℗ 1955 Parlophone Records Limited, a Warner Music Group Company
Released January 24, 2020
Duration 28m 47s
Record Label Warner Classics
Genre Classical
 

Mozart: Symphony No. 41, K. 551 "Jupiter"

Otto Klemperer, Philharmonia Orchestra

Available in MQA and 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
  • Select Format
    • AIFF 96 kHz | 24-bit
    • AIFF 192 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
    • FLAC 192 kHz | 24-bit
    • MQA 192 kHz | 24-bit (source)
Add to cart
discounted price

 
Symphony No. 41 in C Major, K. 551 "Jupiter"  
1.1
I. Allegro vivace
Wolfgang Amadeus Mozart; Otto Klemperer; Philharmonia Orchestra
7:57
1.2
II. Andante cantabile
Wolfgang Amadeus Mozart; Otto Klemperer; Philharmonia Orchestra
8:15
1.3
III. Menuetto. Allegretto
Wolfgang Amadeus Mozart; Otto Klemperer; Philharmonia Orchestra
4:05
1.4
IV. Molto allegro
Wolfgang Amadeus Mozart; Otto Klemperer; Philharmonia Orchestra
8:30
Legendary conductor Otto Klemperer leads the Philharmonia Orchestra in this legacy reference recording of Mozarts "Jupiter" symphony, Symphony No. 41 in C Major. It is the longest and last symphony that Mozart composed, and is regarded by many critics as among the greatest symphonies in classical music. The German conductor Otto Klemperer (1885-1973) was born in Breslau (now Wroclaw, Poland). He studied at the Frankfurt Conservatory, then at Berlin's Klindworth-Scharwenka Conservatory, where he took lessons in composition and conducting from Pfitzner, making his debut in Berlin in 1906 with Offenbach's Orphée aux enfers. On Mahler's recommendation he became chorus master then conductor at Prague's German Theatre (1907-10); between 1910 and 1917 he worked at the opera houses of Hamburg, Bremen and Strasbourg; he was musical director at Cologne (1917-24), Wiesbaden (1924-27) and Berlin's Kroll Opera (1927–31), but left Nazi Germany in 1933, eventually settling in the USA, where he became conductor of the Los Angeles Philharmonic (1933-39). After a brain tumour operation in 1939 his career faltered until he became director of the Hungarian State Opera (1947-50). In the 1950s and 60s he achieved great success, largely through his association with the Philharmonia Orchestra in London and his recordings for EMI. In 1959 he was appointed the Philharmonia's 'conductor for life'.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Warner Classics Studio Masters

Tracks 1-4 – contains high-resolution digital transfers of material originating from an analogue master source
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-1.61
-3.07 to -0.59
-20.77
-25.85 to -18.39
-16.50
-22.30 to -13.70
13
11 to 15
1
I. Allegro vivace
-0.59-18.39-13.711
2
II. Andante cantabile
-3.07-25.85-22.315
3
III. Menuetto. Allegretto
-1.46-19.76-15.212
4
IV. Molto allegro
-1.34-19.09-14.812

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions