℗ 2020 Oberlin Music
| Released | February 7, 2020 |
| Duration | 58m 11s |
| Record Label | Oberlin Music |
| Catalogue No. | OC19-02 |
| Genre | Classical (Art Song) |
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Mirabai Songs (Version for Voice & Piano)
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1.1
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No. 1, It’s True, I Went to the Market
John Harbison; Kendra Colton; Kayo Iwama |
2:55 | |||
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1.2
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No. 2, All I Was Doing Was Breathing
John Harbison; Kendra Colton; Kayo Iwama |
2:57 | |||
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1.3
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No. 3, Why Mira Can’t Go Back to Her Old House
John Harbison; Kendra Colton; Kayo Iwama |
2:13 | |||
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1.4
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No. 4, Where Did You Go?
John Harbison; Kendra Colton; Kayo Iwama |
2:18 | |||
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1.5
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No. 5, The Clouds
John Harbison; Kendra Colton; Kayo Iwama |
2:57 | |||
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1.6
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No. 6, Don’t Go, Don’t Go
John Harbison; Kendra Colton; Kayo Iwama |
3:55 | |||
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After Hours (Excerpts)
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1.7
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No. 22, Like Spring
John Harbison; Kendra Colton; Sanford Margolis |
2:45 | |||
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1.8
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No. 17, Sleepsong (At the Brook with Goldberg)
John Harbison; Kendra Colton; Sanford Margolis |
0:49 | |||
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1.9
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No. 18, Baseline Ballad (Why Does Love Run Dry?)
John Harbison; Kendra Colton; Sanford Margolis |
3:33 | |||
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North and South, Book 1 (Version for Voice & Piano)
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1.10
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No. 1, Ballad for Billie I
John Harbison; Kendra Colton; Kayo Iwama |
4:06 | |||
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1.11
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No. 2, Late Air
John Harbison; Kendra Colton; Kayo Iwama |
1:51 | |||
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1.12
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No. 3, Breakfast Song
John Harbison; Kendra Colton; Kayo Iwama |
3:59 | |||
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1.13
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No. 1, Ballad for Billie II
John Harbison; Kendra Colton; Kayo Iwama |
3:26 | |||
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1.14
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No. 2, Song
John Harbison; Kendra Colton; Kayo Iwama |
2:41 | |||
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1.15
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No. 3, Dear, My Compass
John Harbison; Kendra Colton; Kayo Iwama |
2:23 | |||
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Crossroads (Chamber Version)
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1.16
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Refrain I
John Harbison; Timothy Weiss; Oberlin Contemporary Music Ensemble |
0:36 | |||
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1.17
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No. 1, Twilight
John Harbison; Kendra Colton; Peggy Pearson; Timothy Weiss; Oberlin Contemporary Music Ensemble |
6:34 | |||
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1.18
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Refrain II
John Harbison; Timothy Weiss; Oberlin Contemporary Music Ensemble |
0:34 | |||
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1.19
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No. 2, Primavera
John Harbison; Kendra Colton; Peggy Pearson; Timothy Weiss; Oberlin Contemporary Music Ensemble |
2:29 | |||
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1.20
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Refrain III
John Harbison; Timothy Weiss; Oberlin Contemporary Music Ensemble |
0:35 | |||
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1.21
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No. 3, Crossroads
John Harbison; Kendra Colton; Peggy Pearson; Timothy Weiss; Oberlin Contemporary Music Ensemble |
4:35 | |||
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Digital Booklet
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96 kHz / 24-bit PCM – Oberlin Music Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.90 -10.99 to -0.25 | -24.14 -32.50 to -19.20 | -19.72 -28.00 to -14.60 | 13 11 to 15 | |
| 1 | No. 1, It’s True, I Went to the Market | -0.75 | -20.52 | -16.0 | 12 |
| 2 | No. 2, All I Was Doing Was Breathing | -0.67 | -21.76 | -17.6 | 13 |
| 3 | No. 3, Why Mira Can’t Go Back to Her Old House | -0.83 | -19.87 | -15.7 | 11 |
| 4 | No. 4, Where Did You Go? | -4.03 | -26.74 | -21.5 | 12 |
| 5 | No. 5, The Clouds | -0.50 | -19.20 | -14.6 | 11 |
| 6 | No. 6, Don’t Go, Don’t Go | -2.51 | -25.27 | -20.6 | 14 |
| 7 | No. 22, Like Spring | -0.81 | -21.82 | -18.2 | 13 |
| 8 | No. 17, Sleepsong (At the Brook with Goldberg) | -4.09 | -23.56 | -20.3 | 12 |
| 9 | No. 18, Baseline Ballad (Why Does Love Run Dry?) | -3.94 | -25.85 | -22.4 | 14 |
| 10 | No. 1, Ballad for Billie I | -0.74 | -20.93 | -16.5 | 13 |
| 11 | No. 2, Late Air | -3.31 | -23.26 | -18.9 | 11 |
| 12 | No. 3, Breakfast Song | -0.88 | -23.92 | -19.5 | 14 |
| 13 | No. 1, Ballad for Billie II | -0.66 | -20.55 | -16.0 | 12 |
| 14 | No. 2, Song | -3.17 | -26.03 | -21.0 | 14 |
| 15 | No. 3, Dear, My Compass | -0.63 | -22.03 | -16.9 | 13 |
| 16 | Refrain I | -10.70 | -31.60 | -26.7 | 11 |
| 17 | No. 1, Twilight | -0.25 | -24.05 | -19.9 | 15 |
| 18 | Refrain II | -9.60 | -30.76 | -25.9 | 11 |
| 19 | No. 2, Primavera | -1.50 | -24.26 | -19.5 | 13 |
| 20 | Refrain III | -10.99 | -32.50 | -28.0 | 13 |
| 21 | No. 3, Crossroads | -0.25 | -22.43 | -18.5 | 13 |