℗ 2020 Getting Out Our Dreams/Def Jam Recordings, a division of UMG Recordings
| Released | January 17, 2020 |
| Duration | 44m 13s |
| Record Label | Getting Out Our Dreams Inc |
| Genre | Hip Hop |
Modus Vivendi [Edited / Clean]
070 Shake
Available in 192 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Don't Break The Silence
070 Shake |
1:45 | |||
|
1.2
|
Come Around
070 Shake |
1:36 | |||
|
1.3
|
Morrow
070 Shake |
4:06 | |||
|
1.4
|
The Pines
070 Shake |
3:34 | |||
|
1.5
|
Guilty Conscience
070 Shake |
3:33 | |||
|
1.6
|
Divorce
070 Shake |
3:39 | |||
|
1.7
|
It's Forever
The Ebonys |
0:17 | |||
|
1.8
|
Rocketship
070 Shake |
3:04 | |||
|
1.9
|
Microdosing
070 Shake |
3:39 | |||
|
1.10
|
Nice To Have
070 Shake |
3:52 | |||
|
1.11
|
Under The Moon
070 Shake |
3:27 | |||
|
1.12
|
Daydreamin
070 Shake |
2:48 | |||
|
1.13
|
Terminal B
070 Shake |
5:31 | |||
|
1.14
|
Flight319
070 Shake |
3:22 |
"The heavy-hearted G.O.O.D. Music debut from the young singer is a refreshingly new take on eclectic, lovesick soul music."
- Pitchfork
"Shedding collaborations entirely, the album consists solely of 070 Shake’s hypnotising hooks and shape-shifting vocals. It cements the 22-year-old as a unique artist, proving to everyone – and perhaps even herself – that she doesn’t need anyone but her voice to vault herself to success. On Modus Vivendi, she manages to craft a sound that’s anthemic, and built for festivals and clubs; but within the grooves, she’s precise. Nothing feels out of place. This is project sculpted away from current trends."
- NME
American hip-hop artist 070 Shake releases her highly anticipated new release Modus Vivendi on Kanye West's G.O.O.D. music imprint. Notably included on "Ghost Town" from Kanye West's ye, 070 Shake has been on an incredible rise. The album features production from Mike Dean and indie rock musician Dave Hamelin, among others.
192 kHz / 24-bit PCM – Getting Out Our Dreams Inc Studio Masters
Tracks 1-3, 10-13 – 48 kHz / 24-bit PCM, mastered in 192 kHz / 24-bit Tracks 4-6, 9, 14 – 44.1 kHz / 24-bit PCM, mastered in 192 kHz / 24-bit Tracks 7, 8 – 96 kHz / 24-bit PCM, mastered in 192 kHz / 24-bit
Tracks 1-3, 10-13 – 48 kHz / 24-bit PCM, mastered in 192 kHz / 24-bit Tracks 4-6, 9, 14 – 44.1 kHz / 24-bit PCM, mastered in 192 kHz / 24-bit Tracks 7, 8 – 96 kHz / 24-bit PCM, mastered in 192 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.87 -7.01 to -0.40 | -11.70 -23.61 to -9.41 | -9.86 -19.80 to -7.70 | 6 4 to 11 | |
| 1 | Don't Break The Silence | -0.40 | -14.69 | -12.7 | 9 |
| 2 | Come Around | -0.40 | -10.15 | -8.5 | 5 |
| 3 | Morrow | -0.40 | -9.75 | -8.1 | 6 |
| 4 | The Pines | -0.40 | -9.55 | -9.0 | 4 |
| 5 | Guilty Conscience | -0.40 | -10.19 | -8.1 | 5 |
| 6 | Divorce | -0.40 | -12.88 | -11.0 | 8 |
| 7 | It's Forever | -7.01 | -23.61 | -19.8 | 11 |
| 8 | Rocketship | -0.40 | -10.53 | -9.1 | 6 |
| 9 | Microdosing | -0.40 | -10.79 | -9.5 | 6 |
| 10 | Nice To Have | -0.40 | -10.29 | -9.3 | 6 |
| 11 | Under The Moon | -0.40 | -9.41 | -7.7 | 5 |
| 12 | Daydreamin | -0.40 | -10.32 | -7.8 | 5 |
| 13 | Terminal B | -0.40 | -11.37 | -9.0 | 6 |
| 14 | Flight319 | -0.40 | -10.26 | -8.4 | 6 |