℗ 2020 Parlophone Records Limited, a Warner Music Group Company
Released | January 17, 2020 |
Duration | 1h 23m 52s |
Record Label | Warner Classics |
Genre | Classical (Song/Lieder) |
Morgen
Elsa Dreisig, Jonathan Ware
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
L'Invitation au voyage
Henri Duparc; Elsa Dreisig |
4:08 | |||
Vier letzte Lieder, Op. 150, TrV 296
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1.2
|
I. Frühling
Richard Strauss; Elsa Dreisig |
3:21 | |||
6 Romances, Op. 38
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1.3
|
III. Daisies
Sergei Rachmaninov; Elsa Dreisig |
2:45 | |||
1.4
|
Malven, TrV 297
Richard Strauss; Elsa Dreisig |
2:59 | |||
1.5
|
Phidylé
Henri Duparc; Elsa Dreisig |
5:54 | |||
8 Etudes-Tableaux, Op. 33
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1.6
|
No. 2 in C Major
Sergei Rachmaninov; Jonathan Ware |
2:22 | |||
6 Romances, Op. 38
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1.7
|
IV. Pied Piper
Sergei Rachmaninov; Elsa Dreisig |
3:24 | |||
Vier letzte Lieder, Op. 150, TrV 296
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1.8
|
II. September
Richard Strauss; Elsa Dreisig |
5:13 | |||
6 Romances, Op. 38
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1.9
|
I. Night in My Garden
Sergei Rachmaninov; Elsa Dreisig |
2:10 | |||
1.10
|
Sérénade florentine
Henri Duparc; Elsa Dreisig |
2:22 | |||
1.11
|
Aux étoiles
Henri Duparc; Jonathan Ware |
4:58 | |||
1.12
|
Chanson triste
Henri Duparc; Elsa Dreisig |
3:02 | |||
1.13
|
Extase
Henri Duparc; Elsa Dreisig |
3:37 | |||
Vier letzte Lieder, Op. 150, TrV 296
|
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1.14
|
III. Beim Schlafengehen
Richard Strauss; Elsa Dreisig |
5:58 | |||
6 Romances, Op. 38
|
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1.15
|
II. To Her
Sergei Rachmaninov; Elsa Dreisig |
2:41 | |||
1.16
|
V. Dream
Sergei Rachmaninov; Elsa Dreisig |
3:41 | |||
5 Klavierstücke, Op. 3, TrV 105
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1.17
|
I. Andante
Richard Strauss; Jonathan Ware |
4:49 | |||
6 Romances, Op. 38
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1.18
|
VI. A-u!
Sergei Rachmaninov; Elsa Dreisig |
2:42 | |||
1.19
|
La Vie antérieure
Henri Duparc; Elsa Dreisig |
4:43 | |||
Vier letzte Lieder, Op. 150, TrV 296
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1.20
|
IV. Im Abendrot
Richard Strauss; Elsa Dreisig |
8:16 | |||
4 Lieder, Op. 27, TrV 170
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1.21
|
IV. Morgen
Richard Strauss; Elsa Dreisig |
4:47 | |||
Digital Booklet
|
Soprano Elsa Dreisig follows her debut album Miroir(s) with a recital of songs in collaboration with pianist Jonathan Ware. Taking its title, Morgen, from one of Richard Strauss’s best-loved lieder, it interweaves his music (notably the Four Last Songs) with thematically linked works by Sergey Rachmaninov and Henri Duparc. As Elsa Dreisig says, “Morgen is an inner journey through the seasons of the soul.”
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Warner Classics Studio Masters
Track 1 – 44.1 kHz / 16-bit PCM, mastered in 192 kHz / 24-bit Tracks 2-21 – 96 kHz / 24-bit PCM, mastered in 192 kHz / 24-bit
Track 1 – 44.1 kHz / 16-bit PCM, mastered in 192 kHz / 24-bit Tracks 2-21 – 96 kHz / 24-bit PCM, mastered in 192 kHz / 24-bit
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.37 -9.67 to -0.21 | -25.27 -32.57 to -19.49 | -20.91 -28.90 to -14.60 | 13 11 to 16 | |
1 | L'Invitation au voyage | -0.22 | -23.30 | -18.8 | 14 |
2 | I. Frühling | -0.21 | -19.65 | -15.6 | 11 |
3 | III. Daisies | -0.24 | -25.36 | -20.9 | 15 |
4 | Malven, TrV 297 | -1.80 | -25.27 | -21.6 | 13 |
5 | Phidylé | -0.24 | -23.31 | -18.9 | 13 |
6 | No. 2 in C Major | -8.45 | -27.74 | -24.3 | 11 |
7 | IV. Pied Piper | -0.22 | -23.38 | -19.6 | 15 |
8 | II. September | -4.88 | -27.57 | -23.5 | 13 |
9 | I. Night in My Garden | -0.22 | -20.81 | -14.9 | 11 |
10 | Sérénade florentine | -4.23 | -26.75 | -22.4 | 12 |
11 | Aux étoiles | -6.81 | -31.55 | -27.8 | 16 |
12 | Chanson triste | -0.82 | -23.29 | -19.9 | 13 |
13 | Extase | -3.34 | -29.50 | -25.5 | 16 |
14 | III. Beim Schlafengehen | -0.40 | -24.15 | -18.8 | 13 |
15 | II. To Her | -0.21 | -20.51 | -15.8 | 11 |
16 | V. Dream | -0.21 | -23.78 | -19.7 | 15 |
17 | I. Andante | -9.67 | -32.05 | -28.9 | 14 |
18 | VI. A-u! | -0.21 | -19.49 | -14.6 | 11 |
19 | La Vie antérieure | -0.23 | -24.02 | -19.2 | 14 |
20 | IV. Im Abendrot | -0.79 | -26.63 | -21.4 | 16 |
21 | IV. Morgen | -6.42 | -32.57 | -27.1 | 14 |