony Dean Griffey; Markus Werba; John Relyea; Philadelphia Orchestra; Yannick Nézet-Séguin; The American Boychoir; Westminster Symphonic Choir; The Choral Arts Society of Washington; Fernando |
1:53 | |||
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Symphony No. 8 in E-Flat Major - "Symphony of a Thousand" / Pt. 2
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1.9
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Poco adagio (Live)
Gustav Mahler; Johann Wolfgang von Goethe; Philadelphia Orchestra; Yannick Nézet-Séguin |
6:24 | |||
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1.10
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Più mosso (Allegro moderato / Live)
Gustav Mahler; Johann Wolfgang von Goethe; Philadelphia Orchestra; Yannick Nézet-Séguin |
3:48 | |||
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1.11
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"Waldung, sie schwankt heran" (Live)
Gustav Mahler; Johann Wolfgang von Goethe; Philadelphia Orchestra; Yannick Nézet-Séguin; Westminster Symphonic Choir; The Choral Arts Society of Washington; Joe Miller; Scott Tucker |
4:32 | |||
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1.12
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"Ewiger Wonnebrand" (Live)
Gustav Mahler; Johann Wolfgang von Goethe; Markus Werba; Philadelphia Orchestra; Yannick Nézet-Séguin |
1:39 | |||
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1.13
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"Wie Felsenabgrund mir zu Füßen" (Live)
Gustav Mahler; Johann Wolfgang von Goethe; John Relyea; Philadelphia Orchestra; Yannick Nézet-Séguin |
4:37 | |||
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1.14
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"Gerettet ist das edle Glied" (Live)
Gustav Mahler; Johann Wolfgang von Goethe; Philadelphia Orchestra; Yannick Nézet-Séguin; The American Boychoir; Westminster Symphonic Choir; The Choral Arts Society of Washington; Fernando Malvar-Ruiz; Joe Miller; Scott Tucker |
1:04 | |||
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1.15
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"Jene Rosen, aus den Händen" (Live)
Gustav Mahler; Johann Wolfgang von Goethe; Philadelphia Orchestra; Yannick Nézet-Séguin; Westminster Symphonic Choir; Joe Miller |
2:10 | |||
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1.16
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"Uns bleibt ein Erdenrest" (Live)
Gustav Mahler; Johann Wolfgang von Goethe; Elizabeth Bishop; Philadelphia Orchestra; Yannick Nézet-Séguin; The Choral Arts Society of Washington; Scott Tucker |
1:47 | |||
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1.17
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"Ich spür' soeben" (Live)
Gustav Mahler; Johann Wolfgang von Goethe; Philadelphia Orchestra; Yannick Nézet-Séguin; Westminster Symphonic Choir; Joe Miller |
0:35 | |||
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1.18
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"Hier ist die Aussicht frei" - "Freudig empfangen wir" (Live)
Gustav Mahler; Johann Wolfgang von Goethe; Anthony Dean Griffey; Philadelphia Orchestra; Yannick Nézet-Séguin; The American Boychoir; Westminster Symphonic Choir; Fernando Malvar-Ruiz; Joe Miller |
0:39 | |||
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1.19
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"Höchste Herrscherin der Welt" (Live)
Gustav Mahler; Johann Wolfgang von Goethe; Anthony Dean Griffey; Philadelphia Orchestra; Yannick Nézet-Séguin |
2:42 | |||
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1.20
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"Jungfrau, rein im schönsten Sinne" (Live)
Gustav Mahler; Johann Wolfgang von Goethe; Anthony Dean Griffey; Philadelphia Orchestra; Yannick Nézet-Séguin; Westminster Symphonic Choir; The Choral Arts Society of Washington; Joe Miller; Scott Tucker |
1:45 | |||
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1.21
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Äußerst langsam. Adagissimo (Live)
Gustav Mahler; Johann Wolfgang von Goethe; Philadelphia Orchestra; Yannick Nézet-Séguin |
1:39 | |||
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1.22
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"Dir, der Unberührbaren" - "Du schwebst zu Höhen" (Live)
