℗ 2019 Les Concerts Parisiens
| Released | January 31, 2020 |
| Duration | 1h 05m 52s |
| Record Label | La Musica |
| Catalogue No. | LMU019D |
| Genre | Classical (Motet, Te Deum and other sacred genres) |
Motets Napolitains
Anthea Pichanick, Les Accents, Thibault Noally
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Turbido cælo mare furentes
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1.1
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"Turbido cælo mare furentes" (Allegro)
Leonardo Leo; Anthea Pichanick; Les Accents; Thibault Noally |
6:15 | |||
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1.2
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Recitativo "Accense ire cælestes"
Leonardo Leo; Anthea Pichanick; Les Accents; Thibault Noally |
0:56 | |||
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1.3
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Responde "afflicte voci" (Larghetto)
Leonardo Leo; Anthea Pichanick; Les Accents; Thibault Noally |
11:45 | |||
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1.4
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"Alleluia" (Allegretto)
Leonardo Leo; Anthea Pichanick; Les Accents; Thibault Noally |
2:18 | |||
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Totus amore languens
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1.5
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"Totus amore languens" (Largo)
Alessandro Scarlatti; Anthea Pichanick; Les Accents; Thibault Noally |
1:53 | |||
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1.6
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"Epulare, delectare" (Allegro)
Alessandro Scarlatti; Anthea Pichanick; Les Accents; Thibault Noally |
2:01 | |||
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1.7
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Recitativo "Quid hoc cœlesti ardore"
Alessandro Scarlatti; Anthea Pichanick; Les Accents; Thibault Noally |
0:31 | |||
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1.8
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Non mannæ dulcedo
Alessandro Scarlatti; Anthea Pichanick; Les Accents; Thibault Noally |
2:39 | |||
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1.9
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"Ite procul o dapes mundanæ" (Allegro)
Alessandro Scarlatti; Anthea Pichanick; Les Accents; Thibault Noally |
2:01 | |||
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1.10
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"Eia ergo" (Allegro)
Alessandro Scarlatti; Anthea Pichanick; Les Accents; Thibault Noally |
1:42 | |||
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Regina Cæli
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1.11
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"Regina Cæli" (Allegretto)
Nicola Porpora; Anthea Pichanick; Les Accents; Thibault Noally |
2:48 | |||
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1.12
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"Resurrexit sicut dixit" (Allegro)
Nicola Porpora; Anthea Pichanick; Les Accents; Thibault Noally |
1:59 | |||
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1.13
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"Ora pro nobis Deum" (Adagio)
Nicola Porpora; Anthea Pichanick; Les Accents; Thibault Noally |
3:27 | |||
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1.14
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"Alleluia" (Allegro)
Nicola Porpora; Anthea Pichanick; Les Accents; Thibault Noally |
1:08 | |||
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De tenebroso lacu
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1.15
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"De tenebroso lacu" (Largo è staccato, Allegro, Adagio)
Alessandro Scarlatti; Anthea Pichanick; Les Accents; Thibault Noally |
6:02 | |||
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1.16
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"Derelecti nos exorant" (Moderato)
Alessandro Scarlatti; Anthea Pichanick; Les Accents; Thibault Noally |
5:14 | |||
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1.17
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Recitativo "Sele emosinas"
Alessandro Scarlatti; Anthea Pichanick; Les Accents; Thibault Noally |
0:45 | |||
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1.18
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"Si Fenices"(Without tempo indication)
Alessandro Scarlatti; Anthea Pichanick; Les Accents; Thibault Noally |
4:28 | |||
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1.19
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Recitativo "Ergo in tam"
Alessandro Scarlatti; Anthea Pichanick; Les Accents; Thibault Noally |
0:57 | |||
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1.20
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"De profundis" (Lento)
Alessandro Scarlatti; Anthea Pichanick; Les Accents; Thibault Noally |
7:03 | |||
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Digital Booklet
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Naples was the European capital of music, with its conservatories forming almost all the great voices of the century: let us simply mention Nicola Porpora, a brilliant composter and above all an illustrious teacher whose most famous student was Farinelli himself. The music heard in the city's churches was obviously tailored to the incredible technical abilities of the sacred monsters of that time.
This is what is apparent in this first album by contralto Anthea Pichanick, who puts her unique timbre and flamboyant virtuosity at the service of these rare scores. The Turbido cælo mare furentes motets by Leonardo Leo and Regina Cæli by Nicola Porpora, two world premieres, perfectly illustrate Naples' immoderate love of pyrotechnics and sublime melodies, moving seamlessly from one to the other. Under the direction of their conductor and founder Thibault Noally, a first-rate violinist whose bow seems to be a second voice, Les Accents weaves a setting that is both solar and twilight in turn.
96 kHz / 24-bit PCM – La Musica Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.89 -5.52 to -1.22 | -21.00 -24.33 to -18.08 | -17.81 -20.50 to -14.90 | 13 9 to 14 | |
| 1 | "Turbido cælo mare furentes" (Allegro) | -1.22 | -18.50 | -15.8 | 11 |
| 2 | Recitativo "Accense ire cælestes" | -1.90 | -21.69 | -18.4 | 13 |
| 3 | Responde "afflicte voci" (Larghetto) | -1.22 | -21.97 | -18.9 | 14 |
| 4 | "Alleluia" (Allegretto) | -1.22 | -21.35 | -17.9 | 13 |
| 5 | "Totus amore languens" (Largo) | -3.23 | -21.36 | -18.7 | 11 |
| 6 | "Epulare, delectare" (Allegro) | -1.22 | -20.66 | -17.2 | 14 |
| 7 | Recitativo "Quid hoc cœlesti ardore" | -5.52 | -21.11 | -18.4 | 9 |
| 8 | Non mannæ dulcedo | -2.94 | -21.99 | -19.4 | 12 |
| 9 | "Ite procul o dapes mundanæ" (Allegro) | -1.22 | -20.50 | -17.5 | 14 |
| 10 | "Eia ergo" (Allegro) | -1.22 | -20.10 | -16.5 | 13 |
| 11 | "Regina Cæli" (Allegretto) | -2.33 | -22.27 | -19.2 | 13 |
| 12 | "Resurrexit sicut dixit" (Allegro) | -1.22 | -21.27 | -18.1 | 14 |
| 13 | "Ora pro nobis Deum" (Adagio) | -2.22 | -22.08 | -19.5 | 12 |
| 14 | "Alleluia" (Allegro) | -1.80 | -20.71 | -16.7 | 13 |
| 15 | "De tenebroso lacu" (Largo è staccato, Allegro, Adagio) | -1.80 | -24.33 | -20.5 | 14 |
| 16 | "Derelecti nos exorant" (Moderato) | -1.50 | -21.09 | -17.7 | 14 |
| 17 | Recitativo "Sele emosinas" | -1.50 | -18.08 | -14.9 | 11 |
| 18 | "Si Fenices"(Without tempo indication) | -1.50 | -19.62 | -16.5 | 12 |
| 19 | Recitativo "Ergo in tam" | -1.50 | -19.10 | -16.0 | 11 |
| 20 | "De profundis" (Lento) | -1.50 | -22.33 | -18.4 | 13 |