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Duality

Oberon Trio

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Piano Trio in D Minor, Hob. XV:23  
1.1
I. Molto Andante
Joseph Haydn; Oberon Trio
8:43
1.2
II. Adagio ma non Troppo
Joseph Haydn; Oberon Trio
4:40
1.3
III. Finale. Vivace
Joseph Haydn; Oberon Trio
4:31
1.4
Trio for Violin, Cello and Piano
Toshio Hosokawa; Oberon Trio
12:36
1.5
Vitesbk, study on a Jewish Theme for Violin, Cello and Piano
Aaron Copland; Oberon Trio
12:30
Piano Trio No. 2 in F Major, Op. 80  
1.6
I. Sehr lebhaft
Robert Schumann; Oberon Trio
7:50
1.7
II. Mit innigem Ausdruck
Robert Schumann; Oberon Trio
7:30
1.8
III. In mäßiger Bewegung
Robert Schumann; Oberon Trio
5:23
1.9
IV. Nicht zu rasch
Robert Schumann; Oberon Trio
5:39
Digital Booklet
Total Playing Time    69:22
In the Oberon Trio, duality is dealt with constantly on a basic level. A piano trio combines two different instrumental families: this is already something "dual". We even ask ourselves how the piano can form a unity with string instruments at all! But piano trio repertoire shows that it is possible. The combination is almost magical. "When I think of the three of us and our personalities, I find that we do not form a duality. We are three strong, proactive personalities: in our trio each one of us is autonomous, and we make music as equals [...] Perhaps a sort of duality is nevertheless at work in the very fact that the trio forms a unity, on the one hand, but is made up of three different personalities on the other. Of course we find it important to work together until we become homogeneous." - Oberon Trio
48 kHz / 24-bit PCM – CAvi-music Studio Masters

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