Gustav Mahler; Johann Wolfgang von Goethe; Erin Wall; Philadelphia Orchestra; Yannick Nézet-Séguin; Westminster Symphonic Choir; The Choral Arts Society of Washington; Joe Miller; Scott Tucker |
2:42 | |||
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1.23
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"Bei der Liebe, die den Füßen" (Live)
Gustav Mahler; Johann Wolfgang von Goethe; Angela Meade; Philadelphia Orchestra; Yannick Nézet-Séguin |
1:00 | |||
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1.24
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''Bei dem Bronn, zu dem schon weiland" (Live)
Gustav Mahler; Johann Wolfgang von Goethe; Elizabeth Bishop; Philadelphia Orchestra; Yannick Nézet-Séguin |
1:27 | |||
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1.25
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"Bei dem hochgeweihten Orte" (Live)
Gustav Mahler; Johann Wolfgang von Goethe; Mihoko Fujimura; Philadelphia Orchestra; Yannick Nézet-Séguin |
1:05 | |||
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1.26
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"Die du großen Sünderinnen" (Live)
Gustav Mahler; Johann Wolfgang von Goethe; Angela Meade; Elizabeth Bishop; Mihoko Fujimura; Philadelphia Orchestra; Yannick Nézet-Séguin |
1:38 | |||
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1.27
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"Neige, neige, du Ohnegleiche" (Live)
Gustav Mahler; Johann Wolfgang von Goethe; Erin Wall; Philadelphia Orchestra; Yannick Nézet-Séguin |
0:48 | |||
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1.28
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"Er überwächst uns schon" (Live)
Gustav Mahler; Johann Wolfgang von Goethe; Philadelphia Orchestra; Yannick Nézet-Séguin; The American Boychoir; The Choral Arts Society of Washington; Fernando Malvar-Ruiz; Scott Tucker |
1:20 | |||
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1.29
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"Vom edlen Geisterchor umgeben" (Live)
Gustav Mahler; Johann Wolfgang von Goethe; Erin Wall; The American Boychoir; Philadelphia Orchestra; Yannick Nézet-Séguin |
2:15 | |||
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1.30
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"Komm! hebe dich zu höhern Sphären" (Live)
Gustav Mahler; Johann Wolfgang von Goethe; Lisette Oropesa; Philadelphia Orchestra; Yannick Nézet-Séguin |
1:18 | |||
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1.31
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"Blicket auf zum Retterblick" (Live)
Gustav Mahler; Johann Wolfgang von Goethe; Anthony Dean Griffey; Philadelphia Orchestra; Yannick Nézet-Séguin; The American Boychoir; Westminster Symphonic Choir; The Choral Arts Society of Washington; Fernando Malvar-Ruiz; Joe Miller; Scott Tucker |
6:20 | |||
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1.32
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"Alles Vergängliche" (Live)
Gustav Mahler; Johann Wolfgang von Goethe; Angela Meade; Erin Wall; Elizabeth Bishop; Mihoko Fujimura; Anthony Dean Griffey; Markus Werba; John Relyea; The American Boychoir; Westminster Symphonic Choir; The Choral Arts Society of Washington; Fernando Malvar-Ruiz; Joe Miller; Scott Tucker; Philade |
6:42 | |||
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Digital Booklet
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Philadelphia’s sense of history and present pride soared in March 2016 when The Philadelphia Orchestra and its Music Director Yannick Nézet-Séguin, along with a team of top-rank international soloists and massed choirs, marked the centenary of the United States premiere of Mahler’s monumental Eighth Symphony with four performances of the work at Verizon Hall at the Kimmel Center for the Performing Arts.
“A century after its US premiere, it is still an event whenever an orchestra performs Mahler’s Eighth Symphony. We had the chance to reflect on what had happened in those hundred years and get back to the era, around the beginning of the twentieth century, when The Philadelphia Orchestra rose to the top by championing such iconic pieces. Mahler Eight is imposing, impressive – it’s an incredible work. Of course, what we want to hear is our great orchestra, as with any Mahler symphony, but it is important to have the right partners to match them. We were so fortunate to have the crème de la crème of vocal casting anywhere in the world.”
- Yannick Nézet-Séguin
96 kHz / 24-bit PCM – Deutsche Grammophon (DG) Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -7.60 -22.59 to -0.40 | -28.21 -41.03 to -18.18 | -24.44 -38.20 to -14.50 | 12 10 to 14 | |
| 1 | "Veni creator spiritus" (Live) | -2.53 | -20.65 | -17.4 | 10 |
| 2 | "Imple superna gratia" (Live) | -5.15 | -25.55 | -21.5 | 13 |
| 3 | "Infirma nostri corporis" (Live) | -6.82 | -29.97 | -25.3 | 12 |
| 4 | Tempo I (Allegro, etwas hastig / Live) | -9.66 | -31.79 | -28.6 | 13 |
| 5 | "Infirma nostri corporis virtute firmans perpeti" (Live) | -9.50 | -31.66 | -28.3 | 14 |
| 6 | "Accende lumen sensibus" (Live) | -0.40 | -19.98 | -16.7 | 12 |
| 7 | "Qui Paraclitus diceris" (Live) | -2.67 | -23.85 | -20.3 | 12 |
| 8 | "Gloria sit Patri Domino" (Live) | -0.63 | -18.18 | -14.5 | 11 |
| 9 | Poco adagio (Live) | -8.52 | -30.33 | -25.2 | 12 |
| 10 | Più mosso (Allegro moderato / Live) | -7.71 | -26.01 | -21.9 | 11 |
| 11 | "Waldung, sie schwankt heran" (Live) | -17.39 | -40.96 | -37.2 | 13 |
| 12 | "Ewiger Wonnebrand" (Live) | -6.84 | -27.74 | -23.6 | 12 |
| 13 | "Wie Felsenabgrund mir zu Füßen" (Live) | -6.45 | -26.08 | -22.6 | 13 |
| 14 | "Gerettet ist das edle Glied" (Live) | -2.87 | -22.56 | -19.1 | 11 |
| 15 | "Jene Rosen, aus den Händen" (Live) | -5.42 | -25.86 | -22.0 | 11 |
| 16 | "Uns bleibt ein Erdenrest" (Live) | -12.88 | -34.65 | -31.4 | 13 |
| 17 | "Ich spür' soeben" (Live) | -10.16 | -29.48 | -26.3 | 12 |
| 18 | "Hier ist die Aussicht frei" - "Freudig empfangen wir" (Live) | -5.85 | -26.39 | -22.7 | 12 |
| 19 | "Höchste Herrscherin der Welt" (Live) | -10.60 | -31.94 | -28.2 | 13 |
| 20 | "Jungfrau, rein im schönsten Sinne" (Live) | -7.00 | -29.31 | -25.0 | 12 |
| 21 | Äußerst langsam. Adagissimo (Live) | -22.59 | -41.03 | -38.2 | 11 |
| 22 | "Dir, der Unberührbaren" - "Du schwebst zu Höhen" (Live) | -5.84 | -28.76 | -25.5 | 13 |
| 23 | "Bei der Liebe, die den Füßen" (Live) | -9.75 | -30.47 | -27.1 | 12 |
| 24 | ''Bei dem Bronn, zu dem schon weiland" (Live) | -6.24 | -27.72 | -23.3 | 12 |
| 25 | "Bei dem hochgeweihten Orte" (Live) | -11.70 | -33.26 | -29.7 | 13 |
| 26 | "Die du großen Sünderinnen" (Live) | -7.94 | -28.90 | -25.0 | 12 |
| 27 | "Neige, neige, du Ohnegleiche" (Live) | -5.11 | -25.03 | -21.1 | 11 |
| 28 | "Er überwächst uns schon" (Live) | -7.57 | -26.37 | -23.2 | 12 |
| 29 | "Vom edlen Geisterchor umgeben" (Live) | -5.47 | -25.32 | -20.9 | 11 |
| 30 | "Komm! hebe dich zu höhern Sphären" (Live) | -16.20 | -36.27 | -33.0 | 11 |
| 31 | "Blicket auf zum Retterblick" (Live) | -4.44 | -26.11 | -21.7 | 13 |
| 32 | "Alles Vergängliche" (Live) | -1.31 | -20.62 | -15.5 | 12 |